<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8337601251829074745</id><updated>2012-02-11T08:44:50.880-08:00</updated><category term='Eritrea'/><category term='Khat'/><category term='syllograph'/><category term='morphographemic'/><category term='logograms'/><category term='Freedom'/><category term='Tsegaye Gabre-Medhin'/><category term='Gurage'/><category term='Human Rights'/><category term='Abyssinia'/><category term='Hama Tuma'/><category term='Mengesha Rikitu'/><category term='Oromo'/><category term='Ethiopia'/><category term='Kafa'/><category term='Oromtitti'/><category term='Asras Yanesaw'/><category term='Afroasiatic'/><category term='K&apos;naan'/><category term='Africa Confidential'/><category term='Ge&apos;ez'/><category term='Somalia'/><category term='Oromifa'/><category term='hermeneutics'/><category term='Proverbs'/><category term='Owl'/><category term='Cheryl Hatch'/><category term='Roots Manuva'/><category term='Marcos Valle'/><category term='Axum'/><category term='Akkadian'/><category term='Gada'/><category term='praise-poems'/><category term='Ugaritic'/><category term='Asmarom Legesse'/><category term='Africa'/><category term='Ayele Bekerie'/><category term='Algeria'/><category term='Ethiopic'/><category term='Sumerian'/><category term='Belletech Deressa'/><category term='Donkey'/><category term='alphabet'/><title type='text'>Machaho Tellem Chaho</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>41</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-389131432694784094</id><published>2012-01-14T08:00:00.000-08:00</published><updated>2012-01-14T01:30:56.138-08:00</updated><title type='text'>Algerian novelists (1)</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:officedocumentsettings&gt;   &lt;o:allowpng/&gt;  &lt;/o:OfficeDocumentSettings&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;EN-GB&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:enableopentypekerning/&gt;    &lt;w:dontflipmirrorindents/&gt;    &lt;w:overridetablestylehps/&gt;   &lt;/w:Compatibility&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val="Cambria Math"&gt;    &lt;m:brkbin val="before"&gt;    &lt;m:brkbinsub val="&amp;#45;-"&gt;    &lt;m:smallfrac val="off"&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val="0"&gt;    &lt;m:rmargin val="0"&gt;    &lt;m:defjc val="centerGroup"&gt;    &lt;m:wrapindent val="1440"&gt;    &lt;m:intlim val="subSup"&gt;    &lt;m:narylim val="undOvr"&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"&gt;   &lt;w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"&gt;   &lt;w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 1"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 2"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 3"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 4"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 5"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 6"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 7"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 8"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 9"&gt;   &lt;w:lsdexception locked="false" priority="35" qformat="true" name="caption"&gt;   &lt;w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"&gt;   &lt;w:lsdexception locked="false" priority="1" name="Default Paragraph Font"&gt;   &lt;w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"&gt;   &lt;w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"&gt;   &lt;w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"&gt;   &lt;w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Revision"&gt;   &lt;w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"&gt;   &lt;w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"&gt;   &lt;w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"&gt;   &lt;w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"&gt;   &lt;w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"&gt;   &lt;w:lsdexception locked="false" priority="37" name="Bibliography"&gt;   &lt;w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:"Table Normal";  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-priority:99;  mso-style-parent:"";  mso-padding-alt:0cm 5.4pt 0cm 5.4pt;  mso-para-margin-top:0cm;  mso-para-margin-right:0cm;  mso-para-margin-bottom:10.0pt;  mso-para-margin-left:0cm;  line-height:115%;  mso-pagination:widow-orphan;  font-size:11.0pt;  font-family:"Calibri","sans-serif";  mso-ascii-font-family:Calibri;  mso-ascii-theme-font:minor-latin;  mso-hansi-font-family:Calibri;  mso-hansi-theme-font:minor-latin;  mso-bidi-font-family:"Times New Roman";  mso-bidi-theme-font:minor-bidi;  mso-fareast-language:EN-US;} &lt;/style&gt; &lt;![endif]--&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;Once again the ‘One is never better served than by oneself’ axiom is proving entirely false as far as my experience is concerned. One is much better served by others, or at the very least much better helped - not meaning to sound royal. Thanks to Twitter this time round.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;I set out about six months ago to exclusively read literature written by Algerian writers (I use the term literature loosely). I wanted to see if there was a distinctive feature or thread in ‘Algerian novels’, a particular Algerian experience encrypted in the numerous works of those born and raised on that land. Or is literature in essence ‘universal’, drawn from a common source of knowledge and experience - you know the one high up there, limitless, mighty, impalpable and damn repetitive - similar in expression and theme for every place and every people.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;It turns out that this exclusive-reading is proving rather painful - I don’t recommend it - and I have taken a break several times to clear my head by reading others (I tried to do so by reading literature from Egypt and the Levant but it made things worse…).  But on the whole it has been and continues to be a very interesting exercise. While we (Algerians) still await open debates and accurate records on modern Algerian history, rest assured that a large amount of this information, memory and experience is safely kept and guarded in ‘fiction’.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;So I tweeted HELP to get recommendations for Algerian contemporary writers, whether they write in Arabic, French and ‘Berber’ (Algerians are polyglots) and these are the names and links to novelists that popped up in my Time Line:&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;From: @iChaib (Waciny Laaredj, Ahlem Mostaghanemi, Mihoubi, Amine Zaoui), @FeveDeCacao (Ahlem Mostaghanemi), @taharhani (Amine Zaoui , Waciny Al-Aredj, Tahar Ouattar), @djenad (Tahar Outtar, Boudjadra, Abdelhamid Benhadouga), @BentAljazair (Bahia Kiared, Hamid Grine and links to Algerian lit magazines with an online presence @LivreEscQ and @qarato), with @LyesDAH, @LaSoussaDZ and @7our joining in.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;Mysterious @Haroun46 tweeted these excellent links to articles and interviews: an article on the Algerian political novel composed in Arabic &lt;a href="http://www.persee.fr/web/revues/home/prescript/article/mots_0243-6450_1998_num_54_1_2330"&gt;&lt;span style="color:blue;"&gt;HERE&lt;/span&gt;&lt;/a&gt; (in French), one on the Algerian novel composed in Arabic &lt;a href="http://www.city-dz.com/le-roman-algerien-d%E2%80%99expression-arabe-a-la-recherche-de-sa-langue/"&gt;&lt;span style="color:blue;"&gt;HERE&lt;/span&gt;&lt;/a&gt; (in French), and a very good presentation and list of Algerian Women writers &lt;a href="http://ecrivainsmaghrebins.blogspot.com/2010/07/litterature-algerienne-feminine.html"&gt;&lt;span style="color:blue;"&gt;HERE&lt;/span&gt;&lt;/a&gt; (in French).  Very useful thank you Haroun.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;From @arablit : Ahlem Mostaghanemi, Bashir Mufti, Waciny Laredj, Samir Qasimi and a link to &lt;a href="http://www.actes-sud.fr/recherche_rapide?keys=Algerie&amp;amp;type=All"&gt;&lt;span style="color:blue;"&gt;Actes Sud&lt;/span&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;Also, @jam_mag kindly winked at @VinyCulture and they are preparing a list of contemporary Algerian writers I am told.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;Based on the recommendations, you can see who made it in the annals!  Thanks to all the Tweeps who answered :-)&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;So far the writers I have read are those of ‘worldwide’ fame or the national classics. The contemporary ones are all in their 60s (plus). This (old) age business does strike me as significant.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;The famous contemporary novelists are Assia Djebbar (wonder of wonders), Waciny Laredj (not yet read), Rachid Boudjedra (brilliant), Amine Zaoui (edgy sense of humour), the excruciating Yasmina Khadra, Anouar Benmalek (great story teller), Ahlem Mostaghanemi (whose work I dislike, but in fairness I have read her in translation only).&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;I have not yet read those recommended by @bentAljazair nor @arablit (I can’t actually find the books for Qasimi and Mufti).&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;The must-read oldies and my beloveds are Mouloud Feraoun, Tahar Djaout, Mohammed Dib, Tahar Ouattar, the poets Youcef Sebti, Jean Amrouche and Si Mu’hand.  I have to confess that I was not transported by any sort of transcendental experience by Kateb Yacine’s prose though (sorry). Of note there is writer Fadela M’Rabet, not often spoken of and not quite writing fiction, but I enjoyed her &lt;i style="mso-bidi-font-style:normal"&gt;Alger, un theatre de revenants&lt;/i&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;.&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;Incidentally, there are some ace story-blogger-writers out there, check out &lt;a href="http://www.jeuneviealgeroise.com/"&gt;&lt;span style="color:blue;"&gt;Jeune Vie Algeroise&lt;/span&gt;&lt;/a&gt; and &lt;a href="http://www.dz-chick.com/"&gt;&lt;span style="color:blue;"&gt;DZ-Chick&lt;/span&gt;&lt;/a&gt; (thanks to @T_Zano for letting me know about this blog).&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;The youngest writers I’ve managed to find so far are Amara Lakhous, based in Italy, Leila Marouane based in France and Biara Kiared (based in Canada perhaps).&lt;b&gt;  &lt;/b&gt;As for&lt;b&gt; &lt;/b&gt;poets there is the beautiful &lt;a href="http://en.alapn.com/index.php?threads_id=986"&gt;&lt;span style="color:blue;"&gt;Hanin Omar&lt;/span&gt;&lt;/a&gt;, winner of the first edition of the Prince of Poets competition. That’s the generation below 45!&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:100%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:100%;"  &gt;What I would like to find out now is: who are the well-known contemporary writers under 40, published (or not yet published) in Algeria. Because I do believe that they exist and that they have brilliant minds, I do, I really do!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:100%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:100%;"  &gt;Maybe you can help me out.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;PS: This post was written on the occasion of #DZBlogday under the theme 'Agir pour l'Algerie'.  Alors agissons.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;LIST OF ALGERIAN WRITERS (1)&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GB; mso-bidi-font-weight:boldfont-family:&amp;quot;;font-size:12.0pt;"  &gt;For the writers I have read (well almost), by birth date&lt;/span&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; (obviously, there are many many more Algerian writers than contained herein):&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;b style=""&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;The young’uns: &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Samir Qasimi (1974-) (&lt;i&gt;Loss Permit&lt;/i&gt; and A Great Day to Die (Youm Ra’ih lilmout, 2009&lt;i&gt;) &lt;a href="http://www.arabicfiction.org/author/9.html"&gt;&lt;span style="color:blue;"&gt;Profile on IFPAF&lt;/span&gt;&lt;/a&gt; .&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Amara Lakhous (1970-) - is based in Rome and just published &lt;i&gt;Clash of Civilisation Over an Elevator in Piazza Vittorio&lt;/i&gt;. I advise you to cruise around his &lt;a href="http://www.amaralakhous.com/info/"&gt;&lt;span style="color:blue;"&gt;website for more info&lt;/span&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Bahia Kiared I have no birth year for her but you can look her up &lt;a href="http://www.djazairess.com/fr/infosoir/13547"&gt;&lt;span style="color:blue;"&gt;here&lt;/span&gt;&lt;/a&gt;. There's also her &lt;a href="http://www.facebook.com/bahia.kiared"&gt;&lt;span style="color:blue;"&gt;Facebook page&lt;/span&gt;&lt;/a&gt; and her &lt;a href="http://www.facebook.com/group.php?gid=170679751285&amp;amp;v=wall"&gt;&lt;span style="color:blue;"&gt;book’s facebook page&lt;/span&gt;&lt;/a&gt; with links to other Algerian authors based in Canada.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Leila Marouane (1960-) - author of 6 novels already (possibly not a good thing but I've only read one).&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;u&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;span style="text-decoration:none"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;u&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;span style="text-decoration:none"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;u&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;u&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;u&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;Born in the 1950s:&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;Writing in Arabic&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style=" font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Amine Zaoui (1956-) - formerly in charge of the National Library in Algiers, writes in Arabic and in French.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Waciny Al-Aredj (1954-)&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Hamid Grine (1954-) - journalist and novelist, writes in Arabic and in French.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Azzedine Mihoubi (I couldn’t find a date of birth for him, but as he is the former Secretary of State now Director of the &lt;i style="mso-bidi-font-style:normal"&gt;Bibliothèque Nationale d’Algérie&lt;/i&gt;, I’d say in his 60s) - he published a poetry collection &lt;i&gt;el-Rouba'iat&lt;/i&gt; translated in French by a certain Mr Djillali Attatfa, available as &lt;i style="mso-bidi-font-style:normal"&gt;Quatrains&lt;/i&gt;, published by Hibr, in 2010 which I’ve found &lt;a href="http://azzedinemihoubi.com/sites/default/files/Quatrains%20poemes%20%D8%AF%D9%8A%D9%88%D8%A7%D9%86%20%D8%B1%D8%A8%D8%A7%D8%B9%D9%8A%D8%A7%D8%AA_0.pdf"&gt;&lt;span style="color:blue;"&gt;online on PDF&lt;/span&gt;&lt;/a&gt;! Do have a read.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Bashir Mufti (I have no birth date for him but I’d say same generation as Hamid Grine) - see &lt;a href="http://www.arabicfiction.org/news.93.html"&gt;&lt;span style="color:blue;"&gt;a Q&amp;amp;A with Mufti here&lt;/span&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;Writing in French&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style=" font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;color:black;" lang="FR"   &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; background:white;mso-ansi-language:FR;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;color:black;" lang="FR"   &gt;-Anouar Benmalek (1956-)&lt;/span&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;-Amine Zaoui (1956-) - &lt;/span&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;formerly &lt;/span&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;in charge of the National Library in Algiers, writes in Arabic and in French.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;background:white; mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;color:black;"   &gt;-Yasmina Khadra (1955-) - much a fuss about nothing as far as I'm concerned. He writes really good polards (his first three books) and his 2010 novel &lt;/span&gt;&lt;i&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;L'Olympe des infortunes&lt;/span&gt;&lt;/i&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;background:white; mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;color:black;"   &gt; is excellent, the rest you can bin. However, if you like repetition, clichés, platitudes and skeletal plots, pick the other works, he’s scribbled quite a bit.&lt;/span&gt;&lt;span style=" font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Tahar Djaout (1954-1993) - poetic prose all the way.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;u&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;span style="text-decoration:none"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;u&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;u&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;u&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;Born in the 1940s:&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;Writing in Arabic &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Ahlem Mostaghanemi (doesn’t give her date of birth but given that very fact I’d say born in the 40s, same generation as Djebbar possibly).&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Merzac Bagtache (1945-) - &lt;a href="http://www.revues-plurielles.org/_uploads/pdf/4_10_15.pdf"&gt;&lt;span style="color:blue;"&gt;see a Q&amp;amp;A with Bagtache here&lt;/span&gt;&lt;/a&gt; [NOT YET READ] &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;Writing in French&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;color:black;" lang="FR"   &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; background:white;mso-ansi-language:FR;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;color:black;" lang="FR"   &gt;-Boualem Sansal (1949-)&lt;/span&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Rachid Mimouni (1945-1995)&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; background:white;mso-ansi-language:FR;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;color:black;" lang="FR"   &gt;-Fatima Gallaire, &lt;a href="http://www.gallaire.com/fatima/"&gt;&lt;span style="color:blue;"&gt;playright &lt;/span&gt;&lt;/a&gt;(1944-)&lt;/span&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; background:white;mso-ansi-language:FR;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;color:black;" lang="FR"   &gt;-Youcef Sebti (1943-1993) - poet.&lt;/span&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Rachid Boudjedra (1941-). &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;u&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;span style="text-decoration:none"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;u&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;u&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;u&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;Born in the 30s:&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;Writing in Arabic&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Tahar Wattar &lt;span style="background:white;color:black;" &gt;(1936-2010).&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;Writing in French&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span style=" font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Malek Alloula (1937-) - lately published &lt;i&gt;Paysages d’un retour&lt;/i&gt; (photo-roman), photographs by Pierre Clauss, Actes Sud, 2010&lt;/span&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-ansi-language:FR;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;" lang="FR"  &gt; (his brother was the well-known playright Abdelkader Alloula 1939-1994). [NOT YET READ]&lt;/span&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;color:black;"   &gt;-Assia Djebar (1936-).&lt;/span&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Fadela M’Rabet (1936-).&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Colette Anna Melki (1931-1966) - I have not been able to get my hands on her work apart from the excerpts floating around the net.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br style="mso-special-character:line-break"&gt; &lt;br style="mso-special-character:line-break"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal;background:white"&gt;&lt;i&gt;&lt;u&gt;&lt;span style=" font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;The Goldies and classics&lt;/span&gt;&lt;/u&gt;&lt;/i&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal;background:white"&gt;&lt;span style=" font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;background:white;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;background:white;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Si Muhand U M'hand (1848-1905). [in Kabyle]&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;background:white;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Jean Amrouche (1906-1962) and &lt;/span&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; mso-ansi-language:FR;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;" lang="FR"  &gt;Taos Amrouche (1913-1976) - &lt;/span&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;background:white;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;color:black;"   &gt;you can find out a lot about both Jean and Taos from the blog of journalist &lt;a href="http://hocinelamriben.unblog.fr/"&gt;&lt;span style="color:blue;"&gt;Hocine Lamriben&lt;/span&gt;&lt;/a&gt;. [Jean wrote in French, Taos wrote in French and composed her songs in Kabyle].&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Zekri Cheikh (Moufdi Zakaria) (1908-1977) – poet, author of &lt;a href="http://www.youtube.com/watch?v=ZXmfPPw4SL8&amp;amp;feature=related"&gt;&lt;span style="color:blue;"&gt;Qassaman&lt;/span&gt;&lt;/a&gt;. [in Arabic]&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal;background:white"&gt;&lt;span style=" font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Ahmed Rida Houhou (1911-1956) - the first Algerian novelist (published in 1947). [in Arabic] [NOT YET READ]&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal;background:white"&gt;&lt;span style=" font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Mouloud Feraoun (1913-1962) - a dear dear favourite of mine. [in French]&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Mouloud Mammeri (1917-1989). [in French]&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal;background:white"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; background:white;mso-ansi-language:FR;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;" lang="FR"  &gt;-Mohammed Dib (1920-2003) - author of the awesome trilogy. Perhaps the only Algerian author to have written a trilogy? [in French]&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal;background:white"&gt;&lt;span style=" font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal;background:white"&gt;&lt;span style=" font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Abdelhamid Benhedouga (1925-1996) - considered to have written the first true Algerian novel: Le vent du sud (Rih el Djanoub)) [in Arabic] [NOT YET READ]&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal;background:white"&gt;&lt;span style=" font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;background: white;mso-ansi-language:FR;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;" lang="FR"  &gt;-Jean Senac (1926–1962) - Poet [in French]&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;-Malek Haddad (1927-1978) - poet and novelist). [in French] [NOT YET READ]&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;background:white; mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;color:black;"   &gt;-Kateb Yacine (1929-1989) - super star. [in French]&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;color:black;"   &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;background:white; mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;color:black;"   &gt;(I am not including Albert Camus here ok! - oh, and nor am I including Mohamed Benchicou!)&lt;/span&gt;&lt;span style=" font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;u&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;" lang="FR"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/u&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;u&gt;&lt;span style=" font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;; mso-ansi-language:FR;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;" lang="FR"  &gt;Algerian literature prizes&lt;/span&gt;&lt;/u&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;text-align: justify;line-height:normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-fareast-language:EN-GBfont-family:&amp;quot;;font-size:12.0pt;"  &gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;" lang="FR"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;font-family:&amp;quot;;font-size:12.0pt;" lang="FR"  &gt;- P&lt;span style=""&gt;rix des libraires algériens (an article in Le Matin says that it is no longer getting funds so pretty&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height: normal"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-ansi-language:FR;mso-fareast-language: EN-GBfont-family:&amp;quot;;font-size:12.0pt;" lang="FR"  &gt;&lt;span style="mso-bidi-font-style:italic"&gt;much dead&lt;/span&gt; &lt;a href="http://www.lematindz.net/news/5866-le-prix-des-libraires-algeriens-aux-calendes-grecques.html"&gt;&lt;span style="color:blue;"&gt;here&lt;/span&gt;&lt;/a&gt;).&lt;/span&gt;&lt;/p&gt;  &lt;span style="line-height:115%;font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; mso-fareast-Times New Roman&amp;quot;;mso-ansi-language:FR;mso-fareast-language: EN-GB;mso-bidi-language:AR-SA;mso-bidi-font-style:italicfont-family:&amp;quot;;font-size:12.0pt;" lang="FR"  &gt;- Prix Mohamed Dib&lt;br /&gt;- Prix Rachid Mimouni&lt;br /&gt;- Prix du meilleur roman en langue française (bien sur! *read irony*)&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-389131432694784094?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/389131432694784094/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=389131432694784094' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/389131432694784094'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/389131432694784094'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2012/01/algerian-novelists.html' title='Algerian novelists (1)'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-1234652251453718848</id><published>2011-12-29T13:42:00.000-08:00</published><updated>2011-12-29T13:44:42.625-08:00</updated><title type='text'>Ces femmes qui font l'Algerie autrement</title><content type='html'>Found on FATEA's website: &lt;a href="http://fatea.blog.lemonde.fr/2011/04/18/ces-femmes-qui-font-lalgerie/"&gt;femmes au travail en Algerie&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;object width="100%" height="400"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="movie" value="http://www.vuvox.com/collage_express/collage.swf?collageID=03d5304907"&gt;&lt;embed src="http://www.vuvox.com/collage_express/collage.swf?collageID=03d5304907" allowfullscreen="true" type="application/x-shockwave-flash" width="100%" height="400"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-1234652251453718848?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/1234652251453718848/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=1234652251453718848' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/1234652251453718848'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/1234652251453718848'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2011/12/ces-femmes-qui-font-lalgerie-autrement.html' title='Ces femmes qui font l&apos;Algerie autrement'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-7915041005057698952</id><published>2011-12-07T02:08:00.000-08:00</published><updated>2011-12-07T02:12:05.488-08:00</updated><title type='text'>Week in Photos - Al-Akhbar English</title><content type='html'>Photo taken from the pages of Al-Akhbar English for the Week in Photos: link &lt;a href="http://english.al-akhbar.com/photoblogs/week-photos"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-EgiQL0y6trs/Tt87e4aOIZI/AAAAAAAAAJ8/_bmWVdjRxcY/s1600/Women%252C%2BDresses%252C%2BSandals%2Band%2Bcolours.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 524px; height: 332px;" src="http://3.bp.blogspot.com/-EgiQL0y6trs/Tt87e4aOIZI/AAAAAAAAAJ8/_bmWVdjRxcY/s400/Women%252C%2BDresses%252C%2BSandals%2Band%2Bcolours.jpg" alt="" id="BLOGGER_PHOTO_ID_5683326656489333138" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Women wait in line to see the sacred Buddha's tooth relic on display at a temple in Yangon. (Photo: REUTERS - Damir Sagolj)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-7915041005057698952?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/7915041005057698952/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=7915041005057698952' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/7915041005057698952'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/7915041005057698952'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2011/12/week-in-photos-al-akhbar-english.html' title='Week in Photos - Al-Akhbar English'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-EgiQL0y6trs/Tt87e4aOIZI/AAAAAAAAAJ8/_bmWVdjRxcY/s72-c/Women%252C%2BDresses%252C%2BSandals%2Band%2Bcolours.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-8785545167739537062</id><published>2011-12-04T03:24:00.000-08:00</published><updated>2011-12-04T03:55:24.122-08:00</updated><title type='text'>Visual chronicles: Bouteflika</title><content type='html'>To be completed...&lt;br /&gt;&lt;br /&gt;Ahmadinejad&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-F1oCjUnCGX4/TttbYWf2H9I/AAAAAAAAAI0/wfL14ymPA9o/s1600/Bouteflika%2Band%2BAhmadinejad.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 230px; height: 219px;" src="http://1.bp.blogspot.com/-F1oCjUnCGX4/TttbYWf2H9I/AAAAAAAAAI0/wfL14ymPA9o/s400/Bouteflika%2Band%2BAhmadinejad.jpg" alt="" id="BLOGGER_PHOTO_ID_5682235828772151250" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Bush&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-mV2gTOUALnI/TttfRKvSj-I/AAAAAAAAAJk/oWq_sj_FQdE/s1600/boutef_Bush.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 241px; height: 220px;" src="http://4.bp.blogspot.com/-mV2gTOUALnI/TttfRKvSj-I/AAAAAAAAAJk/oWq_sj_FQdE/s400/boutef_Bush.jpg" alt="" id="BLOGGER_PHOTO_ID_5682240103403130850" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;C&lt;br /&gt;&lt;br /&gt;D&lt;br /&gt;&lt;br /&gt;E&lt;br /&gt;&lt;br /&gt;F&lt;br /&gt;&lt;br /&gt;Gaddhafi&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-3IiQwibjryA/TttbiXfsxYI/AAAAAAAAAJA/7YyOr3gB7d0/s1600/Bouteflika%2Band%2BGaddhafi.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 299px; height: 169px;" src="http://3.bp.blogspot.com/-3IiQwibjryA/TttbiXfsxYI/AAAAAAAAAJA/7YyOr3gB7d0/s400/Bouteflika%2Band%2BGaddhafi.jpg" alt="" id="BLOGGER_PHOTO_ID_5682236000838665602" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;H&lt;br /&gt;&lt;br /&gt;I&lt;br /&gt;&lt;br /&gt;J&lt;br /&gt;&lt;br /&gt;K&lt;br /&gt;&lt;br /&gt;L&lt;br /&gt;&lt;br /&gt;Mubarak&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-lDx6DB0akjs/TttfdjKYfrI/AAAAAAAAAJw/6mszRBGgam8/s1600/bouteflika%2Bmoubarak%2Bkiss.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 270px; height: 186px;" src="http://4.bp.blogspot.com/-lDx6DB0akjs/TttfdjKYfrI/AAAAAAAAAJw/6mszRBGgam8/s400/bouteflika%2Bmoubarak%2Bkiss.jpg" alt="" id="BLOGGER_PHOTO_ID_5682240316117647026" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;N&lt;br /&gt;&lt;br /&gt;O&lt;br /&gt;&lt;br /&gt;P&lt;br /&gt;&lt;br /&gt;Q&lt;br /&gt;&lt;br /&gt;R&lt;br /&gt;&lt;br /&gt;Sarkozy&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-s6LNIyDjvyM/TttbrPE6qMI/AAAAAAAAAJM/iWbKgimhnL4/s1600/bouteflika-sarkozy.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 298px; height: 191px;" src="http://4.bp.blogspot.com/-s6LNIyDjvyM/TttbrPE6qMI/AAAAAAAAAJM/iWbKgimhnL4/s400/bouteflika-sarkozy.jpg" alt="" id="BLOGGER_PHOTO_ID_5682236153197668546" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;T&lt;br /&gt;&lt;br /&gt;U&lt;br /&gt;&lt;br /&gt;V&lt;br /&gt;&lt;br /&gt;W&lt;br /&gt;&lt;br /&gt;X&lt;br /&gt;&lt;br /&gt;Y&lt;br /&gt;&lt;br /&gt;Z&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-8785545167739537062?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/8785545167739537062/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=8785545167739537062' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/8785545167739537062'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/8785545167739537062'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2011/12/visual-chronicles-bouteflika.html' title='Visual chronicles: Bouteflika'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-F1oCjUnCGX4/TttbYWf2H9I/AAAAAAAAAI0/wfL14ymPA9o/s72-c/Bouteflika%2Band%2BAhmadinejad.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-1144468001206390623</id><published>2011-11-27T02:22:00.000-08:00</published><updated>2011-11-27T02:23:14.075-08:00</updated><title type='text'>Tunisian Cartoonist Z</title><content type='html'>Just discovered through an &lt;a href="http://www.economist.com/blogs/newsbook/2011/11/political-cartoons?fsrc=scn/tw/te/bl/drawingtunisiasrevolution"&gt;article on the Economist&lt;/a&gt; (its articles aren't always useless) the Tunisian cartoonist Z.&lt;br /&gt;&lt;br /&gt;Here is a cracking cartoon of Rachid El-Ghannouchi: Sheikh Dracullah!&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-2xhw98VDmro/TtIO9Amqi2I/AAAAAAAAAk4/xDCWNMwouxA/s1600/Rachid%2BGhannouchi%2BSheikh%2BDracullah.jpg"&gt;&lt;img style="cursor: pointer; width: 606px; height: 340px;" src="http://3.bp.blogspot.com/-2xhw98VDmro/TtIO9Amqi2I/AAAAAAAAAk4/xDCWNMwouxA/s400/Rachid%2BGhannouchi%2BSheikh%2BDracullah.jpg" alt="" id="BLOGGER_PHOTO_ID_5679618521364597602" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-1144468001206390623?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/1144468001206390623/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=1144468001206390623' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/1144468001206390623'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/1144468001206390623'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2011/11/tunisian-cartoonist-z.html' title='Tunisian Cartoonist Z'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-2xhw98VDmro/TtIO9Amqi2I/AAAAAAAAAk4/xDCWNMwouxA/s72-c/Rachid%2BGhannouchi%2BSheikh%2BDracullah.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-5690914562558267163</id><published>2011-10-16T23:10:00.000-07:00</published><updated>2011-10-16T23:20:24.365-07:00</updated><title type='text'>In memory of the Algerian victims of 17 October 1961</title><content type='html'>50 years today.&lt;br /&gt;&lt;br /&gt;Algerians in Paris peacefully demonstrated for an independent Algeria on 17 October 1961.  Hundreds of them were attacked and massacred by French police and thrown into the river Seine.  These killings were never acknowledged by the French authorities.  Today, demonstrations all over France are taking place to ask that this massacre be formally recognised.&lt;br /&gt;&lt;br /&gt;&lt;iframe src="http://www.youtube.com/embed/RUkyteLCIJ0" allowfullscreen="" width="560" frameborder="0" height="315"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-5690914562558267163?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/5690914562558267163/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=5690914562558267163' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/5690914562558267163'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/5690914562558267163'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2011/10/in-memory-of-algerian-victims-of-17.html' title='In memory of the Algerian victims of 17 October 1961'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/RUkyteLCIJ0/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-4280799691885128838</id><published>2011-10-13T23:31:00.000-07:00</published><updated>2011-10-14T06:33:01.873-07:00</updated><title type='text'>Justice for Mohammed Baba Nadjar</title><content type='html'>This is a translation of Algeria Watch's page on Baba Nadjar &lt;a href="http://algeria-watch.org/fr/mrv/mrvtort/comite_baba_nadjar/silence.htm"&gt;here&lt;/a&gt; (in French) and part of Kalima DZ's &lt;a href="http://lanationdz.com/2011/10/13/en-greve-de-la-faim-depuis-12-jours-baba-nadjar-meurt-en-silence/"&gt;latest communiqué&lt;/a&gt; about this young man's case (in French).&lt;br /&gt;&lt;br /&gt;"Mohamed Baba-Nadjar, born on 4 January 1984 is from Ghardaïa.  He was 21 years-old when Brahim Bazine was attacked and assassinated in October 2005.  Brahim Bazine was a member of the Red Crescent's local office and a former militant of the FFS [Algeria's socialist party].&lt;br /&gt;&lt;br /&gt;With no proof whatsoever, Mohamed Baba-Nadjar was accused of having murdered Bazine, his sentence on 6 June 2006 was the death penalty.   Since then he has been incarcerated in Ghardaïa’s prison where he was tortured.&lt;br /&gt;&lt;br /&gt;On Saturday 03 January 2009 the appeal of young Mohamed Baba Nadjar should have been heard.  It was postponed for the second time running.  No other date was fixed for the case to be heard.&lt;br /&gt;&lt;br /&gt;The prosecutor general had apparently asked the Supreme Court on 23 December 2008 that his trial be postpostoned and heard outside of Ghardaïa’s jurisdiction for “security reasons”. The people of Ghardaïa are very mobilised and to show solidarity, on 3 January 2008, the day of the trial, a general strike was largely observed by all shop keepers.&lt;br /&gt;&lt;br /&gt;We are now 13 October 2011, which corresponds to the twelth day of Mohammed Baba Nadjar’s hunger strike.  His mental and physical health has so deteriorated that he is refusing visits from his family."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Baba Nadjar is considered by the Algerian public opinion to be a political prisoner.&lt;br /&gt;This man is in such despair.    The administration and the Algerian government are doing nothing to resolve his situation.   &lt;a href="http://www.algeria-watch.org/fr/mrv/mrvtort/comite_baba_nadjar/silence.htm"&gt; Our silence is killing him&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-kn47NQq1HrY/TpffqGQ_RGI/AAAAAAAAAIo/7pbkZ4wyV8U/s1600/Baba%2BNadjar%2Bpic.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 180px; height: 255px;" src="http://1.bp.blogspot.com/-kn47NQq1HrY/TpffqGQ_RGI/AAAAAAAAAIo/7pbkZ4wyV8U/s400/Baba%2BNadjar%2Bpic.jpg" alt="" id="BLOGGER_PHOTO_ID_5663240970771055714" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-4280799691885128838?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/4280799691885128838/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=4280799691885128838' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/4280799691885128838'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/4280799691885128838'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2011/10/justice-for-mohammed-baba-nadjar.html' title='Justice for Mohammed Baba Nadjar'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-kn47NQq1HrY/TpffqGQ_RGI/AAAAAAAAAIo/7pbkZ4wyV8U/s72-c/Baba%2BNadjar%2Bpic.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-1094647870675895210</id><published>2011-09-11T22:37:00.000-07:00</published><updated>2011-09-11T22:41:14.893-07:00</updated><title type='text'></title><content type='html'>Ce droit de vivre&lt;br /&gt;de poser une pierre&lt;br /&gt;de couper la toile d'araignée&lt;br /&gt;où je me démène&lt;br /&gt;me le donneras-tu ?&lt;br /&gt;&lt;br /&gt;Ce droit de défense&lt;br /&gt;et d'insulte des crétins&lt;br /&gt;je l'exige sans retenue&lt;br /&gt;j'en userai sans sobriété&lt;br /&gt;&lt;br /&gt;Puis-je entrer&lt;br /&gt;dans cette citadelle ?&lt;br /&gt;Puis-je traverser&lt;br /&gt;ce pont-levis ?&lt;br /&gt;&lt;br /&gt;Fraternellement&lt;br /&gt;très poliment&lt;br /&gt;j'accept ce coup de pied.&lt;br /&gt;&lt;br /&gt;Youcef Sebti&lt;br /&gt;Algerian poète and writer&lt;br /&gt;&lt;br /&gt;Poème extrait de L'enfer et la folie&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-1094647870675895210?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/1094647870675895210/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=1094647870675895210' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/1094647870675895210'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/1094647870675895210'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2011/09/ce-droit-de-vivre-de-poser-une-pierre.html' title=''/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-1027225930329433666</id><published>2011-08-23T07:31:00.000-07:00</published><updated>2011-08-23T09:44:38.136-07:00</updated><title type='text'>Algerians, diplomacy and Libya</title><content type='html'>I have translated below from the French an article from Le Soir d'Algerie just published on 23 August.  I think this article is quite important as a first document to the saga of the Algerian diplomacy's yawn when 'Libya' is mentioned v. the TNC's accusation of lukewarm love from Algeria.   It looks like the TNC is a little emotionally needy and keeps bawling for Algerian attention (you won't get it that way guys, no Algerian responds well to whining).&lt;br /&gt;&lt;br /&gt;In the papers this morning, there is a proliferation of articles pointing the finger to the dormancy of the Algerian governement who is staying mute throughout all developments of the Libyan situation.  (It should be noted however: when is the government not mute these days, don't take it so hard.)  As I am reading these articles I can't help being amused at their tone. Anyways, what is noteworthy in Le Soir's article is the four interviews of civilians who all worry about security in Algeria.  It seems to be the emphasis here, whether it reflects what the majority thinks of not, security is the word since the revival of the islamist-wolf.&lt;br /&gt;&lt;br /&gt;This article gathers in short form the reporting on the latest diplomatic (non) response from the Algerian Ministry of Foreign Affairs.  More interestingly it has gathered a few short interviews of Algerians (civilians) and the statements published by the so-called political class (the usual pantomime) regarding the entry of the rebels in Tripoli and the raising of the TNC flag at the Libyan Embassy in Algiers on Sunday night.&lt;br /&gt;&lt;br /&gt;So this is for anyone who can't read French (or who fakes it) and who  is genuinely interested in how Algerians view these events - how it  is covered and what is chosen for publication, needless to say, is  significant.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;[The original article in French is &lt;a href="http://www.lesoirdalgerie.com/articles/2011/08/23/article.php?sid=121929&amp;amp;cid=2"&gt;HERE&lt;/a&gt;]&lt;br /&gt;&lt;br /&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:officedocumentsettings&gt;   &lt;o:allowpng/&gt;  &lt;/o:OfficeDocumentSettings&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;EN-GB&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;AR-SA&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:enableopentypekerning/&gt;    &lt;w:dontflipmirrorindents/&gt;    &lt;w:overridetablestylehps/&gt;   &lt;/w:Compatibility&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val="Cambria Math"&gt;    &lt;m:brkbin val="before"&gt;    &lt;m:brkbinsub val="&amp;#45;-"&gt;    &lt;m:smallfrac val="off"&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val="0"&gt;    &lt;m:rmargin val="0"&gt;    &lt;m:defjc val="centerGroup"&gt;    &lt;m:wrapindent val="1440"&gt;    &lt;m:intlim val="subSup"&gt;    &lt;m:narylim val="undOvr"&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"&gt;   &lt;w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"&gt;   &lt;w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 1"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 2"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 3"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 4"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 5"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 6"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 7"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 8"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 9"&gt;   &lt;w:lsdexception locked="false" priority="35" qformat="true" name="caption"&gt;   &lt;w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"&gt;   &lt;w:lsdexception locked="false" priority="1" name="Default Paragraph Font"&gt;   &lt;w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"&gt;   &lt;w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"&gt;   &lt;w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"&gt;   &lt;w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Revision"&gt;   &lt;w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"&gt;   &lt;w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"&gt;   &lt;w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"&gt;   &lt;w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"&gt;   &lt;w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"&gt;   &lt;w:lsdexception locked="false" priority="37" name="Bibliography"&gt;   &lt;w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Table Normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-priority:99; 	mso-style-parent:""; 	mso-padding-alt:0cm 5.4pt 0cm 5.4pt; 	mso-para-margin-top:0cm; 	mso-para-margin-right:0cm; 	mso-para-margin-bottom:10.0pt; 	mso-para-margin-left:0cm; 	line-height:115%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:"Calibri","sans-serif"; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-font-family:Arial; 	mso-bidi-theme-font:minor-bidi; 	mso-fareast-language:EN-US;} &lt;/style&gt; &lt;![endif]--&gt;  &lt;p style="font-weight: bold;" class="MsoNormal"&gt;The Libyan Crisis&lt;/p&gt;  &lt;p style="font-weight: bold;" class="MsoNormal"&gt;The astonishing Algerian stance&lt;/p&gt;  &lt;p class="MsoNormal"&gt;The course of events is accelerating in Libya.&lt;span style=""&gt;  &lt;/span&gt;The stance taken by Algerian diplomacy remains that of waiting.&lt;span style=""&gt;  &lt;/span&gt;Since the beginning of the conflict in Libya, Algeria has excelled by its deafening silence, then by statements of the utmost ambiguity.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Nawal Imes – Algiers (le Soir) – Libya is negotiating a significant turn which will determine&lt;b&gt; &lt;/b&gt;its future and probably that of the entire region.&lt;span style=""&gt;  &lt;/span&gt;Its immediate neighbours reacted in very different ways.&lt;span style=""&gt;  &lt;/span&gt;Tunisia has, as soon as Sunday, recognised the TNC as sole representative of the Libyan people.&lt;span style=""&gt;  &lt;/span&gt;Algeria’s position has remained unaltered: no comments and an official and legible stance even less.&lt;span style=""&gt;  &lt;/span&gt;The artistic blur intentionally kept up by Algeria has intrigued its regional partners.&lt;span style=""&gt;  &lt;/span&gt;Mourad Medelci, after weeks of silence, finally came to explain the absence of an official Algerian reaction as being born out of the “Algerian tradition” which is to “respect what happens other countries, even those of our neighbours”.&lt;span style=""&gt;  &lt;/span&gt;Algeria, participating against its will to the debate, has found itself under the obligation to respond to accusations from members of the Transitional National Council.&lt;span style=""&gt;  &lt;/span&gt;This latter on several occasions accused Algeria to having sent Algerian mercenaries to help the Libyan regime.&lt;span style=""&gt;  &lt;/span&gt;It is via a statement that the Ministry of Foreign Affairs responded. “The Ministry of Foreign Affairs denies, in the strongest manner, the veracity of allegations made by certain websites and satellite television channels as to an alleged use of Algerian military airplanes to transport mercenaries to Libya.&lt;span style=""&gt;  &lt;/span&gt;These insidious allegations go against the well-known doctrinal policy of Algeria, who rejects in absolute terms the interference in internal matters of states”, underlined the Ministry.&lt;span style=""&gt;  &lt;/span&gt;Since then, it has been radio silence.&lt;span style=""&gt;  &lt;/span&gt;The Ministry of Foreign Affairs has barely, and only so urged by journalists’ questions, called for “the two parties to dialogue”.&lt;span style=""&gt;  &lt;/span&gt;Now that the dialogue is indeed broken, and that the process towards the end of the regime is accelerating, which attitude will Algeria adopt? Wait and see….&lt;/p&gt;  &lt;p class="MsoNormal"&gt;N.I.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b&gt;The NTC flag is raised over the Embassy in Algiers&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;The Libyan Embassy in Algiers.&lt;span style=""&gt;  &lt;/span&gt;The old flag of king Idris the First’s monarchy, symbol of the Libyan revolution is raised&lt;b&gt;: &lt;/b&gt;the Libyan Embassy has joined the Transitional National Council.&lt;span style=""&gt;  &lt;/span&gt;The four colour flag was hoisted in the night of Sunday to Monday, thereby replacing the official Libyan flag, as declared by employees of the Embassy. &lt;span style=""&gt; &lt;/span&gt;During the day yesterday, apart from the “reinforced” police presence put in place around the Embassy, the presence of a few Libyan citizen who had come to renew their passports, and journalists looking for information, a great calm reigned.&lt;span style=""&gt;  &lt;/span&gt;The security agents posted at the entrance were steadfast.&lt;span style=""&gt;  &lt;/span&gt;Impossible to access the Embassy. &lt;span style=""&gt;  &lt;/span&gt;This was also the case for Libyan citizens.&lt;span style=""&gt;  &lt;/span&gt;No officials seemed to be present including the Ambassador, according to the entrance agents.&lt;span style=""&gt;  &lt;/span&gt;“Come back tomorrow, we are not working today” says the agent.&lt;span style=""&gt;  &lt;/span&gt;A man leaves empty handed grumbling.&lt;span style=""&gt;  &lt;/span&gt;The agent is firmer with journalists: “no one can see you.&lt;span style=""&gt;  &lt;/span&gt;Only the Cultural Attaché is empowered to do so, but you must book an appointment or come back tomorrow”, he tells us.&lt;span style=""&gt;  &lt;/span&gt;Before the insistence of journalists he adds “tomorrow he will see you”.&lt;span style=""&gt;  &lt;/span&gt;Photographers attempt to take photos of the Embassy with the TNC flag flying above it.&lt;span style=""&gt;  &lt;/span&gt;In vain.&lt;span style=""&gt;  &lt;/span&gt;Policemen forbid them to and order them to leave the premises.&lt;span style=""&gt;  &lt;/span&gt;Contacted by telephone, the Libyan Ambassador in Algeria has refused to comment: “I am sorry I cannot respond”.&lt;span style=""&gt;  &lt;/span&gt;Also, according to a well informed source, the Libyan consulate confirms they have now joined the rebels’ sides.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;WZ&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b&gt;The ministry of Foreign Affairs member of the absentees’ club&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Wanting to know the position of Algeria following the latest development of the situation in Libya, we have tried to contact yesterday the spokesman for the Ministry of Foreign Affairs, but in vain.&lt;span style=""&gt;  &lt;/span&gt;Our several attempts to contact this official were unsuccessful, despite the importance of the events unfolding yesterday in Libya.&lt;span style=""&gt;  &lt;/span&gt;And this, in addition to the Libyan Embassy in Algiers having replaced yesterday the Libyan flag by that of the TNC.&lt;span style=""&gt;  &lt;/span&gt;Contacted by telephone, the communication officer of this department could only redirect us to the spokesman of the Ministry, the only one empowered to make statements, but who, according to him, remained unreachable.&lt;span style=""&gt;  &lt;/span&gt;The ministry of Foreign Affairs only reacted in the face of the incident reported at the Algerian Embassy in Tripoli, which was subject to a series of violations in the night of Sunday to Monday.&lt;span style=""&gt;  &lt;/span&gt;The spokesman to the Ministry, M. Belani quoted the APS and declared that Mourad Medelci sent an “urgent” message to the secretary general of the United Nations to attract his attention to “the violation of Algerian diplomatic premises.”&lt;span style=""&gt;  &lt;/span&gt;Mourad Medelci also requested that the protection of Algerian diplomats and the premises of the Algerian mission be ensured as well as all its property, according to the rules of international law.”&lt;span style=""&gt;  &lt;/span&gt;According to the spokesman, the Ministry was in “permanent” contact, with the Algerian diplomats in Tripoli to ensure their security.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;R.N.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;THE FALL OF EL GADDAFI’S REGIME&lt;/p&gt;  &lt;a name="Linkhere1"&gt;Algiers&lt;/a&gt;  &lt;p class="MsoNormal"&gt;&lt;b&gt;The street in Algiers worries&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;The situation in Libya is worrying Algerians.&lt;span style=""&gt;  &lt;/span&gt;The fall of El Gaddafi’s regime implies the building of a state, a challenge for new Libya.&lt;span style=""&gt;  &lt;/span&gt;Many citizens questioned in the street do not hide their anguish as to the turn of events that will follow and the after-Gaddafi.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;AHMED, 40 YEARS OLD, EMPLOYEE IN THE PUBLIC SECTOR&lt;/p&gt;  &lt;a name="Linkhere2"&gt;Ahmed&lt;/a&gt;  &lt;p class="MsoNormal"&gt;“It’s good but what will happen after?”&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“What is happening in Libya is the logical consequence of the nature of the Libyan regime, a dictatorship.&lt;span style=""&gt;  &lt;/span&gt;It is also the case for the majority of Arab countries.&lt;span style=""&gt;  &lt;/span&gt;The same ingredients lead to the same results.&lt;span style=""&gt;  &lt;/span&gt;The fall of the regime was inevitable as it was overtaken by time.&lt;span style=""&gt;  &lt;/span&gt;The principle of the change is good but I think that Libyans are not yet mature to escape manipulations from great powers nor to engage themselves in the building of a solid state.&lt;span style=""&gt;  &lt;/span&gt;First, their revolution does not have any ideological platform.&lt;span style=""&gt;  &lt;/span&gt;The concerns of Libyans were to free themselves of the regime without proposing an alternative and engaging themselves in the building of a state.&lt;span style=""&gt;  &lt;/span&gt;A state is not just something physical but it is made of principles and of a philosophy.&lt;span style=""&gt;  &lt;/span&gt;For example, the American revolution was started when Great Britain raised taxes.&lt;span style=""&gt;  &lt;/span&gt;This was the beginning of a true revolution which gave birth to the America, a strong state.&lt;span style=""&gt;  &lt;/span&gt;It was the philosophy that was put in place by 55 signatories of the Declaration of Independence.”&lt;/p&gt;  &lt;p class="MsoNormal"&gt;OMAR 47 YEARS OLD, DOCTOR&lt;/p&gt;  &lt;a name="Linkhere3"&gt;Omar&lt;/a&gt;  &lt;p class="MsoNormal"&gt;&lt;b&gt;“Important changes in the region”&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“The end of the Libyan regime is bringing tides of important changes in the region of the Maghreb, however, I cannot foretell if these will be positive or negative.&lt;span style=""&gt;  &lt;/span&gt;It is difficult to pronounce oneself because the situation is not clear.&lt;span style=""&gt;  &lt;/span&gt;It is chaos.&lt;span style=""&gt;  &lt;/span&gt;In Egypt and Tunisia, the uprisings were popular uprisings, people demanded the departure of two dictators.&lt;span style=""&gt;  &lt;/span&gt;In Libya, the movement is armed and we do not know the nature of the rebels, who could not have advanced without the aid of NATO, of France, of the Americans and of Arab monarchies.&lt;span style=""&gt;  &lt;/span&gt;Of course, this support is far from free.&lt;span style=""&gt;  &lt;/span&gt;These are geostrategic issues.&lt;span style=""&gt;  &lt;/span&gt;All this is not good for Algeria.&lt;span style=""&gt;  &lt;/span&gt;The threat that weighs at our borders is heavy.&lt;span style=""&gt;  &lt;/span&gt;Al Qaeda in the Islamic Maghreb in the south, Morocco on the other side and now the Libyan threat, the insurgents and the flood of weapons.&lt;span style=""&gt;  &lt;/span&gt;The regime has fallen, now a state must be built.”&lt;/p&gt;  &lt;p class="MsoNormal"&gt; &lt;/p&gt;  &lt;p class="MsoNormal"&gt;ABDELKADER, 45 YEARS OLD, TEACHER&lt;/p&gt;  &lt;a name="Linkhere4"&gt;Abdelkader&lt;/a&gt;  &lt;p class="MsoNormal"&gt;&lt;b&gt;“Our borders are thrice under threat”&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“Sunday, I went to sleep at around 4am, I was watching television and following live the development of the situation and the insurgents’ entering Tripoli. &lt;span style=""&gt; &lt;/span&gt;Gaddafi gave himself up, he was giving an interview on Al Jazeera in his house when they were surprised by rebels.&lt;span style=""&gt;  &lt;/span&gt;He had heard shots in his house, he was scared, then the live feed was cut.&lt;span style=""&gt;  &lt;/span&gt;A quarter of an hour later, the President of the TNC declared to the media that Gaddafi had been captured but that he had refused to leave Benghazi.&lt;span style=""&gt;  &lt;/span&gt;He was probably wanted killed.&lt;span style=""&gt;  &lt;/span&gt;This new situation scared me.&lt;span style=""&gt;  &lt;/span&gt;Our country is in danger.&lt;span style=""&gt;  &lt;/span&gt;The colonisation is at our borders, it is our neighbour.&lt;span style=""&gt;  &lt;/span&gt;The change in Tunisia is unclear, terrorism hits the south and we have problems with Morocco and the western Sahara.&lt;span style=""&gt;  &lt;/span&gt;To this the situation in Libya is now added.&lt;span style=""&gt;  &lt;/span&gt;Our regime is not strong, we are heading towards an impasse.&lt;/p&gt;  &lt;p class="MsoNormal"&gt; &lt;/p&gt;  &lt;p class="MsoNormal"&gt;MANEL, 24 YEARS OLD, STUDENT IN ECONOMICS AND BUSINESS&lt;/p&gt;  &lt;a name="Linkhere5"&gt;Manel&lt;/a&gt;  &lt;p class="MsoNormal"&gt;&lt;b&gt;“Who will replace Gaddafi?”&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“I am following the news from time to time on the net.&lt;span style=""&gt;  &lt;/span&gt;Yes I know that Gaddafi has fallen and that he is negotiating his exile.&lt;span style=""&gt;  &lt;/span&gt;The fall of the regime is good for the people who have rid themselves of a dictator.&lt;span style=""&gt;  &lt;/span&gt;It is a good sign.&lt;span style=""&gt;  &lt;/span&gt;Gaddafi has killed, stolen and is involved with his children in cases of corruption.&lt;span style=""&gt;  &lt;/span&gt;He even entertained dubious relations with certain European states.&lt;span style=""&gt;  &lt;/span&gt;This is a president who has never put first the interests of his country, of his people.&lt;span style=""&gt;  &lt;/span&gt;Who will replace him? This is the big question.&lt;span style=""&gt;  &lt;/span&gt;Libya is a rich country, its resources must be protected and such a country should not be handed just like that to anybody.” &lt;/p&gt;  &lt;p class="MsoNormal"&gt;Interviews collected by Irane Belkhedim&lt;/p&gt;  &lt;p class="MsoNormal"&gt; &lt;/p&gt;  &lt;p class="MsoNormal"&gt;The political class is reacting&lt;/p&gt;  &lt;p class="MsoNormal"&gt;KASSA AÏSSA, COMMUNICATION OFFICER OF THE NATIONAL LIBERATION FRONT (FLN)&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“We are awaiting statements from Foreign Affairs”&lt;/p&gt;  &lt;p class="MsoNormal"&gt;The FLN shall not comment on the development of the situation in Libya.&lt;span style=""&gt;  &lt;/span&gt;Its communication officer declares that its party is awaiting a statement from Foreign Affairs.&lt;span style=""&gt;  &lt;/span&gt;“We are following the situation.&lt;span style=""&gt;  &lt;/span&gt;As soon as we have elements of information, we will comment” he said.&lt;/p&gt;  &lt;p class="MsoNormal"&gt; &lt;/p&gt;  &lt;p class="MsoNormal"&gt;SEDDIK CHIHAB, MEMBER OF THE NATIONAL OFFICE OF THE NATIONAL RALLY (RND)&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b&gt;“We respect the popular wish of Libyans”&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Calling the situation “preoccupying”, Seddik Chihab declared that the position of the RND is that of the government.&lt;span style=""&gt;  &lt;/span&gt;“We respect the wish of the people of Libya.&lt;span style=""&gt;  &lt;/span&gt;It is a people who was at our side during our war of national liberation, with whom we have had relations and interactions” he said.&lt;span style=""&gt;  &lt;/span&gt;Of course, he continues “Moammar Gaddafi has always been a neighbour not very easy to deal with but every time we were able to find a solution and to keep a serene climate and good neighbourly relations”. &lt;span style=""&gt; &lt;/span&gt;He reminds that as soon as it was formed, the TNC demonstrated a certain “animosity” towards Algeria.&lt;span style=""&gt;  &lt;/span&gt;However, “we remain calm as to the future.&lt;span style=""&gt;  &lt;/span&gt;The wish of the Libyan people will be respected and Algeria will strive to work towards maintaining fraternal and good neighbourly relations.”&lt;/p&gt;  &lt;p class="MsoNormal"&gt;MOHAMED DJEMAA, SPOKESMAN TO THE SOCIAL MOVEMENT FOR PEACE (MSP)&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b&gt;“This is a logical ending to any dictatorship”&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;The MSP welcomes the “victory” of the Libyan rebels before underlining that the presence of foreign forces has no cause to be any longer.&lt;span style=""&gt;  &lt;/span&gt;“We respect the will of the Libyan people and we consider that this denouement was inevitable”, said the MSP spokesman.&lt;span style=""&gt;  &lt;/span&gt;He however hopes to see that Libyans will cross this stage and will come to belong to a state of law and democracy. “An authentic democracy needs to be brought forth and it is especially important not fall for vengeance or civil war”. &lt;span style=""&gt; &lt;/span&gt;Calling the situation as “the logical ending to any dictatorship”, he explains that the Gaddafi regime monopolised power and all the country’s resources while denying citizens their basic rights.”&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Statements collected by Rym Nasri&lt;/p&gt;  &lt;p class="MsoNormal"&gt; &lt;/p&gt;  &lt;p class="MsoNormal"&gt;AFTER THE REBELS’ ENTERED TRIPOLI&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b&gt;The LADDH welcomes the “victory” of the Libyan people&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;The Algerian League for the defence of Human Rights (LADDH) welcomes the victory of the “revolution for the freedom and dignity” of the Libyan people.&lt;span style=""&gt;  &lt;/span&gt;The LADDH, in a public statement issued yesterday, “hopes that Libyans will build a democratic state, a sovereign state, a state of law where citizens and the dignity of people will be the centre of interest.”&lt;span style=""&gt;  &lt;/span&gt;It declares its availability to collaborate and participate with the organisations of the Libyan civil society with a view to strive towards reinforcing and developing human rights in the Maghreb.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Rym N.&lt;/p&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-1027225930329433666?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/1027225930329433666/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=1027225930329433666' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/1027225930329433666'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/1027225930329433666'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2011/08/algerians-diplomacy-and-libya.html' title='Algerians, diplomacy and Libya'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-8293235760078564225</id><published>2011-08-20T04:30:00.000-07:00</published><updated>2011-08-20T04:47:36.736-07:00</updated><title type='text'>Southern Ethiopia - photo essay</title><content type='html'>&lt;br /&gt;There is a beautiful photo essay on Southern Ethiopia by Anastasia Karpenko, posted on African Digital Art.&lt;br /&gt;&lt;br /&gt;Full album &lt;a href="http://www.africandigitalart.com/2011/08/photo-essay-southern-ethiopia/"&gt;HERE&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-EbPozV_wpQU/Tk-dpZKTIXI/AAAAAAAAAIQ/wJ5jF4AtEQI/s1600/africandigitalart3.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 267px; height: 400px;" src="http://2.bp.blogspot.com/-EbPozV_wpQU/Tk-dpZKTIXI/AAAAAAAAAIQ/wJ5jF4AtEQI/s400/africandigitalart3.jpg" alt="" id="BLOGGER_PHOTO_ID_5642902192572801394" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-eAUNSp_wK_0/Tk-eA9R_dgI/AAAAAAAAAIY/P1bPQqOCEhU/s1600/africandigitalart2.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 400px; height: 267px;" src="http://4.bp.blogspot.com/-eAUNSp_wK_0/Tk-eA9R_dgI/AAAAAAAAAIY/P1bPQqOCEhU/s400/africandigitalart2.jpg" alt="" id="BLOGGER_PHOTO_ID_5642902597405734402" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-60Hpg16nv_U/Tk-edQOv5wI/AAAAAAAAAIg/cJSmYhsA8tE/s1600/africandigitalart.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 400px; height: 268px;" src="http://2.bp.blogspot.com/-60Hpg16nv_U/Tk-edQOv5wI/AAAAAAAAAIg/cJSmYhsA8tE/s400/africandigitalart.jpg" alt="" id="BLOGGER_PHOTO_ID_5642903083528742658" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-8293235760078564225?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/8293235760078564225/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=8293235760078564225' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/8293235760078564225'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/8293235760078564225'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2011/08/southern-ethiopia-photo-essay.html' title='Southern Ethiopia - photo essay'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-EbPozV_wpQU/Tk-dpZKTIXI/AAAAAAAAAIQ/wJ5jF4AtEQI/s72-c/africandigitalart3.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-8527667087851397885</id><published>2011-04-28T23:08:00.000-07:00</published><updated>2011-04-29T03:42:50.921-07:00</updated><title type='text'>Bouteflika by Mohamed Benchicou</title><content type='html'>I've found &lt;a href="http://mohamedbenchicou.com/"&gt;Mohamed Benchicou&lt;/a&gt;'s book &lt;a href="http://membres.multimania.fr/algo/download/benchi.pdf"&gt;"Bouteflika une Imposture Algerienne&lt;/a&gt;" floating on the net and available for download (&lt;a href="http://membres.multimania.fr/algo/download/benchi.pdf"&gt;click here to access pdf&lt;/a&gt;).  I feel a little guilty for posting it here, bearing in mind authors' rights.  I bought the book and it is doubtless a very important document on Algerian history, on Algeria's present even, which is why I thought I'd share this link, because not everyone can afford it and it is a vital read.  Rare are the books on Bouteflika, he is a shadowy figure and I believe it took some guts to publish, bearing in mind Benchicou spent two years in prison.&lt;br /&gt;&lt;br /&gt;Mohamed Benchicou is an Algerian journalist, formerly director of the newspaper Le Matin, which he founded in 1991 (and before that he was the director of the paper Alger Republicain).  Benchicou was famously arrested on false grounds in 2003 and imprisonned for two years from 2004 to 2006 and Le Matin was closed.&lt;br /&gt;&lt;br /&gt;In 2004, he published his book 'Bouteflika, an Algerian imposture' (translated literally, although having read the book I would translate it as 'Bouteflika, an imposture made in Algeria').&lt;br /&gt;&lt;br /&gt;I hope you download it, or better if you can, buy it.  Most importantly, read it.&lt;br /&gt;&lt;br /&gt;It is written with much indignation, anger even, Benchicou confesses to that in the first few pages of his prologue.  But he never loses his track, he is presenting facts, information collected on Bouteflika from and by several sources, foreign governments (France, the USA, Tunisia, Morocco, the UAE), the Algerian government, individuals closely linked to Bouteflika and his government, from autobiographies of former army generals, etc.  This is a piece of investigative journalism, I would venture to say, written as objectively and plainly as an investigation should, despite his rightful outrage.&lt;br /&gt;&lt;br /&gt;It is a fascinating read. An eye opener of sort (how wide can an eye go I wonder) as it is another piece of the puzzle of the Algerian catastrophe that has been posing as a government since 1999... well since 1962.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-8527667087851397885?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/8527667087851397885/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=8527667087851397885' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/8527667087851397885'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/8527667087851397885'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2011/04/bouteflika-by-mohamed-benchicou.html' title='Bouteflika by Mohamed Benchicou'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-7780753254467525806</id><published>2011-04-27T12:47:00.000-07:00</published><updated>2011-04-28T02:13:46.407-07:00</updated><title type='text'>The best of El Manchar</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-nlFxSKQlI1A/Tbh2UAxfouI/AAAAAAAAAH0/2UsofL8pOdY/s1600/00.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 284px; height: 400px;" src="http://2.bp.blogspot.com/-nlFxSKQlI1A/Tbh2UAxfouI/AAAAAAAAAH0/2UsofL8pOdY/s400/00.jpg" alt="" id="BLOGGER_PHOTO_ID_5600356222812267234" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="postbody"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;I &lt;/span&gt;found&lt;span style="color: rgb(0, 0, 0);"&gt; &lt;/span&gt;this&lt;span style="color: rgb(0, 0, 0);"&gt; &lt;/span&gt;book&lt;span style="color: rgb(0, 0, 0);"&gt; &lt;/span&gt;floating&lt;span style="color: rgb(0, 0, 0);"&gt; in &lt;/span&gt;cyber&lt;span style="color: rgb(0, 0, 0);"&gt; &lt;/span&gt;space&lt;span style="color: rgb(0, 0, 0);"&gt; (&lt;/span&gt;specifically&lt;span style="color: rgb(0, 0, 0);"&gt; on &lt;/span&gt;&lt;a style="color: rgb(0, 0, 0);" href="http://www.zoom-algerie.com/forum/viewtopic.php?p=11280"&gt;Zoom Algerie&lt;/a&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;) about &lt;/span&gt;El&lt;span style="color: rgb(0, 0, 0);"&gt; &lt;/span&gt;Manchar&lt;span style="color: rgb(0, 0, 0);"&gt;. &lt;/span&gt;El Manchar&lt;span style="color: rgb(0, 0, 0);"&gt; &lt;/span&gt;was&lt;span style="color: rgb(0, 0, 0);"&gt; a &lt;/span&gt;politically&lt;span style="color: rgb(0, 0, 0);"&gt; &lt;/span&gt;charged&lt;span style="color: rgb(0, 0, 0);"&gt; and &lt;/span&gt;daring&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);" class="postbody"&gt; satyrical bi-monthly &lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);" class="postbody"&gt;founded by the late Sid Ali Melouah - a renown cartoonist - in the early 90s, for which some of the best Algerian cartoonists drew and wrote from 1990 to 1992, until the magazine had to stop publishing.  El Manchar was the place where &lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;readers first encountered Dilem, Sour, Fathy, Hic, Benyezzar, Bouss,     Aknouche, Ayoub, Abi, Gyps, Dahmani, Beneddine and Nedjmedine&lt;/span&gt;.  Take a quick read here, so much of it is still current.  You can download the book &lt;a href="http://www.4shared.com/file/64669850/34af532b/scan_melouah.html?dirPwdVerified=46c03a9a"&gt;here&lt;/a&gt;.  Enjoy.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-ohLtS2bbi8M/Tbh1p5ZBiMI/AAAAAAAAAHs/nqz60S0Ivgg/s1600/01.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 275px; height: 400px;" src="http://3.bp.blogspot.com/-ohLtS2bbi8M/Tbh1p5ZBiMI/AAAAAAAAAHs/nqz60S0Ivgg/s400/01.jpg" alt="" id="BLOGGER_PHOTO_ID_5600355499276077250" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-4EKwbzRaS44/Tbh1pIT6imI/AAAAAAAAAHk/t0O6k_A9dq0/s1600/02.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 275px; height: 400px;" src="http://1.bp.blogspot.com/-4EKwbzRaS44/Tbh1pIT6imI/AAAAAAAAAHk/t0O6k_A9dq0/s400/02.jpg" alt="" id="BLOGGER_PHOTO_ID_5600355486101310050" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-uIdWblomM4k/Tbh1o71jizI/AAAAAAAAAHc/kG1zOeweVVQ/s1600/3.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 260px; height: 400px;" src="http://1.bp.blogspot.com/-uIdWblomM4k/Tbh1o71jizI/AAAAAAAAAHc/kG1zOeweVVQ/s400/3.jpg" alt="" id="BLOGGER_PHOTO_ID_5600355482752748338" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-bf8SV40EOkY/Tbh1oTMtJrI/AAAAAAAAAHU/frzz5razg0U/s1600/4.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 255px; height: 400px;" src="http://1.bp.blogspot.com/-bf8SV40EOkY/Tbh1oTMtJrI/AAAAAAAAAHU/frzz5razg0U/s400/4.jpg" alt="" id="BLOGGER_PHOTO_ID_5600355471843993266" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-ZVnVfKHLpeM/Tbh1oD_y5nI/AAAAAAAAAHM/hjBbz2dolAE/s1600/5.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 264px; height: 400px;" src="http://1.bp.blogspot.com/-ZVnVfKHLpeM/Tbh1oD_y5nI/AAAAAAAAAHM/hjBbz2dolAE/s400/5.jpg" alt="" id="BLOGGER_PHOTO_ID_5600355467763312242" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-GpPmr1qHxik/Tbh1Z6raGuI/AAAAAAAAAHE/fsSHWujI6F4/s1600/06.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 272px; height: 400px;" src="http://4.bp.blogspot.com/-GpPmr1qHxik/Tbh1Z6raGuI/AAAAAAAAAHE/fsSHWujI6F4/s400/06.jpg" alt="" id="BLOGGER_PHOTO_ID_5600355224743713506" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-VPJak3PRnps/Tbh1ZhB4GQI/AAAAAAAAAG8/H37Tzybbdjs/s1600/7.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 267px; height: 400px;" src="http://1.bp.blogspot.com/-VPJak3PRnps/Tbh1ZhB4GQI/AAAAAAAAAG8/H37Tzybbdjs/s400/7.jpg" alt="" id="BLOGGER_PHOTO_ID_5600355217858631938" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-H95kd6ZAxNU/Tbh1ZUxyLhI/AAAAAAAAAG0/9dXggTtxUr0/s1600/8.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 270px; height: 400px;" src="http://2.bp.blogspot.com/-H95kd6ZAxNU/Tbh1ZUxyLhI/AAAAAAAAAG0/9dXggTtxUr0/s400/8.jpg" alt="" id="BLOGGER_PHOTO_ID_5600355214569909778" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-xhnP8N79eyQ/Tbh1ZHmcanI/AAAAAAAAAGs/c-27Acw-1lM/s1600/9.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 267px; height: 400px;" src="http://3.bp.blogspot.com/-xhnP8N79eyQ/Tbh1ZHmcanI/AAAAAAAAAGs/c-27Acw-1lM/s400/9.jpg" alt="" id="BLOGGER_PHOTO_ID_5600355211032685170" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-dLKOLKzfOyM/Tbh1YgwlQcI/AAAAAAAAAGk/GMSZtWBFyug/s1600/10.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 272px; height: 400px;" src="http://2.bp.blogspot.com/-dLKOLKzfOyM/Tbh1YgwlQcI/AAAAAAAAAGk/GMSZtWBFyug/s400/10.jpg" alt="" id="BLOGGER_PHOTO_ID_5600355200606224834" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-WYTZ56t6y74/Tbh09IszQ6I/AAAAAAAAAGc/9COQLpRM25s/s1600/11.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 258px; height: 400px;" src="http://2.bp.blogspot.com/-WYTZ56t6y74/Tbh09IszQ6I/AAAAAAAAAGc/9COQLpRM25s/s400/11.jpg" alt="" id="BLOGGER_PHOTO_ID_5600354730291446690" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-DnAS50Bv8uc/Tbh082BPyFI/AAAAAAAAAGU/-A6Ap_3EmFM/s1600/12.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 273px; height: 400px;" src="http://1.bp.blogspot.com/-DnAS50Bv8uc/Tbh082BPyFI/AAAAAAAAAGU/-A6Ap_3EmFM/s400/12.jpg" alt="" id="BLOGGER_PHOTO_ID_5600354725276928082" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-nJri-QvxSd8/Tbh08tU8uvI/AAAAAAAAAGM/a65Gw208SP0/s1600/13.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 262px; height: 400px;" src="http://1.bp.blogspot.com/-nJri-QvxSd8/Tbh08tU8uvI/AAAAAAAAAGM/a65Gw208SP0/s400/13.jpg" alt="" id="BLOGGER_PHOTO_ID_5600354722943646450" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-QiPi2Gxjh7U/Tbh08U_4U3I/AAAAAAAAAGE/Do08j-CZT-Q/s1600/14.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 281px; height: 400px;" src="http://4.bp.blogspot.com/-QiPi2Gxjh7U/Tbh08U_4U3I/AAAAAAAAAGE/Do08j-CZT-Q/s400/14.jpg" alt="" id="BLOGGER_PHOTO_ID_5600354716412826482" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-lVYfpWh1noU/Tbh08KzJ4GI/AAAAAAAAAF8/x5OJUKr-ZdE/s1600/15.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 261px; height: 400px;" src="http://4.bp.blogspot.com/-lVYfpWh1noU/Tbh08KzJ4GI/AAAAAAAAAF8/x5OJUKr-ZdE/s400/15.jpg" alt="" id="BLOGGER_PHOTO_ID_5600354713675096162" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-Z83m6EJ2_Zg/Tbh0eqxLqbI/AAAAAAAAAF0/swTolbbCC4M/s1600/16.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 265px; height: 400px;" src="http://4.bp.blogspot.com/-Z83m6EJ2_Zg/Tbh0eqxLqbI/AAAAAAAAAF0/swTolbbCC4M/s400/16.jpg" alt="" id="BLOGGER_PHOTO_ID_5600354206860683698" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-bC4F3IcpVJc/Tbh0eINsKaI/AAAAAAAAAFs/yHuRlECQjJk/s1600/17.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 275px; height: 400px;" src="http://3.bp.blogspot.com/-bC4F3IcpVJc/Tbh0eINsKaI/AAAAAAAAAFs/yHuRlECQjJk/s400/17.jpg" alt="" id="BLOGGER_PHOTO_ID_5600354197585013154" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-XZNIDP_W4iI/Tbh0dt8bRiI/AAAAAAAAAFk/34P-eb_QxmI/s1600/18.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 266px; height: 400px;" src="http://4.bp.blogspot.com/-XZNIDP_W4iI/Tbh0dt8bRiI/AAAAAAAAAFk/34P-eb_QxmI/s400/18.jpg" alt="" id="BLOGGER_PHOTO_ID_5600354190533281314" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-o6_ZMTJHPIo/Tbh0daSyOII/AAAAAAAAAFc/ACHUfKfrFm4/s1600/19.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 264px; height: 400px;" src="http://2.bp.blogspot.com/-o6_ZMTJHPIo/Tbh0daSyOII/AAAAAAAAAFc/ACHUfKfrFm4/s400/19.jpg" alt="" id="BLOGGER_PHOTO_ID_5600354185258350722" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-R9CrV95njy8/Tbh0dLV0aHI/AAAAAAAAAFU/0CN0rNdcvqQ/s1600/20.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 264px; height: 400px;" src="http://3.bp.blogspot.com/-R9CrV95njy8/Tbh0dLV0aHI/AAAAAAAAAFU/0CN0rNdcvqQ/s400/20.jpg" alt="" id="BLOGGER_PHOTO_ID_5600354181244545138" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-cTyk2OLyyp8/Tbh0NeurQ6I/AAAAAAAAAFM/3wHfZN_eFvQ/s1600/21.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 256px; height: 400px;" src="http://3.bp.blogspot.com/-cTyk2OLyyp8/Tbh0NeurQ6I/AAAAAAAAAFM/3wHfZN_eFvQ/s400/21.jpg" alt="" id="BLOGGER_PHOTO_ID_5600353911571170210" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-LKSVnBfQlfo/Tbh0NJfmtSI/AAAAAAAAAFE/Ss6t1dF12Ck/s1600/22.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 258px; height: 400px;" src="http://1.bp.blogspot.com/-LKSVnBfQlfo/Tbh0NJfmtSI/AAAAAAAAAFE/Ss6t1dF12Ck/s400/22.jpg" alt="" id="BLOGGER_PHOTO_ID_5600353905870812450" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-Ibcn-OV1dX8/Tbh0MykvvOI/AAAAAAAAAE8/GENBKLqL_PQ/s1600/23.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 261px; height: 400px;" src="http://1.bp.blogspot.com/-Ibcn-OV1dX8/Tbh0MykvvOI/AAAAAAAAAE8/GENBKLqL_PQ/s400/23.jpg" alt="" id="BLOGGER_PHOTO_ID_5600353899718360290" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-hW-372QPVlo/Tbh0MiaLd2I/AAAAAAAAAE0/jBJ8ECMXn9Q/s1600/24.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 271px; height: 400px;" src="http://4.bp.blogspot.com/-hW-372QPVlo/Tbh0MiaLd2I/AAAAAAAAAE0/jBJ8ECMXn9Q/s400/24.jpg" alt="" id="BLOGGER_PHOTO_ID_5600353895379072866" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-x_xMmyLxyZM/Tbh0MVEDT8I/AAAAAAAAAEs/yaKFhs57jT0/s1600/25.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 261px; height: 400px;" src="http://3.bp.blogspot.com/-x_xMmyLxyZM/Tbh0MVEDT8I/AAAAAAAAAEs/yaKFhs57jT0/s400/25.jpg" alt="" id="BLOGGER_PHOTO_ID_5600353891796602818" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-NIK4MZjiCMM/Tbhz7t5Rq6I/AAAAAAAAAEk/727xVrXj9cM/s1600/26.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 269px; height: 400px;" src="http://2.bp.blogspot.com/-NIK4MZjiCMM/Tbhz7t5Rq6I/AAAAAAAAAEk/727xVrXj9cM/s400/26.jpg" alt="" id="BLOGGER_PHOTO_ID_5600353606404516770" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-vd0wOp0Xggk/Tbhz7UxPPoI/AAAAAAAAAEc/PVYUWPKfuAg/s1600/27.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 273px; height: 400px;" src="http://3.bp.blogspot.com/-vd0wOp0Xggk/Tbhz7UxPPoI/AAAAAAAAAEc/PVYUWPKfuAg/s400/27.jpg" alt="" id="BLOGGER_PHOTO_ID_5600353599659916930" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-fjFxmFWZRgQ/Tbhz7EyqtZI/AAAAAAAAAEU/3k3BpMyjxkk/s1600/28.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 277px; height: 400px;" src="http://1.bp.blogspot.com/-fjFxmFWZRgQ/Tbhz7EyqtZI/AAAAAAAAAEU/3k3BpMyjxkk/s400/28.jpg" alt="" id="BLOGGER_PHOTO_ID_5600353595370943890" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-KWUmSJz2Jv4/Tbhz6y1UtTI/AAAAAAAAAEM/VwMZnP2GyS0/s1600/29.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 268px; height: 400px;" src="http://2.bp.blogspot.com/-KWUmSJz2Jv4/Tbhz6y1UtTI/AAAAAAAAAEM/VwMZnP2GyS0/s400/29.jpg" alt="" id="BLOGGER_PHOTO_ID_5600353590550246706" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-SQOi7V01N04/Tbhz6m3v7_I/AAAAAAAAAEE/qsr27PAFhs0/s1600/30.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 270px; height: 400px;" src="http://4.bp.blogspot.com/-SQOi7V01N04/Tbhz6m3v7_I/AAAAAAAAAEE/qsr27PAFhs0/s400/30.jpg" alt="" id="BLOGGER_PHOTO_ID_5600353587339194354" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-MxClXUtSls0/Tbhzfpbm_mI/AAAAAAAAAD8/UW6jQyJAtJQ/s1600/31.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 271px; height: 400px;" src="http://3.bp.blogspot.com/-MxClXUtSls0/Tbhzfpbm_mI/AAAAAAAAAD8/UW6jQyJAtJQ/s400/31.jpg" alt="" id="BLOGGER_PHOTO_ID_5600353124170006114" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-0ZH8Mk0z5HA/TbhzfdV4uHI/AAAAAAAAAD0/I3SmRRu8p7U/s1600/32.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 275px; height: 400px;" src="http://4.bp.blogspot.com/-0ZH8Mk0z5HA/TbhzfdV4uHI/AAAAAAAAAD0/I3SmRRu8p7U/s400/32.jpg" alt="" id="BLOGGER_PHOTO_ID_5600353120924776562" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-LSn5FOQ0Q1Y/Tbhze6e6UiI/AAAAAAAAADs/yQiEXLH3Mec/s1600/33.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 259px; height: 400px;" src="http://4.bp.blogspot.com/-LSn5FOQ0Q1Y/Tbhze6e6UiI/AAAAAAAAADs/yQiEXLH3Mec/s400/33.jpg" alt="" id="BLOGGER_PHOTO_ID_5600353111567389218" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-xGuK-4rRwxA/TbhzepMZLLI/AAAAAAAAADk/h4QUucTg4e8/s1600/34.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 259px; height: 400px;" src="http://2.bp.blogspot.com/-xGuK-4rRwxA/TbhzepMZLLI/AAAAAAAAADk/h4QUucTg4e8/s400/34.jpg" alt="" id="BLOGGER_PHOTO_ID_5600353106926316722" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-ODAi346By8Y/TbhzRoq0qNI/AAAAAAAAADc/sg8iT9s07PE/s1600/35.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 259px; height: 400px;" src="http://1.bp.blogspot.com/-ODAi346By8Y/TbhzRoq0qNI/AAAAAAAAADc/sg8iT9s07PE/s400/35.jpg" alt="" id="BLOGGER_PHOTO_ID_5600352883447212242" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-VcN6D2rXItE/TbhzRWgmmHI/AAAAAAAAADU/_H1wW3jwM6s/s1600/36.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 270px; height: 400px;" src="http://2.bp.blogspot.com/-VcN6D2rXItE/TbhzRWgmmHI/AAAAAAAAADU/_H1wW3jwM6s/s400/36.jpg" alt="" id="BLOGGER_PHOTO_ID_5600352878572509298" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-eLwCxTLn1B4/TbhzQz-efiI/AAAAAAAAADM/uuVggE7K1qY/s1600/37.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 265px; height: 400px;" src="http://4.bp.blogspot.com/-eLwCxTLn1B4/TbhzQz-efiI/AAAAAAAAADM/uuVggE7K1qY/s400/37.jpg" alt="" id="BLOGGER_PHOTO_ID_5600352869302566434" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-wXm2YA_sf3k/TbhzQoghBOI/AAAAAAAAADE/ixzoDSciBfI/s1600/38.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 269px; height: 400px;" src="http://2.bp.blogspot.com/-wXm2YA_sf3k/TbhzQoghBOI/AAAAAAAAADE/ixzoDSciBfI/s400/38.jpg" alt="" id="BLOGGER_PHOTO_ID_5600352866224112866" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-Y_-50Co7uv8/TbhzCF9cNDI/AAAAAAAAAC8/m6MpFDjqPhA/s1600/39.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 277px; height: 400px;" src="http://3.bp.blogspot.com/-Y_-50Co7uv8/TbhzCF9cNDI/AAAAAAAAAC8/m6MpFDjqPhA/s400/39.jpg" alt="" id="BLOGGER_PHOTO_ID_5600352616432022578" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-f8N3nYfBwJ4/TbhzBzK9xPI/AAAAAAAAAC0/e4CQgXk-vlQ/s1600/40.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 280px; height: 400px;" src="http://3.bp.blogspot.com/-f8N3nYfBwJ4/TbhzBzK9xPI/AAAAAAAAAC0/e4CQgXk-vlQ/s400/40.jpg" alt="" id="BLOGGER_PHOTO_ID_5600352611388474610" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-Pj3V4I63tyM/TbhzBXVjMgI/AAAAAAAAACs/wNWkteOD7-o/s1600/41.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 261px; height: 400px;" src="http://3.bp.blogspot.com/-Pj3V4I63tyM/TbhzBXVjMgI/AAAAAAAAACs/wNWkteOD7-o/s400/41.jpg" alt="" id="BLOGGER_PHOTO_ID_5600352603916677634" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-mGR81AMcNBg/TbhzA9B67JI/AAAAAAAAACk/FLc5_3WCSmE/s1600/42.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 286px; height: 400px;" src="http://4.bp.blogspot.com/-mGR81AMcNBg/TbhzA9B67JI/AAAAAAAAACk/FLc5_3WCSmE/s400/42.jpg" alt="" id="BLOGGER_PHOTO_ID_5600352596855024786" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-7780753254467525806?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/7780753254467525806/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=7780753254467525806' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/7780753254467525806'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/7780753254467525806'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2011/04/best-moments-of-el-manchar-with-melouah.html' title='The best of El Manchar'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-nlFxSKQlI1A/Tbh2UAxfouI/AAAAAAAAAH0/2UsofL8pOdY/s72-c/00.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-8150066653208328416</id><published>2011-04-18T02:18:00.000-07:00</published><updated>2011-04-19T00:47:18.830-07:00</updated><title type='text'>Artintifada - Carlos Latuff</title><content type='html'>I've just discovered the cartoonist Carlos Latuff, based in Rio, who draws about Palestine and Iraq.  His work, as he titles it, is ArtIntifada, he site is &lt;a href="http://artintifada.wordpress.com/2009/01/10/latuff-palestine-cartoons/"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Here are a couple of my favourites:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-9uNc5An0l4U/Ta0wfd38bUI/AAAAAAAAACU/6Epqi7Ozowo/s1600/palestine223%2BLatuff.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 282px; height: 400px;" src="http://1.bp.blogspot.com/-9uNc5An0l4U/Ta0wfd38bUI/AAAAAAAAACU/6Epqi7Ozowo/s400/palestine223%2BLatuff.jpg" alt="" id="BLOGGER_PHOTO_ID_5597183229044747586" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-p3cWNESyyTE/Ta0mV8cwG8I/AAAAAAAAACM/F-9Lf_ki4eg/s1600/preventanotherholocaustbombiran%2BLatuff.gif"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 400px; height: 256px;" src="http://3.bp.blogspot.com/-p3cWNESyyTE/Ta0mV8cwG8I/AAAAAAAAACM/F-9Lf_ki4eg/s400/preventanotherholocaustbombiran%2BLatuff.gif" alt="" id="BLOGGER_PHOTO_ID_5597172070337223618" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-8150066653208328416?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/8150066653208328416/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=8150066653208328416' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/8150066653208328416'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/8150066653208328416'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2011/04/artintifada-carlos-latuff.html' title='Artintifada - Carlos Latuff'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-9uNc5An0l4U/Ta0wfd38bUI/AAAAAAAAACU/6Epqi7Ozowo/s72-c/palestine223%2BLatuff.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-7223715723214676589</id><published>2011-04-10T00:06:00.000-07:00</published><updated>2011-04-10T00:10:10.433-07:00</updated><title type='text'>Hanoune v. Ouyahia - Algerie</title><content type='html'>&lt;span style=";font-family:&amp;quot;;font-size:100%;"  lang="FR" &gt;L'une ressemble beaucoup à l'autre, c'est che-lou. Ne cherchez pas l'intru c'est les deux.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-C-TFizaPf1M/TaFXIvmtsvI/AAAAAAAAACE/DSlmuGz2Hgo/s1600/ouyahia.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 318px; height: 236px;" src="http://3.bp.blogspot.com/-C-TFizaPf1M/TaFXIvmtsvI/AAAAAAAAACE/DSlmuGz2Hgo/s400/ouyahia.jpg" alt="" id="BLOGGER_PHOTO_ID_5593848019900281586" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-B68hvrHLUCU/TaFXIRGnEII/AAAAAAAAAB8/46c3axS95Rg/s1600/louisa%2Bhanoune.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 311px; height: 311px;" src="http://4.bp.blogspot.com/-B68hvrHLUCU/TaFXIRGnEII/AAAAAAAAAB8/46c3axS95Rg/s400/louisa%2Bhanoune.jpg" alt="" id="BLOGGER_PHOTO_ID_5593848011712565378" border="0" /&gt;&lt;/a&gt;&lt;span style=";font-family:&amp;quot;;font-size:12pt;"  lang="FR" &gt;&lt;br /&gt;&lt;/span&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal;"&gt;&lt;span style=";font-family:&amp;quot;;font-size:12pt;"  lang="FR" &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal;"&gt;&lt;span style=";font-family:&amp;quot;;font-size:12pt;"  lang="FR" &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal;"&gt;&lt;span style=";font-family:&amp;quot;;font-size:12pt;"  lang="FR" &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal;"&gt;&lt;span style=";font-family:&amp;quot;;font-size:12pt;"  lang="FR" &gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-7223715723214676589?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/7223715723214676589/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=7223715723214676589' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/7223715723214676589'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/7223715723214676589'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2011/04/hanoune-v-ouyahia-algerie.html' title='Hanoune v. Ouyahia - Algerie'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-C-TFizaPf1M/TaFXIvmtsvI/AAAAAAAAACE/DSlmuGz2Hgo/s72-c/ouyahia.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-509933359068053365</id><published>2011-02-14T11:18:00.000-08:00</published><updated>2011-02-14T11:52:45.683-08:00</updated><title type='text'>MOAL: official statement of purpose</title><content type='html'>&lt;span style="font-family:trebuchet ms;"&gt;Le Mouvement Algérien des Officiers Libres, or the Algerian Movement of Free Officers, is a little spoken about group of officers whose leaders are said to be exiled in the UK (and in several other countries), and who has been releasing material regularly (which can be found on Algeria-Watch.org).  Their aim as former officers of the Algerian National Army is to speak as witnesses of all the atrocities they were ordered to commit, all the orders they knew of first hand and those they came to know about, and against which they rebelled.  This has caused a serious headache to the DRS who has been trying to silence them and infiltrate them until today ever since the birth of their organisation in 1992/93.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;Many of their revelations are fascinating to me and I'll be translating and posting here some of the dossiers they released. They sometimes write in English but most often in French.  It is some of the French I wanted to post.  To start off with though I am translating below their formal statement (a statment of purpose if you will) which introduces what they are about.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:trebuchet ms;"&gt;Their website is &lt;/span&gt;&lt;a style="font-family: trebuchet ms;" href="http://www.anp.org/index.html"&gt;www.anp.org&lt;/a&gt;&lt;span style="font-family:trebuchet ms;"&gt; .&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:officedocumentsettings&gt;   &lt;o:allowpng/&gt;  &lt;/o:OfficeDocumentSettings&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;EN-GB&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;AR-SA&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:enableopentypekerning/&gt;    &lt;w:dontflipmirrorindents/&gt;    &lt;w:overridetablestylehps/&gt;   &lt;/w:Compatibility&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val="Cambria Math"&gt;    &lt;m:brkbin val="before"&gt;    &lt;m:brkbinsub val="&amp;#45;-"&gt;    &lt;m:smallfrac val="off"&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val="0"&gt;    &lt;m:rmargin val="0"&gt;    &lt;m:defjc val="centerGroup"&gt;    &lt;m:wrapindent val="1440"&gt;    &lt;m:intlim val="subSup"&gt;    &lt;m:narylim val="undOvr"&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"&gt;   &lt;w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"&gt;   &lt;w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 1"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 2"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 3"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 4"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 5"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 6"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 7"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 8"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 9"&gt;   &lt;w:lsdexception locked="false" priority="35" qformat="true" name="caption"&gt;   &lt;w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"&gt;   &lt;w:lsdexception locked="false" priority="1" name="Default Paragraph Font"&gt;   &lt;w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"&gt;   &lt;w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"&gt;   &lt;w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"&gt;   &lt;w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Revision"&gt;   &lt;w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"&gt;   &lt;w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"&gt;   &lt;w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"&gt;   &lt;w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"&gt;   &lt;w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"&gt;   &lt;w:lsdexception locked="false" priority="37" name="Bibliography"&gt;   &lt;w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:"Table Normal";  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-priority:99;  mso-style-parent:"";  mso-padding-alt:0cm 5.4pt 0cm 5.4pt;  mso-para-margin-top:0cm;  mso-para-margin-right:0cm;  mso-para-margin-bottom:10.0pt;  mso-para-margin-left:0cm;  line-height:115%;  mso-pagination:widow-orphan;  font-size:11.0pt;  font-family:"Calibri","sans-serif";  mso-ascii-font-family:Calibri;  mso-ascii-theme-font:minor-latin;  mso-hansi-font-family:Calibri;  mso-hansi-theme-font:minor-latin;  mso-bidi-font-family:Arial;  mso-bidi-theme-font:minor-bidi;  mso-fareast-language:EN-US;} &lt;/style&gt; &lt;![endif]--&gt;&lt;span style=";font-family:times new roman;font-size:130%;"  &gt;"Who are the Algerian Movement of Free Officers (MOAL):&lt;br /&gt;&lt;br /&gt;After President Chadli Bendjedid was removed in January 1992, a group of officers was outraged by the irresponsible actions of the military’s hierarchy; they knew the consequences of a total repression very well. After some consultation, in early 1993, a first cell called HAKIM was formed by nationalist officers gathered around the late Kasdi Merbah and the much regretted Generals Mohamed Saidi and Touahri Fodhil among others. Other generals of the nationalist family were discreetly contacted, but they refrained from taking sides or consider the matter. &lt;span style=""&gt; &lt;/span&gt;We will not cite these generals who are retired but they will recognise themselves!&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;p class="MsoNormal"  style="margin-bottom: 0.0001pt; line-height: normal;font-family:times new roman;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span lang="EN"&gt; &lt;span style=""&gt;During this time also, the first circle of command held discreet meetings at the ‘club des pins’ away from the indiscretions of the MDN. &lt;/span&gt;&lt;span style=""&gt; &lt;/span&gt;&lt;span style=""&gt;Grave decisions were taken following these meetings which would alter the face of the ANP forever. Significant changes were agreed and carried out behind the curtains within the MDN itself.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;    &lt;p class="MsoNormal"  style="margin-bottom: 0.0001pt; line-height: normal;font-family:times new roman;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="background: none repeat scroll 0% 0% white;"&gt;The hierarchy decided to do a thorough cleaning: only the officers who were pro-command or at least anti-Islamists were admitted into the circle of the elected officials who were going to play a vital role for years to come. &lt;span style=""&gt; &lt;/span&gt;Most incredible is that Khaled Nezar and his peers opted for the physical removal of the officers who were openly against the command’s actions, and that is how so many senior officers of the ANP were simply and openly assassinated by the death squad known as 'code unit 192'. The crimes were of course blamed on the Islamists, certain assassinations were so obviously so, considering the profiles of the victims; many people within the ANP knew, or at least suspected, that they were the work of the killers of the DRS.&lt;br /&gt;&lt;br /&gt;Despite the loss of Kasdi Merbah, the HAKIM cell continued to grow until it went public in its final form in June 1997: the Algerian Movement of Free Officers (MAOL). It goes without saying that those in power at the time redoubled their efforts to identify and eliminate all those who belonged to MAOL and the movement paid a heavy price to save the country. Among these officers martyrs MAOL counts several men of honour and of invaluable quality, such as officers founder of the movement who were assassinated without a thought. We cite as an example, the regretted late General Mohamed Touahri, Colonel Hashemi Touabih, Colonel Haj Sadok who were assassinated in February 1998 with a bomb planted in their helicopter flying over the region of Bechar.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p  class="MsoNormal" style="font-family:times new roman;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span class="longtext"&gt;&lt;span style="line-height: 115%; background: none repeat scroll 0% 0% white;"&gt;The Algerian Movement of Free Officers took the task of saving the country whatever the cost, because it is the future of the country which is at stake and it is the destiny of the people which has been betrayed in everything. &lt;/span&gt;&lt;/span&gt;&lt;span title="Notre détermination à bâtir une Algérie à la mesure des sacrifices de tous les hommes et femmes qui ont versé leur sang n'a point de limite."&gt;&lt;span style="line-height: 115%;"&gt;Our determination to build an Algeria on the heights set by the sacrifices of all the men and women who shed their blood knows no bound. &lt;/span&gt;&lt;span style="background: none repeat scroll 0% 0% white;"&gt;&lt;span title="Pour nous, les mots honneur, sacrifice et fidélité ont tout leurs sens et décrivent à peine la mission que nous accomplissons."&gt;For us, the words honour, sacrifice and loyalty contain their full meaning and only lightly illustrate the mission that we have undertaken. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style=";font-family:times new roman;font-size:100%;"  &gt;&lt;span style="line-height: 115%; background: none repeat scroll 0% 0% white;"&gt; &lt;span style=";font-family:times new roman;font-size:130%;" title="La mission du MAOL est celle de tout les algériens libres soucieux de glorifier le nom de l'Algérie et lui restituer sont éclat, son honneur et rendre au peuple sa dignité et ses droits."  &gt;MAOL's mission is that of all Algerians eager to glorify the name of Algeria, to give it back its glory, its honour and to give back its people their dignity and their rights."&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a style="font-family: trebuchet ms;" href="http://www.anp.org/fr/leMAOL.html"&gt;The original in French can be found here&lt;/a&gt;&lt;span style="font-family:trebuchet ms;"&gt;.  Up on their site also are 4 testimonies of officers that made for gruesome reading but necessary knowledge.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:officedocumentsettings&gt;   &lt;o:allowpng/&gt;  &lt;/o:OfficeDocumentSettings&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;EN-GB&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;AR-SA&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:enableopentypekerning/&gt;    &lt;w:dontflipmirrorindents/&gt;    &lt;w:overridetablestylehps/&gt;   &lt;/w:Compatibility&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val="Cambria Math"&gt;    &lt;m:brkbin val="before"&gt;    &lt;m:brkbinsub val="&amp;#45;-"&gt;    &lt;m:smallfrac val="off"&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val="0"&gt;    &lt;m:rmargin val="0"&gt;    &lt;m:defjc val="centerGroup"&gt;    &lt;m:wrapindent val="1440"&gt;    &lt;m:intlim val="subSup"&gt;    &lt;m:narylim val="undOvr"&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"&gt;   &lt;w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"&gt;   &lt;w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 1"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 2"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 3"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 4"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 5"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 6"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 7"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 8"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 9"&gt;   &lt;w:lsdexception locked="false" priority="35" qformat="true" name="caption"&gt;   &lt;w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"&gt;   &lt;w:lsdexception locked="false" priority="1" name="Default Paragraph Font"&gt;   &lt;w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"&gt;   &lt;w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"&gt;   &lt;w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"&gt;   &lt;w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Revision"&gt;   &lt;w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"&gt;   &lt;w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"&gt;   &lt;w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"&gt;   &lt;w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"&gt;   &lt;w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"&gt;   &lt;w:lsdexception locked="false" priority="37" name="Bibliography"&gt;   &lt;w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:"Table Normal";  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-priority:99;  mso-style-parent:"";  mso-padding-alt:0cm 5.4pt 0cm 5.4pt;  mso-para-margin-top:0cm;  mso-para-margin-right:0cm;  mso-para-margin-bottom:10.0pt;  mso-para-margin-left:0cm;  line-height:115%;  mso-pagination:widow-orphan;  font-size:11.0pt;  font-family:"Calibri","sans-serif";  mso-ascii-font-family:Calibri;  mso-ascii-theme-font:minor-latin;  mso-hansi-font-family:Calibri;  mso-hansi-theme-font:minor-latin;  mso-bidi-font-family:Arial;  mso-bidi-theme-font:minor-bidi;  mso-fareast-language:EN-US;} &lt;/style&gt; &lt;![endif]--&gt;&lt;span class="longtext"  style="font-family:trebuchet ms;"&gt;&lt;span style="background: none repeat scroll 0% 0% white;"&gt;Note:&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="longtext"  style="font-family:trebuchet ms;"&gt;&lt;br /&gt;ANP: l’Armee Nationale Populaire – the Popular National Army&lt;/span&gt;  &lt;p  class="MsoNormal" style="font-family:trebuchet ms;"&gt;&lt;span class="longtext"&gt;MDN: Ministere de la Defense National – Ministry of National Defense&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:trebuchet ms;"&gt;  I do not know yet what HAKIM stood for.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-509933359068053365?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/509933359068053365/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=509933359068053365' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/509933359068053365'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/509933359068053365'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2011/02/moal-official-statement-of-purpose.html' title='MOAL: official statement of purpose'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-1789698260183542056</id><published>2011-02-13T11:45:00.001-08:00</published><updated>2011-02-13T12:38:48.406-08:00</updated><title type='text'>Radio Kalima publishes two IGF reports on BRC</title><content type='html'>In an effort to distributte information about Algeria in English, particularly of affairs widely known by Algerians and discussed in the press in French but not covered at all (or so very little) in English, be it by generalists or specialists, I've decided that I will translate from time to time articles I find particularly important, published in the Algerian Press or elsewhere, or whatever other document takes my fancy.&lt;br /&gt;&lt;br /&gt;What follows is the translation of an article published today on Radio Kalima's website.  It discusses the Brown and Root Condor affair and makes available to its readers a download of two full reports of the Inspectorate General of Finance said to be confidential.&lt;br /&gt;&lt;br /&gt;I don't believe that any of the details will be at all new for Algerians who are well aware of the details of what happens in their own country,  Algerians are the ones after all who live and suffer first hand at the hands of the government's choices.   The press has often been used - by the Algerian government or by different factions - to father rumours or create a paper trail for its conflicts with one another, or even, as the government believes in its great state of dillusion: to try to confuse heads.&lt;br /&gt;&lt;br /&gt;Bearing this in mind, it should not affect the importance of the discussions that are taking place among Algerians, and that sometimes echo in the foreign press.  The coverage in English on Algeria is dismal, and the content when events are covered is anorexic.   The more information is passed on, exchanged, I stress again in English, the easier the access for outside audiences, one hopes.  At least that is my aim.&lt;br /&gt;&lt;br /&gt;RADIO KALIMA (&lt;a href="http://www.kalimadz.com/fr/News-sid-EXCLUSIF-RADIO-KALIMA-Telechargez-les-deux-rapports-confidentiel-sur-BRC-310.html"&gt;click here to be redirected to the original article in French&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:officedocumentsettings&gt;   &lt;o:allowpng/&gt;  &lt;/o:OfficeDocumentSettings&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;EN-GB&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;AR-SA&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:enableopentypekerning/&gt;    &lt;w:dontflipmirrorindents/&gt;    &lt;w:overridetablestylehps/&gt;   &lt;/w:Compatibility&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val="Cambria Math"&gt;    &lt;m:brkbin val="before"&gt;    &lt;m:brkbinsub val="&amp;#45;-"&gt;    &lt;m:smallfrac val="off"&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val="0"&gt;    &lt;m:rmargin val="0"&gt;    &lt;m:defjc val="centerGroup"&gt;    &lt;m:wrapindent val="1440"&gt;    &lt;m:intlim val="subSup"&gt;    &lt;m:narylim val="undOvr"&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"&gt;   &lt;w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"&gt;   &lt;w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 1"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 2"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 3"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 4"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 5"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 6"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 7"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 8"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 9"&gt;   &lt;w:lsdexception locked="false" priority="35" qformat="true" name="caption"&gt;   &lt;w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"&gt;   &lt;w:lsdexception locked="false" priority="1" name="Default Paragraph Font"&gt;   &lt;w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"&gt;   &lt;w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"&gt;   &lt;w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"&gt;   &lt;w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Revision"&gt;   &lt;w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"&gt;   &lt;w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"&gt;   &lt;w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"&gt;   &lt;w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"&gt;   &lt;w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"&gt;   &lt;w:lsdexception locked="false" priority="37" name="Bibliography"&gt;   &lt;w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:"Table Normal";  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-priority:99;  mso-style-parent:"";  mso-padding-alt:0cm 5.4pt 0cm 5.4pt;  mso-para-margin-top:0cm;  mso-para-margin-right:0cm;  mso-para-margin-bottom:10.0pt;  mso-para-margin-left:0cm;  line-height:115%;  mso-pagination:widow-orphan;  font-size:11.0pt;  font-family:"Calibri","sans-serif";  mso-ascii-font-family:Calibri;  mso-ascii-theme-font:minor-latin;  mso-hansi-font-family:Calibri;  mso-hansi-theme-font:minor-latin;  mso-bidi-font-family:Arial;  mso-bidi-theme-font:minor-bidi;  mso-fareast-language:EN-US;} &lt;/style&gt; &lt;![endif]--&gt;&lt;span style="line-height: 115%;font-family:&amp;quot;;font-size:100%;"  &gt;"When the BRC [Brown &lt;/span&gt;&lt;span style="line-height: 115%;font-family:&amp;quot;;font-size:100%;"  &gt;and &lt;/span&gt;&lt;span style="line-height: 115%;font-family:&amp;quot;;font-size:100%;"  &gt;Root &lt;/span&gt;&lt;span style="line-height: 115%;font-family:&amp;quot;;font-size:100%;"  &gt;Condor] was dissolved on the direct order of President Bouteflika, and in violation of all the [country’s] laws and regulations, without even an audit however brief, the purpose was clear: that of making disappear the body of the crime.&lt;br /&gt;&lt;br /&gt;The barons of the regime - much compromised in this major financial scandal [which equates to] a mass plunder of public funds, with the complicity of foreign companies including American companies linked to Dick Cheney - were too many, and the disclosure of all the details pertaining to this sombre affair could have taken the Algerian regime down if the details had been known to the public.&lt;br /&gt;&lt;br /&gt;In addition to a large operation of embezzlement, perpetrated under the guise of public procurement [that] bumped up the bill [on contracts] up to 600% of its actual assessments, there was also a case of high treason.&lt;span style=""&gt;  &lt;/span&gt;The &lt;/span&gt;&lt;span style="line-height: 115%;font-family:&amp;quot;;font-size:100%;"  lang="EN" &gt;construction - unbeknown to the Algerian people and not even known by the head of state [ie president Bouteflika] it seems – of an American base of medium capacity with landing strips and all facilities needed to accommodate hundreds of U.S. soldiers in the Iherhir &lt;/span&gt;&lt;span style="line-height: 115%;font-family:&amp;quot;;font-size:100%;"  lang="EN" &gt;region &lt;/span&gt;&lt;span style="line-height: 115%;font-family:&amp;quot;;font-size:100%;"  lang="EN" &gt;near Illizi [South Eastern part of Algeria]&lt;/span&gt;&lt;span style="line-height: 115%;font-family:&amp;quot;;font-size:100%;"  &gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="background: none repeat scroll 0% 0% white;"&gt;This base today no longer exists. It was destroyed and all traces of its presence have been almost entirely erased.&lt;br /&gt;&lt;br /&gt;When the scandal erupted, the Algerian press had intimated that it was President Bouteflika who had seized the Inspectorate General of Finance. &lt;/span&gt;In fact, it was the head of government, Mr. Ouyahia [the prime minister between 2003 to 2006, and again currently PM since 23 June 2008&lt;/span&gt;&lt;span style="line-height: 115%;font-family:&amp;quot;;font-size:100%;"  &gt;]&lt;/span&gt;&lt;span style="line-height: 115%;font-family:&amp;quot;;font-size:100%;"  &gt; who had launched the machine in 2006.&lt;br /&gt;&lt;br /&gt;&lt;span style="background: none repeat scroll 0% 0% white;"&gt;It is easy to imagine for those who know the modus operandi of Mr. Ouyahia that he could never have triggered such an affair, a fortiori it was aiming at Chakib Khalil, Minister of Energy and close to Bouteflika, he &lt;/span&gt;acted as the transmission belt for certain U.S. lobby groups.  An even stronger reason is that &lt;span style="background: none repeat scroll 0% 0% white;"&gt;the investigation of the IGF was intended to hand over to the public individuals close to the President, including the latter’s own brother, and generals who had allied themselves to the presidential clan, now the almost &lt;/span&gt;exclusive &lt;span style="background: none repeat scroll 0% 0% white;"&gt;provider &lt;/span&gt;dealing with various customers.&lt;br /&gt;&lt;br /&gt;&lt;span style="background: none repeat scroll 0% 0% white;"&gt;In fact, this survey of the IGF on the activities of the BRC, was orchestrated by General Mediene, known as ‘Toufik’.&lt;span style=""&gt;  &lt;/span&gt;He had wanted to settle some scores with the Bouteflika clan and particularly wanted to force Bouteflika to do away with Chakib Khalil.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;But the IGF did not have sufficient time to examine everything. &lt;span style="background: none repeat scroll 0% 0% white;"&gt;While it was conducting its investigations, it began to reveal the largest embezzlement, and before it could probe in detail the Canadian company RSW-SCATT, which had subcontracted the contract of the U.S. base to BRC, the Toufik and Bouteflika clans came to an agreement, and agreed to stop the offensive.&lt;br /&gt;&lt;br /&gt;The BRC was therefore dissolved. &lt;/span&gt;After a progress report, and preliminary reports, the case was closed. No final report was made.&lt;br /&gt;&lt;br /&gt;And so the BRC will be dissolved, its assets scattered among several financial entities. &lt;span style="background: none repeat scroll 0% 0% white;"&gt;With no further ado.&lt;br /&gt;&lt;br /&gt;Here are links to the IGF reports. Although the investigation was been completed and was only able to audition a minute part of this scandal, it shows us nonetheless [the particulars and] usual code of operation of this mafiosi regime.&lt;/span&gt;&lt;/span&gt;&lt;span style=";font-family:times new roman;font-size:100%;"  &gt;&lt;span style="font-family:arial;"&gt;"&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;Note: Brown and Root Condor was dissolved in January 2007.  It was an Algerian-American company created in 1994, specialised in petroleum engineering.  Sonatrach owned 51% of its shares,  Halliburton 41%.&lt;br /&gt;&lt;br /&gt;The fact that we are four years from the closure and that the case still raises its head from time to time should not be ignored.&lt;br /&gt;&lt;br /&gt;(the documents are on Radio Kalima's website &lt;a href="http://www.kalimadz.com/fr/News-sid-EXCLUSIF-RADIO-KALIMA-Telechargez-les-deux-rapports-confidentiel-sur-BRC-310.html"&gt;here&lt;/a&gt;)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-1789698260183542056?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/1789698260183542056/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=1789698260183542056' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/1789698260183542056'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/1789698260183542056'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2011/02/radio-kalima-publishes-two-igf-reports.html' title='Radio Kalima publishes two IGF reports on BRC'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-5491025938212518242</id><published>2011-02-13T03:18:00.001-08:00</published><updated>2011-02-13T03:57:31.627-08:00</updated><title type='text'>Dilem President - The book</title><content type='html'>In 2008, the writer and journalist Mustapha Benfodil prepared a book called "Dilem President: biographie d'un emeutier" (Dilem President: biography of a rioter").  It was on the occasion of the 20th anniversary of the horrendous events that occured in Algeria on 5 October 1988 and to remember its martyrs that Benfodil prepared this biography.&lt;br /&gt;&lt;br /&gt;The book was never published. It wasn't as much censored as refused outright by publishers in Algeria who feared reprisals.    So Benfodil, back in 2008, put it up on a blog to distribute it and get the word out.&lt;br /&gt;&lt;br /&gt;In view of the demonstrations and protests that are taking place in Algeria now - and have been for some years and are increasing everyday in dimension and intensity - I thought it would be a great time to remember this book, to (re)read it especially and so I put it up here for those interested.   It's in French I'm afraid.  This link doesn't allow a download it seems, but it can be shared, printed and read on full screen quite comfortably.   Distribute it, Dilem's story should be told, it is the story of an entire people and country.&lt;br /&gt;&lt;br /&gt;Dilem is a (fantastic) Algerian cartoonist, based in Algeria.  His cartoons are well know and continue to appear daily in the Algerian daily newspaper &lt;a href="http://www.liberte-algerie.com/"&gt;Liberté&lt;/a&gt;.&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;br /&gt;&lt;object id="_ds_1471680" name="_ds_1471680" type="application/x-shockwave-flash" data="http://viewer.docstoc.com/" width="560" height="349"&gt;&lt;param name="FlashVars" value="doc_id=1471680&amp;amp;mem_id=112446&amp;amp;showrelated=1&amp;amp;showotherdocs=1&amp;amp;doc_type=pdf&amp;amp;allowdownload=1"&gt;&lt;param name="movie" value="http://viewer.docstoc.com/"&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/object&gt;&lt;br /&gt;&lt;script type="text/javascript"&gt;var docstoc_docid="1471680";var docstoc_title="dilem president";var docstoc_urltitle="dilem president";&lt;/script&gt;&lt;script type="text/javascript" src="http://i.docstoccdn.com/js/check-flash.js"&gt;&lt;/script&gt;&lt;span style="font-size:78%;"&gt;&lt;a href="http://www.docstoc.com/docs/1471680/dilem-president"&gt;dilem president&lt;/a&gt; - &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-5491025938212518242?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/5491025938212518242/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=5491025938212518242' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/5491025938212518242'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/5491025938212518242'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2011/02/dilem-president-book.html' title='Dilem President - The book'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-93680717881238914</id><published>2010-12-01T12:31:00.000-08:00</published><updated>2010-12-01T13:38:43.867-08:00</updated><title type='text'>Further reports of Eritrean troops in East Sudan</title><content type='html'>I have been redirected towards another article (in AlNahda) written in Arabic which reports, as Adoulis did mid-October, that Eritrean troops have been deployed in Eastern Sudan, armed and remain posted there.  I am copying part of the article here translated in English.  The online paper Al Nahda is not always reliable because it tends to quote without naming its sources, relying on word of mouth only.  It also spoils its analysis by leaning towards the dramatic.  That said, it is Eritreans themselves, those who are settled in East Sudan, who are alerting their relatives and so it is only via word of mouth at the moment that this information is traveling.  According to this article in AlNahda, Sudan is looking to resolve the situation via diplomatic means and is hushing up media agencies.&lt;br /&gt;&lt;br /&gt;Southern Sudan is set to hold a referendum on 9 January 2011 to choose whether it wants to remain part of Sudan or separate.&lt;br /&gt;&lt;br /&gt;Alnahda article is &lt;a href="http://www.alnahda1.8m.com/"&gt;HERE&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The report says:&lt;br /&gt;&lt;br /&gt;&lt;span id="result_box" class="long_text" lang="en"&gt;&lt;span style="" title=""&gt;"I have received information from the same brothers a few days ago, and they reported that the planned military offensive had &lt;/span&gt;&lt;/span&gt;&lt;span id="result_box" class="long_text" lang="en"&gt;&lt;span style="" title=""&gt;already &lt;/span&gt;&lt;/span&gt;&lt;span id="result_box" class="long_text" lang="en"&gt;&lt;span style="" title=""&gt;begun.  The &lt;/span&gt;&lt;/span&gt;&lt;span id="result_box" class="long_text" lang="en"&gt;&lt;span style="" title=""&gt;Eritrean regime's &lt;/span&gt;&lt;/span&gt;&lt;span id="result_box" class="long_text" lang="en"&gt;&lt;span style="" title=""&gt;army has moved deep in Sudanese territory, toward Khor Baraka and the mountains of Arerb.  Last week the military forces extended into the area of Jmbekta where Rashaida [ethnic group] are located&lt;/span&gt;&lt;span style="" title=""&gt;.  The aggressor entered the area armed [...] Another group of the invading forces entered Khor Baraka where the Bbai [ethnic group in Sudan] are located."&lt;br /&gt;&lt;br /&gt;It is believed that Eritrean troops are still &lt;/span&gt;&lt;span style="" title=""&gt;in position now.&lt;br /&gt;&lt;br /&gt;What is happening?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-93680717881238914?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/93680717881238914/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=93680717881238914' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/93680717881238914'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/93680717881238914'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/12/further-reports-of-eritrean-troops-in.html' title='Further reports of Eritrean troops in East Sudan'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-4521005788208219234</id><published>2010-12-01T00:42:00.000-08:00</published><updated>2010-12-01T01:08:06.996-08:00</updated><title type='text'>Eritrean troops in Sudan</title><content type='html'>Adoulis has reported that Eritrean troops have moved into Eastern Sudan over taking land: &lt;a href="http://www.adoulis.com/details.php?rsnType=1&amp;amp;id=2674"&gt;here is the report in Arabic &lt;/a&gt;from www.adoulis.com . See English translation below.  No international news agencies have reported this nor have the Sudanese.  Eastern Sudan is where the majority of Eritrean refugees in Sudan are located.&lt;br /&gt;&lt;br /&gt;ARABIC&lt;br /&gt;&lt;br /&gt;&lt;span lang="en-us"&gt;&lt;span style="color:blue;"&gt;&lt;span&gt;&lt;b&gt;إعتداء إرتري على الأراضي السودانية&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="en-us"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-family: Simplified Arabic;"&gt;المصدر : موقع الإصلاح&lt;br /&gt;في تطور خطير للأوضاع أفادت مصادر مطلعة بأن قوات إرترية إعتدت على آراضي سودانية بمنطقة (الكرتيب) الواقعة الى الشمال الشرقي لمدينة ود الحليو&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="en-us"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-family: Simplified Arabic;"&gt;وإستولت على مشروعات زراعية تابعة لمزارعين سودانيين كما قامت بفتح معسكرين عسكريين تنتشر فيهما قوات عسكرية كان ذلك في يوم16/10/2010م ،الجدير بالذكر أن هذه المواقع كانت محل نزاع سابق إلا أن السلطات الإرترية قد أعلنت التخلي عنها وسلمتها الى أصحابها ،وفي ذات السياق قامت السلطات الأرترية في شهر يونيو الماضي بإعتقال أحد أفراد ألأمن السوداني العاملين في المنطقة واصطحبته الى مدينة أم حجر الأرترية وأطلقت سراحه بعد ملاحقة سودانية الجدير بالذكر أن الحكومة الأرترية قد أعطت عهودا ومواثيق مغلظة للسودان على ان لا يحصل منها أي خرق أمني بالحدود.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ENGLISH&lt;br /&gt;&lt;br /&gt;&lt;span id="result_box" class="" lang="en"&gt;&lt;span style="" title=""&gt;Eritrean Attach on Sudanese Border&lt;br /&gt;&lt;br /&gt;In a serious development of the situation informed sources said that Eritrean forces assaulted the territory of Sudanese region of Alkurtib located to the north east of the city Wad Heleo.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span id="result_box" class="long_text" lang="en"&gt;&lt;span style="" title=""&gt;The forces took possession of the agricultural projects belonging to &lt;/span&gt;&lt;/span&gt;&lt;span id="result_box" class="long_text" lang="en"&gt;&lt;span style="" title=""&gt;&lt;/span&gt;&lt;/span&gt;&lt;span id="result_box" class="long_text" lang="en"&gt;&lt;span style="" title=""&gt;Sudanese &lt;/span&gt;&lt;/span&gt;&lt;span id="result_box" class="long_text" lang="en"&gt;&lt;span style="" title=""&gt;&lt;/span&gt;&lt;/span&gt;&lt;span id="result_box" class="long_text" lang="en"&gt;&lt;span style="" title=""&gt;farmers and also have opened two camps and deployed two military forces.  This was that on 10.16.2010,.  It is worth mentioning that these sites were the subject of a previous dispute, but the &lt;/span&gt;&lt;/span&gt;&lt;span id="result_box" class="long_text" lang="en"&gt;&lt;span style="" title=""&gt;Eritrean &lt;/span&gt;&lt;/span&gt;&lt;span id="result_box" class="long_text" lang="en"&gt;&lt;span style="" title=""&gt;authorities had declared them abandoned and had handed them over to their owners.  In the same context, &lt;/span&gt;&lt;/span&gt;&lt;span id="result_box" class="long_text" lang="en"&gt;&lt;span title=""&gt;in June, &lt;/span&gt;&lt;/span&gt;&lt;span id="result_box" class="long_text" lang="en"&gt;&lt;span style="" title=""&gt;the &lt;/span&gt;&lt;span title=""&gt;Eritrean authorities arrested members of a Sudanese security personnel in the region and took them to the town of Om Hajer.  They had released them after Sudan had complained.  The Eritrean government had given assurances to Sudan that it would not tresspass (would not cross the borders).&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-4521005788208219234?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/4521005788208219234/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=4521005788208219234' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/4521005788208219234'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/4521005788208219234'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/12/eritrean-troops-in-sudan.html' title='Eritrean troops in Sudan'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-4971607096555883583</id><published>2010-09-25T10:15:00.000-07:00</published><updated>2010-09-25T10:26:07.862-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Freedom'/><title type='text'>The Messenger Donkey</title><content type='html'>"Two men riding donkeys met one day on a narrow mountain trail.  They greeted each other in the customary way, asking about each other's family, and health, and cattle.  They began to speak of the crops and the rainfall, and as they talked they noticed that their donkeys put their heads together and sniffed at one another.&lt;br /&gt;&lt;br /&gt;One of the men became very annoyed at this, and he said irritably:&lt;br /&gt;&lt;br /&gt;- Isn't it enough that you and I have already greeted each other? Why is it necessary for our animals to carry on a conversation too?&lt;br /&gt;&lt;br /&gt;The other man smiled and said:&lt;br /&gt;&lt;br /&gt;- You don't know the reason? Well, I will tell you.  You see, donkeys have been beasts of burden for a long while.  Many years ago they had a great meeting and selected one of their members to go to God to plead with him that all donkey should be freed from the cruelty and tyranny of men.  The years have gone by, but their messenger hasn't come back yet.   And now whenever donkeys meet on the road or in the market place, they put their mouths together and ask one another: 'Has the messenger donkey returned? &lt;br /&gt;&lt;br /&gt;So when you see your donkey nuzzling another don't become angry, but &lt;span style="font-weight: bold;"&gt;simply remember that all living creatures long for liberty&lt;/span&gt;."&lt;br /&gt;&lt;br /&gt;This is a story lifted from "The Fire On The Mountain and Other Ethiopian Stories" by Harold Courlander and Wolf Leslau.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-4971607096555883583?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/4971607096555883583/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=4971607096555883583' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/4971607096555883583'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/4971607096555883583'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/09/messenger-donkey.html' title='The Messenger Donkey'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-2364728763064451253</id><published>2010-09-03T07:44:00.000-07:00</published><updated>2010-09-03T07:46:22.325-07:00</updated><title type='text'>Lion in the Iron Cage - by Nazim Hikmet</title><content type='html'>&lt;span style="font-size: 14px; font-family: Arial; color: rgb(51, 51, 51);"&gt;                                                                     "Look  at the lion in the iron cage,&lt;br /&gt;look deep into his eyes:&lt;br /&gt;              like two naked steel daggers&lt;br /&gt;             they sparkle with  anger.&lt;br /&gt;But he never loses his dignity&lt;br /&gt;             although his  anger&lt;br /&gt;                    comes and goes&lt;br /&gt;                              goes and comes.&lt;br /&gt;&lt;br /&gt;You couldn't find a place for a collar&lt;br /&gt;round  his thick, furry mane.&lt;br /&gt;Although the scars of a whip&lt;br /&gt;        still burn on his yellow back&lt;br /&gt;his long legs&lt;br /&gt;          stretch and  end&lt;br /&gt;       in the shape of two copper claws.&lt;br /&gt;The hairs on his  mane rise one by one&lt;br /&gt;                around his proud head.&lt;br /&gt;His  hatred&lt;br /&gt;       comes and goes&lt;br /&gt;                goes and comes ...&lt;br /&gt;&lt;br /&gt;The  shadow of my brother on the wall of the dungeon&lt;br /&gt;      moves&lt;br /&gt;              up and down&lt;br /&gt;                       up and down."&lt;br /&gt;&lt;br /&gt;Nazim Hikmet, Turkish poet, 1902-1963&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-2364728763064451253?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/2364728763064451253/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=2364728763064451253' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/2364728763064451253'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/2364728763064451253'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/09/lion-in-iron-cage-by-nazim-hikmet.html' title='Lion in the Iron Cage - by Nazim Hikmet'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-4405990473320345915</id><published>2010-08-18T04:11:00.000-07:00</published><updated>2010-08-18T04:23:00.881-07:00</updated><title type='text'>Yegizaw Michael's Art</title><content type='html'>Ooooooh, just found out about &lt;a href="http://www.yeggystudio.com/about.html"&gt;Yegizaw Michael&lt;/a&gt;, or Yeggy's work, paintings and prints.&lt;br /&gt;&lt;br /&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/891nK8hr64Q?fs=1&amp;amp;hl=en_GB"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/891nK8hr64Q?fs=1&amp;amp;hl=en_GB" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.yeggystudio.com/studio.htm#"&gt;Check out Yegizaw Michael's Studio here&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-4405990473320345915?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/4405990473320345915/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=4405990473320345915' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/4405990473320345915'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/4405990473320345915'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/08/yegizaw-michaels-art.html' title='Yegizaw Michael&apos;s Art'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-8011030902456811208</id><published>2010-08-08T06:01:00.000-07:00</published><updated>2010-08-08T06:07:42.791-07:00</updated><title type='text'>A philosophy of poverty</title><content type='html'>&lt;span style="line-height: 115%;font-size:11pt;"  lang="EN-GB"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;"It was expounded in a coherent form for the first time in the eighteenth-century manuscript by St Gebre the Poor. The manuscript which read like a ‘how-to-live-satisfied-with-an-empty-stomach’ manual could have sold well in the present weight-and-diet-conscious Western world. It dealt not only with the filling capacities of one fruit a day meal and warned how one can get fat and lazy by not exercising the mind, but it also advised believers on how to let ambition steam in its own pot and how to realise happiness through deprivation. A Chinese philosopher said to have plenty is to be confused."&lt;br /&gt;&lt;br /&gt;by Hama Tuma&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-8011030902456811208?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/8011030902456811208/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=8011030902456811208' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/8011030902456811208'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/8011030902456811208'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/08/philosophy-of-poverty.html' title='A philosophy of poverty'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-2298768930957251919</id><published>2010-07-18T05:56:00.000-07:00</published><updated>2010-07-18T06:00:47.161-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kafa'/><title type='text'>I am a huge elephant!</title><content type='html'>This song was composed by Tado Dilli and sung on October 31, 1972 by Ganne-Rasha Terefe in central Sheka.  It is a lamentation of a Sheka family.  This song is part of 63 others, recorded from the bards performing in the Kafa highlands, and published in 'Domination and Resistance: Narrative Songs of the Kafa Highlands' by Werner Lange, 1979.&lt;br /&gt;&lt;br /&gt;But much more than that, this song is part of the rich and formidable heritage of the oral traditions of the people of Kafa and Sheka.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ELEPHANTS:&lt;br /&gt;&lt;br /&gt;(Male)&lt;br /&gt;O, mother elephant, let us go to Vingite!&lt;br /&gt;Let us run to Yeha!&lt;br /&gt;&lt;br /&gt;(Female)&lt;br /&gt;The sons of hunters with their spears,&lt;br /&gt;Will not let us pass.&lt;br /&gt;&lt;br /&gt;(Male)&lt;br /&gt;Let us go through Uchchi;&lt;br /&gt;Let us run through Ulla;&lt;br /&gt;Let us go through Gashi&lt;br /&gt;Then let us run to Galla!&lt;br /&gt;&lt;br /&gt;(Female)&lt;br /&gt;The Galla of Dido with their spears,&lt;br /&gt;Will not let us pass.&lt;br /&gt;The prople of Ebachchi with their spears,&lt;br /&gt;Will not let us pass.&lt;br /&gt;&lt;br /&gt;(Male)&lt;br /&gt;We are trapped&lt;br /&gt;We are in great trouble!&lt;br /&gt;Let us save ourselves by giving up one of our children.&lt;br /&gt;You are the female;&lt;br /&gt;I am the male:&lt;br /&gt;Together we can always produce other!&lt;br /&gt;&lt;br /&gt;(Female)&lt;br /&gt;I will never give up my baby son!&lt;br /&gt;When lying he is like the fruit of a palm tree;&lt;br /&gt;When standing he is like a huge monument.&lt;br /&gt;I will never give up my baby son!&lt;br /&gt;Before being pierced with fifty-five spears;&lt;br /&gt;Before I feel death approaching;&lt;br /&gt;I swear by the name of the sky-god:&lt;br /&gt;I will never give up my son!&lt;br /&gt;&lt;br /&gt;(Male)&lt;br /&gt;O, mother elephant, take our children and go!&lt;br /&gt;It sounds better if I die:&lt;br /&gt;My body will be used to decorate women;&lt;br /&gt;My skin will be used for a man's plow;&lt;br /&gt;I will be used for saddles:&lt;br /&gt;I will be used for armbands;&lt;br /&gt;I am a huge elephant!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-2298768930957251919?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/2298768930957251919/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=2298768930957251919' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/2298768930957251919'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/2298768930957251919'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/07/i-am-huge-elephant.html' title='I am a huge elephant!'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-2582612267515174460</id><published>2010-07-11T14:25:00.000-07:00</published><updated>2010-07-11T14:45:48.022-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Hama Tuma'/><title type='text'>The case of the valiant torturer by Hama Tuma</title><content type='html'>&lt;span style="font-weight: bold;"&gt;BEST READ OF MY WEEK&lt;/span&gt;: &lt;span style="font-weight: bold;"&gt;A DIALOGUE &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The Case of the Valiant Torturer &lt;/span&gt;by&lt;span style="font-style: italic;"&gt; &lt;span style="font-weight: bold;"&gt;Hama Tuma&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;An ex-torturer of the Red Terror is presenting his 'achievements' to the Derg's court.  The court is going to punish him for complaining he was not getting enough 'anarchists' to torture and meet his quota:&lt;br /&gt;&lt;br /&gt;"Well, you remember how the country suffered from lack of rain? We suspected foul play.  A few priests who were preaching that God has cursed us, in other words saying that God was against the State, were arrested and brought to us.  Within two hours, all the priests confessed that they were part of an anarchist plot.  Using these confessions we grilled again around thirty anarchists we already had in custody and who had all confessed to being central committee members of their party.  All of them now revealed that their party had sabotaged the rain.  It was a stupendous success and the newspapers highlighted it, revealing that the anarchists were responsible for the drought and agricultural chaos."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Underneath Hama Tuma's flamboyant irony and witty satire, the stories (or I should say histories) recounted in this selection ('The Case of the Socialist Witchdoctor and other stories') send shivers to the soul and are quite disturbing.&lt;br /&gt;&lt;br /&gt;... Hama Tuma again did I hear you say? ...&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-2582612267515174460?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/2582612267515174460/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=2582612267515174460' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/2582612267515174460'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/2582612267515174460'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/07/dialogue-of-my-week-case-of-valiant.html' title='The case of the valiant torturer by Hama Tuma'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-7537702857818264669</id><published>2010-07-02T23:00:00.001-07:00</published><updated>2010-07-03T00:48:24.896-07:00</updated><title type='text'>The Fragrance of Ethiopia</title><content type='html'>&lt;span style="font-style: italic;"&gt;"Dedicated to those who were either killed or who suffered years of imprisonment without trial" - Kevin O'Mahoney&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;" - You of the 2nd Division," he said "are the pride of Ethiopia; you are in the forefront of the motherland's defence against the forces of disintegration. (...)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;- Defending the motherland? Who defended my mother? Last year she died of starvation in Kobo. Who defended her?"&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;Meaza of Ethiopia &lt;/span&gt;(meaza means fragrance) is the historical novel of writer Kevin O'Mahoney who published it in 1991; he seems to have written it in Adigrat (at least the publication is from Adigrat and so is his dedication mark).   One of the main characters of this novel is Lemlem the bar owner, a tender, wise and generous woman originally from Enticho, who fled to Massawa where she was forced into prostitution and who managed to escape it to settle in Adigrat.&lt;br /&gt;&lt;br /&gt;One of the priest in the novel who comes to Kobo to try and help fight the famine says &lt;span style="font-style: italic;"&gt;"These prostitutes are to be reckoned among the most sympathetic and kind-hearted people I have ever met.  I often feel that Our Lord had them in mind when He said : 'The first shall be the last and the last shall be the first."&lt;/span&gt;  A mighty line I'd say.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;" 'Here we go again: Mark, Engels and Lenin : the august trinity! Why do we have to ape some foreigners who died a long time ago? has human thought in science, sociology and economics made no progress after their deaths? Have all human insights remained stagnant since then? I would like Ethiopia to come up with its own original, creative solution to its own problems' said Meaza."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This novel lays over less than 200 pages the events of the last years of Ethiopia's last monarch, the famine, the military motivations for revolution and the Derg's birth, the Red Terror and the bloody years that ensued, the arrival of 1991 and the ousting of the Derg.&lt;br /&gt;&lt;br /&gt;The result of O'Mahoney's writing and skill is a vision that has woven the 'details' of each characters' life from inside and outside of themselves, he really captured the human experience and History.   Events unfold from within for all of us, they are not external floating titles waiting to be penned in bullet-point formats by self professed historians (or university professed, same difference) that the spurted ink of 'objectivity' purports to record.&lt;br /&gt;&lt;br /&gt;O'Mahoney's introduction, dated 17th July 1991, reads &lt;span style="font-style: italic;"&gt;"The purpose in writing this historical novel, therefore, has been to further and, hopefully, to make a small contribution to the ongoing process of reconciliation." &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Little did he know who and what was going to follow but perhaps that is the point entirely, peace and stability do not source from the state nor its rearing head whosever it maybe from decade to decade, it comes from the people.  Maybe it was the meaning of ancient Greece's definition of Democracy after all, democracy is reconciliation (now I would like that version better : Reconciliation is the unity of the people, by the people, for the people.... and henceforth democracy is begotten, so to speak, whatever shape it may take within reconciliation).  Unity brings a dynamic and strength that no entity, governmental or political, can stifle nor subjugate.&lt;br /&gt;&lt;br /&gt;Anyways, blabla, I hear you...  Just read Meaza.  Thanks O'Mahoney!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-7537702857818264669?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/7537702857818264669/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=7537702857818264669' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/7537702857818264669'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/7537702857818264669'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/07/fragrance-of-ethiopia.html' title='The Fragrance of Ethiopia'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-989186539549128562</id><published>2010-06-26T03:40:00.000-07:00</published><updated>2010-06-26T04:08:56.670-07:00</updated><title type='text'>Gigi - Ejigayehu Shibabaw</title><content type='html'>I am audio browsing through the discography of Gigi, perhaps Ethiopia's most well known contemporary songstress.&lt;br /&gt;&lt;br /&gt;There are many sensational Ethiopian women singers out there but Gigi will remain my favourite for sure.  &lt;br /&gt;&lt;br /&gt;There's another world that few singers open, an outworldly place where the voice resonates further than what lyrics can ever hope to reach and pass on, when words become scales in order to allow the calligraphy of vocals, messages that transcend language, so that all is clear, intelligible, beauty full ... or maybe I'm just making do with not understanding :-) .  &lt;br /&gt;&lt;br /&gt;Anyways, thanks Gigi for this beautiful song 'Ethiopia' that for me comes at a time when I was seriously considering dropping my project.  Ethiopia is still far, but perhaps not that far.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/fNj3XSCqEeI&amp;hl=fr_FR&amp;fs=1&amp;color1=0x234900&amp;color2=0x4e9e00"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/fNj3XSCqEeI&amp;hl=fr_FR&amp;fs=1&amp;color1=0x234900&amp;color2=0x4e9e00" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-989186539549128562?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/989186539549128562/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=989186539549128562' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/989186539549128562'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/989186539549128562'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/06/gigi-ejigayehu-shibabaw.html' title='Gigi - Ejigayehu Shibabaw'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-5879210676244913723</id><published>2010-06-19T07:26:00.001-07:00</published><updated>2010-06-19T07:27:40.608-07:00</updated><title type='text'>Ethiopian Rock</title><content type='html'>Pluggin' Betty Rock. That's all.&lt;br /&gt;&lt;br /&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/a6r8tI6rRXo&amp;amp;hl=fr_FR&amp;amp;fs=1&amp;amp;color1=0x234900&amp;amp;color2=0x4e9e00"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/a6r8tI6rRXo&amp;amp;hl=fr_FR&amp;amp;fs=1&amp;amp;color1=0x234900&amp;amp;color2=0x4e9e00" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;http://www.myspace.com/bettyandrock&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-5879210676244913723?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/5879210676244913723/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=5879210676244913723' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/5879210676244913723'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/5879210676244913723'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/06/ethiopian-rock.html' title='Ethiopian Rock'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-6156151618762211479</id><published>2010-06-05T15:57:00.000-07:00</published><updated>2010-06-05T16:30:38.283-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Hama Tuma'/><title type='text'>Ze burlesque follies of Africa</title><content type='html'>This is a rather old article, as news time-counting goes (February 2010), but it is written by my favourite Ethiopian author, Hama Tuma, so I cannot resist him nor the urge to share.  So here goes: a presentation of two of Africa's plight 'Ze politicians' Zuma and Zenawi. I have chosen to copy here the latter part of his article which deals with Zenawi. For the full version, use your index finger.&lt;br /&gt;&lt;br /&gt; &lt;a href="http://www.hamatuma.com/articles.htm#ZEFOLLIES"&gt;"Zenawi versus Zuma : 'Ze burlesque' follies of Africa"&lt;/a&gt; by &lt;a href="http://www.hamatuma.com/index.htm"&gt;Hama Tuma&lt;/a&gt; (an article posted on Hama Tuma's website and also published in &lt;a href="http://en.afrik.com/article16973.html"&gt;Afrik.com&lt;/a&gt; , for whom he is a regular columnist.)&lt;br /&gt;&lt;br /&gt;&lt;p align="justify" lang="en-GB"&gt;&lt;span lang="en-GB"&gt;&lt;strong&gt;"If Zuma is funny son of Zenawi aka Meles is dull and boring. This is the man who invaded Somalia and claimed it was not an invasion; "we just crossed the border". This is the man who blamed the West for the famine in Ethiopia: "they did not send food aid in time". This is the very man who indefatigably claims the economy is growing by 10% per year while the people are starving (14 million need food aid) and the country is in ruins in general. And this is the man who spent millions on monuments and to add insult to injury erected a monument for a donkey called Desalegne that transported arms, ammunition and goods for the guerrillas. Countless Ethiopian heroes have no monument in their name while an "ethnic "donkey has deserved one instead. This is the same Meles whose ultra corrupt wife claims she does not afford to pay school fees for her elder daughter, the same Meles who justifies a massacre (200 shot dead in Addis Ababa in 2005) by claiming that his police were not well trained in riot control. Damn the British who were supposed to train the police and intelligence services!&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="justify" lang="en-GB"&gt;&lt;span lang="en-GB"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="justify" lang="en-GB"&gt;&lt;span lang="en-GB"&gt;&lt;strong&gt;And Gadafi, the self declared King of Kings of all African tribes (sic), who tried to be second time president of the comatose AU and was angry he could not. This is the same Gadafi who has allied himself with Silvio Berlusconi much to the detriment of African refugees. Salva Kirr, the cowboy manqué, who presides over a corrupted South Sudan government that is seemingly obsessed on whether women should wear trousers or not while the whole region is aflame with violence. Up north, the dour faced Beshir does his massacre routine with gusto, preparing to be re elected as President even when the accusations against him for genocide kick up. In a few months, both Beshir and son of Zenawi will go through the motion of an election that has been rigged already. Swazi King Msawti III has 13 wives and takes up a bare breasted virgin as a new wife at the annual Reed Dance-- a show to make many white colonials chuckle with satisfaction. The young Swazi king is corrupt, he has, for example, spent US$ 500,000 on a new Daimler Chrysler Maybach 62 with all possible luxury extras, including a fridge and DVD player while two thirds of Swazis live on less than one dollar a day. Mention Kabila jr, the Bongos past and present, the Nguema fellow in oil rich Equatorial Guinea, the Congolese Ninja president Sassou Ngueso, the Chadian Deby and royal level corruption rears its head. Abundant folly.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="justify" lang="en-GB"&gt;&lt;span lang="en-GB"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="justify" lang="en-GB"&gt;&lt;span lang="en-GB"&gt;&lt;strong&gt;As they say "ze oil" speaks volumes. Corrupt African leaders are backed by predators like the USA, Britain and France. Chinese presence and greed for Africa's wealth and resources has &lt;/strong&gt;&lt;/span&gt;&lt;span lang="en-GB"&gt;&lt;strong&gt;also aggravated the complication--Peking has allied itself with malleable African dictators like Beshir, Meles, Mugabe and more. The rich African countries are the main victims but the poor ones are not spared too--Djibouti sells its land as a military base to Washington and Paris and Ethiopia is being mortgaged to the highest bidder. Corrupt leaders are given more aid so long as they toe the line of the metropolis and persist with their folly that ridicules and damages Africa. Chinese ministers openly admit that they routinely pay bribes to win contracts and the recent collapse of the tunnel of the much touted Gilgel Gibe II dam in Ethiopia (the Italian construction firm reportedly paid bribes both in Rome and Addis Abeba) just ten days after its inauguration is a case in point. The white elephant projects of the seventies are alive and well.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="justify" lang="en-GB"&gt;&lt;span lang="en-GB"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="justify" lang="en-GB"&gt;&lt;span lang="en-GB"&gt;&lt;strong&gt;The Ziegfeld Follies were quite a show in their time. "Ze follies" of Africa may stage shows but at the end of the day they are not funny at all. The cost is too much, the destruction too great. From the son of Zenawi to Zuma, to Sassou and Kabila, from Mugabe to Gelleh, the "follies" of Africa are on a rampage to destroy the continent. Time to end their disastrous show."&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-6156151618762211479?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/6156151618762211479/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=6156151618762211479' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/6156151618762211479'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/6156151618762211479'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/06/ze-burlesque-follies-of-africa.html' title='Ze burlesque follies of Africa'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-5807016177451310844</id><published>2010-06-01T13:18:00.000-07:00</published><updated>2010-06-01T13:55:24.586-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Axum'/><title type='text'>Eyob Mergia</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_eRrMQqduvbU/TAVtPlJ2o5I/AAAAAAAAAAU/ZANFgMAOz4M/s1600/Eyobstudentstrings.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 400px; height: 400px;" src="http://4.bp.blogspot.com/_eRrMQqduvbU/TAVtPlJ2o5I/AAAAAAAAAAU/ZANFgMAOz4M/s400/Eyobstudentstrings.jpg" alt="" id="BLOGGER_PHOTO_ID_5477904636204983186" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I've just discovered &lt;a href="http://eyobart.com/"&gt;Eyob Mergia&lt;/a&gt;, a young Ethiopian-American painter, born in Debre Berhan, and graduate of Addis Abbeba School of Fine Art, now based in South Dakota (the Sioux Falls his &lt;a href="http://eyobartwork.com/2010/02/12/axum/"&gt;blog&lt;/a&gt; says, how cool is that!)  The reason I picked up on his work initially is that he has done a project on &lt;a href="http://eyobartwork.com/2010/02/03/axum-a-solo-exhibition/"&gt;Axum&lt;/a&gt;.  Below is his poster for his exhibition (apologies, it looks terrible here because I lifted the pictures from his site, erm, Eyob, it's to redirect to you man, if you object to your photos being here, let me know and I'll take them down.)&lt;br /&gt;&lt;br /&gt;His compositions and technique are ... well, it's excellent, am lost for words, paintings speak for themselves, so I just wanted to say: check out his &lt;a href="http://eyobart.com/"&gt;work&lt;/a&gt;!!!&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_eRrMQqduvbU/TAVsoeuWUlI/AAAAAAAAAAM/K3Hz4-_JJUs/s1600/EyobAxumPoster.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 255px; height: 400px;" src="http://3.bp.blogspot.com/_eRrMQqduvbU/TAVsoeuWUlI/AAAAAAAAAAM/K3Hz4-_JJUs/s400/EyobAxumPoster.jpg" alt="" id="BLOGGER_PHOTO_ID_5477903964464108114" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-5807016177451310844?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/5807016177451310844/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=5807016177451310844' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/5807016177451310844'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/5807016177451310844'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/06/eyob-mergia.html' title='Eyob Mergia'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_eRrMQqduvbU/TAVtPlJ2o5I/AAAAAAAAAAU/ZANFgMAOz4M/s72-c/Eyobstudentstrings.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-2507667870591255820</id><published>2010-05-22T03:01:00.000-07:00</published><updated>2010-05-22T23:28:58.821-07:00</updated><title type='text'>The Ethiopian Mikado</title><content type='html'>RIP : The touched-by-genius, talented and no doubt slightly tyrannical Stefanos Lazaridis has passed away. This bold opera stage designer was born in Dire Dawa in Ethiopia, and educated in Addis Abbeba.  Lazaridis is yet another talent that sprung from Ethiopia, it's in reading his &lt;a href="http://www.guardian.co.uk/music/2010/may/16/stefanos-lazaridis-obituary"&gt;obituary&lt;/a&gt; that I learnt his place of birth and study. Ethiopia is springing up in the most unlikely places, at least I would not have expected to find a link there.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;object height="405" width="500"&gt;&lt;param name="movie" value="http://www.youtube.com/v/XXHStg8DX1A&amp;amp;hl=fr_FR&amp;amp;fs=1&amp;amp;color1=0x234900&amp;amp;color2=0x4e9e00&amp;amp;border=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/XXHStg8DX1A&amp;amp;hl=fr_FR&amp;amp;fs=1&amp;amp;color1=0x234900&amp;amp;color2=0x4e9e00&amp;amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="405" width="500"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I do not mean to be facitious - well not overly - with the following but as elections in Ethiopia are tomorrow, of sorts, I'd like to respectfully dedicate the above song ('As some day it may happen' also called the list song), from the Mikado opera for which Lazaridis famously designed, to a current African version of KoKo (the Lord High Executioner).  I would like to ask : is it really what you wanted to turn into?  Here are the original lyrics (some words may be offensive but bare in mind it was written in 1844/1845).&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;p style="margin-bottom: 0cm;"&gt;&lt;b&gt;KO-KO&lt;/b&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="margin-bottom: 0cm;"&gt;As some day it may happen that a victim must be found,&lt;br /&gt;I've got a little list — I've got a little list&lt;br /&gt;Of society offenders who might well be underground,&lt;br /&gt;And who never would be missed — who never would be missed!&lt;br /&gt;There's the pestilential nuisances who write for autographs —&lt;br /&gt;All people who have flabby hands and irritating laughs —&lt;br /&gt;All children who are up in dates, and floor you with 'em flat —&lt;br /&gt;All persons who in shaking hands, shake hands with you like that —&lt;br /&gt;And all third persons who on spoiling tête-á-têtes insist —&lt;br /&gt;They'd none of 'em be missed — they'd none of 'em be missed!&lt;br /&gt;&lt;br /&gt;&lt;b&gt;CHORUS&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;He's got 'em on the list — he's got 'em on the list;&lt;br /&gt;And they'll none of 'em be missed — they'll none of 'em be missed.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;KO-KO&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;There's the nigger serenader, and the others of his race,&lt;br /&gt;And the piano-organist — I've got him on the list!&lt;br /&gt;And the people who eat peppermint and puff it in your face,&lt;br /&gt;They never would be missed — they never would be missed!&lt;br /&gt;Then the idiot who praises, with enthusiastic tone,&lt;br /&gt;All centuries but this, and every country but his own;&lt;br /&gt;And the lady from the provinces, who dresses like a guy,&lt;br /&gt;And who "doesn't think she dances, but would rather like to try";&lt;br /&gt;And that singular anomaly, the lady novelist—&lt;br /&gt;I don't think she'd be missed — I'm sure she'd not he missed!&lt;br /&gt;&lt;br /&gt;&lt;b&gt;CHORUS&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;He's got her on the list — he's got her on the list;&lt;br /&gt;And I don't think she'll be missed — I'm sure she'll not be missed!&lt;br /&gt;&lt;br /&gt;&lt;b&gt;KO-KO&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;And that Nisi Prius nuisance, who just now is rather rife,&lt;br /&gt;The Judicial humorist — I've got him on the list!&lt;br /&gt;All funny fellows, comic men, and clowns of private life —&lt;br /&gt;They'd none of 'em be missed — they'd none of 'em be missed.&lt;br /&gt;And apologetic statesmen of a compromising kind,&lt;br /&gt;Such as — What d'ye call him — Thing'em-bob, and likewise — Never-mind,&lt;br /&gt;And 'St— 'st— 'st— and What's-his-name, and also You-know-who —&lt;br /&gt;The task of filling up the blanks I'd rather leave to you.&lt;br /&gt;But it really doesn't matter whom you put upon the list,&lt;br /&gt;For they'd none of 'em be missed — they'd none of 'em be missed!&lt;br /&gt;&lt;/p&gt;&lt;p style="margin-bottom: 0cm;"&gt;&lt;span style="font-weight: bold;"&gt;CHORUS&lt;/span&gt;&lt;br /&gt;You may put 'em on the list — you may put 'em on the list;&lt;br /&gt;And they'll none of 'em be missed — they'll none of 'em be missed!  &lt;/p&gt;&lt;br /&gt;&lt;br /&gt;Lazaridis designed for many operas: Carmen, the Marriage of Figaro, Tristan and Isolde (my first love actually, who needs a man to stage a love story, give me an opera!), Doktor Faustus, Lady Macbeth of Mtsensk, Hansel and Gretel, a lot more ..... and my favourite, as favourite's whims go : The Mikado.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-2507667870591255820?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/2507667870591255820/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=2507667870591255820' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/2507667870591255820'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/2507667870591255820'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/05/ethiopian-mikado.html' title='The Ethiopian Mikado'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-524605257926711508</id><published>2010-05-15T12:39:00.000-07:00</published><updated>2010-05-16T00:20:55.954-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Khat'/><title type='text'>Leaf of Allah : Khat</title><content type='html'>I am reading 'Leaf of Allah : Khat and agricultural transformation in Harerge Ethiopia 1875-1991' a book by Ezekiel Gebissa, 2004.  I really wanted to spread open here, by way of a summary, the wisdom contained in this book - as I see it given - as well as pointing out historical info.  No study of the Horn of Africa, be it historical, cultural, social and especially religious, can be complete without looking into Khat, so part one here you go:&lt;br /&gt;&lt;br /&gt;&lt;div align="center"&gt;* * * * *&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;The mirqaana :&lt;/strong&gt; the desired state of heightened energy, reached in all and each of the following three phases.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1. The Igabana :&lt;/strong&gt; The Eye Opener.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;‘A typical farmer in the rural areas of Harerge starts the day by going into his oyiru, the family garden’&lt;/em&gt;. He inspects the farm and by 9am he goes to his khat orchard and settles down with other men for the morning chew. Igabana means the eye opener). A small quantity only of khat is chewed to quickly achieve a mirqaana so that ensues a burst of energy for labour intensive daily activities. Then breakfast, then work.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2. The Bartcha : &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The early afternoon chew follows. Farmers may obtain their khat from their oyiru, urbanites bring their zurba (one bundle) – commonly bought from the chat terra or the town's market. However if the Bartcha was an invitation the host provides the leaves.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Luluqacha :&lt;/strong&gt; Rinsing of the mouth.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;‘At the end of the Bartcha the chewed leaves are usually spat out but experienced chewers swallow it with water, tea or milk ‘as a final act of ceremony.’&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;3. The Atarora:&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br /&gt;It is a last evening or night time chewing although not that regular nor widespread.&lt;br /&gt;&lt;br /&gt;Note: Solitary khat chewing is not the usual practice.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The consumption :&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Chewing:&lt;/strong&gt; the leaves are placed between the inner side of the cheek and the gum on one side of the mouth. Khat chewing is always accompanied by drinking water or an infusion of coffee husks or milk to reduce dryness of the mouth and to soften khat leaves. This helps with the extraction of juices. &lt;em&gt;'The chewer adds leaves until a quid is formed'. &lt;/em&gt;It is sweetened by a pinch of sugar or sip of sugar containing drink to accommodate the bitter taste. &lt;em&gt;'Preparing the full quid may take as long as thirty to forty five minutes'&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;Khat be used as an astringent medicine, boiled with milk or water and drunk as a beverage.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;‘In the absence of rapid delivery’&lt;/em&gt;, if fresh leaves are unobtainable a paste is made from powdered leaves ingested or drunk as an infusion of boiled dried leaves. Khat is rarely smoked as is tobacco, but crushing the ends of twigs and leaves to roll them in cigarettes is recorded however.&lt;br /&gt;&lt;br /&gt;Note: Rural chewers usually eat! Khat-chewing, against all pseudo-researches and urban myths, does not cut the appetite nor risk to engender malnutrition. Gebessa notes that in Harerge's rural areas khat is chewed before or after plentiful meals.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Khat:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The leaves or twigs of Khat (or Kat or Cat, no not that one, don't try to chew the feline) are known for their stimulant effects. Chewing khat is widespread and popular in many parts of the world particularly in the Arabian peninsula (Yemen), the Middle East, Asia and the Horn of Africa, and has been so for as long as the land can attest to its growth (well that's almost everywhere....).&lt;br /&gt;&lt;br /&gt;Fresh leaves are preferred since the main active ingredient in khat is cathinone which degenerates fast (two or three days after plucking) resulting in the less potent cathine, found in dried leaves.&lt;br /&gt;&lt;br /&gt;Khat is chewed to relieve fatigue, sensations of hunger, thirst or is used as a stimulant or medicine. The consumption of khat is almost institutionalized in the religious life and practices of several Muslim communities in the Horn. For centuries, chewing khat has been standard practice in religious ceremonies held at Muslim shrines across the Somalia, spending long hours of the day and night chewing khat whilst reciting passages from the holy Quran and praying. It also plays an important role during Ramadan and during the Arafa celebrations. Khat chewing precedes or follows religious readings and meditations during the Mawlid, the birth of the Prophet (PBUH).&lt;br /&gt;&lt;br /&gt;In the Horn of Africa, the consumption remained contained and small until the arrival of the Djibouti-Addis Ababa railway at Dire Dawa in 1902. Henceforth, it has grown considerably with help of highways, Air transport and …. the Derg (yeap, khat consumption grew more rapidly and widely during this military rule than due to the other factors so far counted or analysed it seems).&lt;br /&gt;&lt;br /&gt;Ethiopia is the foremost producer and exporter of khat but the plant is also grown and used in Africa in Kenya, Tanzania, Malawi, Uganda, the Congo, South Africa and Somalia.&lt;br /&gt;&lt;br /&gt;France and the US have banned the importation of khat. But in Britain, Israel, Canada, the Netherlands and Yemen it is legal. Said Barre banned it in Somalia in 1833 but the prohibition was unsuccessful.&lt;br /&gt;&lt;br /&gt;Traditionally it is in rural areas that khat was used and known. More recently, urbanites have taken a strong liking to it. There exists a usage divide between these two communities. Rural users believe that ‘if khat chewing is not followed by hard labour it then serves as an irritant rather than as a stimulant’. Ezekiel Gebrissa says that ‘Khat is valued for its critical role in such productive activities as work, meditative worship and cultural ceremonies. However for users in cities and towns khat is a recreational substance used (or more precisely abused) solely for social pleasure.’&lt;br /&gt;&lt;br /&gt;For both rural and urban consumers khat is a medium of social interaction.&lt;br /&gt;&lt;br /&gt;The Khat shrub is a member of genus Catha in the family Celastraceae found widely dispersed in all continents except for polar zones. The origin and nature of the plant is still uncertain and under study.&lt;br /&gt;&lt;br /&gt;---------------------------------&lt;br /&gt;Notes and thoughts taken through an all XX evening: &lt;a href="http://www.youtube.com/watch?v=WrVgCCUQ3fQ"&gt;Teardrops &lt;/a&gt;, &lt;a href="http://www.youtube.com/watch?v=Pib8eYDSFEI&amp;amp;feature=related"&gt;Crystallised&lt;/a&gt; , &lt;a href="http://www.youtube.com/watch?v=ksSKs-EsWgY"&gt;Hot Like Fire&lt;/a&gt; , well their entire album in fact on rep-rep-peat.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-524605257926711508?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/524605257926711508/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=524605257926711508' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/524605257926711508'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/524605257926711508'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/05/leaf-of-allah-khat.html' title='Leaf of Allah : Khat'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-5275912373411040001</id><published>2010-05-11T05:43:00.000-07:00</published><updated>2010-05-11T13:25:21.739-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tsegaye Gabre-Medhin'/><category scheme='http://www.blogger.com/atom/ns#' term='Axum'/><title type='text'>Axum's Mothers Speak</title><content type='html'>&lt;strong&gt;&lt;span style=";font-family:verdana;font-size:85%;"  &gt;"Our wombs cry for our sons,&lt;br /&gt;[...]&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style=";font-family:verdana;font-size:85%;"  &gt;Where are the flowers of our lives, Kaleb?&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style=";font-family:verdana;font-size:85%;"  &gt;Why have you pinned down our love&lt;br /&gt;To rust in a scavenging day?&lt;br /&gt;Where are our men, Kaleb?&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style=";font-family:verdana;font-size:85%;"  &gt;Why have you hung our womb to dry&lt;br /&gt;Beyond the darkness of time?&lt;br /&gt;Our breasts hurt, demanding&lt;br /&gt;What visitation ravaged our essence.&lt;br /&gt;The sleepless spirits&lt;br /&gt;Accuse our thoughts, Kaleb.&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style=";font-family:verdana;font-size:85%;"  &gt;The season of mothers&lt;br /&gt;Question our dreamless nights.&lt;br /&gt;Our wombs cry for our sons,&lt;br /&gt;Our feet fret for their sight.&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style=";font-family:verdana;font-size:85%;"  &gt;Where are the flowers of our lives, Kaleb?"&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=";font-family:verdana;font-size:85%;"  &gt;This is the 'Mothers' Chorus' in the play 'Collision of Altars' written by Tsegaye Gabre-Medhin and published in 1977.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=";font-family:verdana;font-size:85%;"  &gt;Tsegaye Gabre-Medhin wrote this historical play set in the Axumite empire at the time of Kaleb, the famous emperor of Axum - he is known as Ella-Asbeha (transposed by inebriated Greeks as '&lt;em&gt;Hellestheaeus&lt;/em&gt;'.... talk about slurping...)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=";font-family:verdana;font-size:85%;"  &gt;Kaleb is reported to have gone into Yemen several times to try to recover his lost territory there. Every attempt met with a smarting failure and this is a cry from the women who lost all, sons to husbands to brothers, begging a reason for their loss, another sacrificed generation.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=";font-family:verdana;font-size:85%;"  &gt;It's a chorus written by Tsegaye of course. Beautiful. It's a timeless cry that can be spoken by so many across nations, a call to plea-deaf leaders who fight wars in absentia to anoint their waning-phallic prides with. History is no fool, it recognises them for the paper-proxy-generals they are, heads of never-thanked armies, strong only as long as their people's blind love and resigned trust last. &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-5275912373411040001?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/5275912373411040001/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=5275912373411040001' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/5275912373411040001'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/5275912373411040001'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/05/axums-mothers-speak.html' title='Axum&apos;s Mothers Speak'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-1234598729691539718</id><published>2010-05-08T01:42:00.000-07:00</published><updated>2010-05-08T10:48:08.116-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Somalia'/><category scheme='http://www.blogger.com/atom/ns#' term='Ethiopia'/><category scheme='http://www.blogger.com/atom/ns#' term='Algeria'/><category scheme='http://www.blogger.com/atom/ns#' term='Eritrea'/><title type='text'>You Know You're Habesha When</title><content type='html'>Some time ago I found on youtube, or picked up from a retweet on Twitter I can't remember, a video called 'Typical Habesha' parents.  Watching it made me travel back to at least 20 years ago when my dad used to call as if he were stuck in a crashed car about to burst in flames: &lt;span style="font-style: italic;"&gt;'where is my coffee spoon'&lt;/span&gt; .... a dancing and ritual interlude to '&lt;span style="font-style: italic;"&gt;bring me my coffee spoon&lt;/span&gt;'.  That darn spoon was always staring at him from a safe 5 centimeters' distance, waiting for me.  If my eyes would so much as begin to roll he'd start a dramatic speech addressed to phantom witnesses about the disgrace of old age and the disgrace of fiendishly uncaring 10 year-old children. It was a tug-of-love between us and I remember this fondly.  He's not habesha, nor am I, it's just that this video echoed well creased memories of many a spoon thrown at time and space!  I've been hearing (very funny for me but perhaps not so much for those under peer pressure) stories of shared family traditions from friends who come from the Horn, Eritrea, Ethiopia and Somalia, and I bumped into an old page listing '&lt;a href="http://blogs.myspace.com/index.cfm?fuseaction=blog.view&amp;amp;friendId=12763157&amp;amp;blogId=215954605"&gt;You Know You're Habesha When&lt;/a&gt;', although it's staged in the US, how does it match with you I wonder? My favourite in there is 'Your parents' favourite TV show is the news'.  You know I'm talking to you :-).  I should attempt a list about 'You Know You're Algerian When' but then it would only have one entry 'When you're angry you throw things and break stuff'....&lt;br /&gt;&lt;br /&gt;&lt;object width="500" height="405"&gt;&lt;param name="movie" value="http://www.youtube.com/v/dRYqSewG_tU&amp;amp;hl=fr_FR&amp;amp;fs=1&amp;amp;color1=0x2b405b&amp;amp;color2=0x6b8ab6&amp;amp;border=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/dRYqSewG_tU&amp;amp;hl=fr_FR&amp;amp;fs=1&amp;amp;color1=0x2b405b&amp;amp;color2=0x6b8ab6&amp;amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="500" height="405"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-1234598729691539718?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/1234598729691539718/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=1234598729691539718' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/1234598729691539718'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/1234598729691539718'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/05/you-know-youre-habesha-when.html' title='You Know You&apos;re Habesha When'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-6128018084243931023</id><published>2010-05-05T06:21:00.000-07:00</published><updated>2010-05-05T06:56:45.039-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Eritrea'/><category scheme='http://www.blogger.com/atom/ns#' term='Cheryl Hatch'/><title type='text'>Eritrean Wonder Women</title><content type='html'>I found this superb photo essay &lt;a href="http://www.zreportage.com/ERITREA/previews/preview001.shtml"&gt;Wonder Women of Eritrea&lt;/a&gt; from photographer &lt;a href="http://www.zreportage.com/WEARE/CherylHatchBIO.shtml"&gt;Cheryl Hatch&lt;/a&gt; who is otherwise known for her war photography generally and her many visits to Eritrea in 1999 during the war.  See the full text to photographs &lt;a href="http://www.zreportage.com/ERITREA/ERITREATEXT.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;I like these photos particularly because they show women's smiles and laughter, it maybe a bit (or very much) naive of me but it shows hope in a subtle way... perhaps.&lt;br /&gt;&lt;br /&gt;There is a lot going on amongst the Eritrean diaspora recently with the Peace Conference on its way (with who is attending a question still hanging).  Eri blogs and forums are bursting with letters, blogs, articles, rants, sighs, hope, irritation, trembling bunn talk, well a sure sign of fuming keyboards :-) anyways, interesting development in store I'd say, historical possibly.  It made me search for the never yet implemented (and somewhat or very much-what illegal) Eritrean Constitution finally drafted in July 1996.  I like the preamble come what may and especially:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Noting &lt;/strong&gt;the fact that the Eritrean women’s heroic participation in the struggle for independence and solidarity based on equality and mutual respect generated by such struggle will serve as an unshakable foundation for our commitment and struggle to create a society in which women and men shall interact on the bases of mutual respect, fraternity and equality;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;&lt;/em&gt;&lt;br /&gt;not that Eritreans are forgetting, I am finding out that Eritreans forget absolutely nothing :-) but certain aspects of traditions die hard and I hope that these women will eventually get the recognition they deserve, actually that all Eritrean women get the recognition that it is they who are building Eritrean society, day-in day-out, in times of peace or war, the 'good' ones and the 'bad' ones (although supposedly no one can tell the difference other than God but humans have a distinct tendency to play gods).  Asmara means 'The Women Agreed', yea chaps, the women founded the city, not that I am suggesting that all the blokes were out snoring or anything, but languages speak, they are spoken yes but more importantly they speak!  Too often we overlook this.&lt;br /&gt;&lt;br /&gt;Anyways, looking forward to see what happens in Eritrean politics as always.&lt;br /&gt;&lt;br /&gt;_______________________&lt;br /&gt;Notes taken fingers zouking to &lt;a href="http://www.youtube.com/watch?v=8lOLD7aM5hM"&gt;Hugh Masekela&lt;/a&gt;, &lt;a href="http://www.youtube.com/watch?v=M8oYwng8w8c"&gt;Orchestra Baobab&lt;/a&gt;, and the fantastic music cloud of &lt;a href="http://www.mixcloud.com/Blackclassical/antique-blacks/player/"&gt;Blackclassical&lt;/a&gt;, thank you man!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-6128018084243931023?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/6128018084243931023/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=6128018084243931023' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/6128018084243931023'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/6128018084243931023'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/05/eritrean-wonder-women.html' title='Eritrean Wonder Women'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-2103890014606655795</id><published>2010-05-01T07:46:00.000-07:00</published><updated>2010-05-01T08:23:15.387-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Oromtitti'/><category scheme='http://www.blogger.com/atom/ns#' term='Marcos Valle'/><category scheme='http://www.blogger.com/atom/ns#' term='Oromo'/><category scheme='http://www.blogger.com/atom/ns#' term='Gada'/><category scheme='http://www.blogger.com/atom/ns#' term='Belletech Deressa'/><category scheme='http://www.blogger.com/atom/ns#' term='Roots Manuva'/><category scheme='http://www.blogger.com/atom/ns#' term='Asmarom Legesse'/><title type='text'>Daraa Dubertii or Ladies First</title><content type='html'>&lt;span style=";font-family:verdana;font-size:100%;"  &gt;Does anyone know lore on the origins of the Oromo?  The only bit of information I've found in folklore (history books on this are the pits) is that Oromo origins go back to a mother, Roobee, and her two sons, Booran and Bartuuma, who are the founder of the Oromo nation.  They did not know their father, and the stories say that &lt;span style="font-style: italic;"&gt;indeed, their father was unknown&lt;/span&gt; (see the link thus here).  So could it be that a long long time ago, before time remembers and before men conjugated time, the Oromo nation was born out of a matriarchy&lt;/span&gt;&lt;span style="font-size:100%;"&gt;?  I suppose all civilisations did.  By the way, big thanks to Gumii.org , I really enjoyed reading this, thanks to those who put it together: &lt;a href="http://www.gumii.org/gada/qaaluu.html"&gt;Qaaluu Institution&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=";font-family:verdana;font-size:100%;"  &gt;Anyways, Duraa Duberti (Oromifa for 'ladies first' I am told)&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:verdana;font-size:100%;"  &gt;The Siqqe:&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=";font-family:verdana;font-size:100%;"  &gt;When women married in Oromo society, they were given a Siqqe, a long staff style curved cane, to keep for protection.  This is one of its uses apparently, I really want one of those:&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=";font-family:verdana;font-size:100%;"  &gt;&lt;blockquote&gt;when and if her husband abused her, she would take the Siqqe, go outside the house, and wail.  Women in the community would pick their Siqqes and join her.  None of the women in that village would return to their houses or prepare food for their families until the elders in the community listened to her concern and disciplined her husband for abusing his wife.&lt;/blockquote&gt;This is from Belletech Deressa 'Oromtitti'.  Hell! This is one of the sure perks of the Gada system!&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-family:verdana;font-size:100%;"  &gt;Marriage:&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;span style=";font-family:verdana;font-size:100%;"  &gt;I am so relieved that I have found not only one of the most honest description of marriage I ever read, but a practice that does not hide this primeval truth in any other fiction.  This applies to a description of the Borana family structure as written by the one and only Asmarom Legesse in his book 'Gada':&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;blockquote  style="font-family:verdana;"&gt;&lt;span style="font-size:100%;"&gt;One gets married for the purpose of raising children and for the purpose of maintaining the continuity of one's line.  Sexual gratification is an entirely separate matter.&lt;br /&gt;&lt;br /&gt;It is very common, therefore, to find married women who had lovers.  The relationship between lovers is a reasonably open matter.&lt;br /&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=";font-family:verdana;font-size:100%;"  &gt;In French we say that the chains of marriage are too heavy for two people to carry, you need a third.  So the French are originally from Borana, cool...&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;_____________________&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;Notes taken with head in the sea (I wish) and fingers in a fluffy cloud (I wish not) thanks to &lt;/span&gt;&lt;a style="font-family: verdana;" href="http://www.youtube.com/watch?v=OpJGBzz9B8g&amp;amp;feature=related"&gt;Marcos Valle&lt;/a&gt;&lt;span style="font-family:verdana;"&gt;, and &lt;/span&gt;&lt;a style="font-family: verdana;" href="http://www.youtube.com/watch?v=WUAqZVknghQ&amp;amp;a=sKXzN_FKgP0&amp;amp;playnext_from=ML"&gt;Marco Valle&lt;/a&gt;&lt;span style="font-family:verdana;"&gt; again and OMG, absolutely love this &lt;/span&gt;&lt;a style="font-family: verdana;" href="http://www.soulculture.co.uk/blogs/new-music/roots-manuva-snake-bite-new-music/"&gt;Roots Manuva&lt;/a&gt;&lt;span style="font-family:verdana;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-2103890014606655795?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/2103890014606655795/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=2103890014606655795' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/2103890014606655795'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/2103890014606655795'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/05/daraa-dubertii-or-ladies-first.html' title='Daraa Dubertii or Ladies First'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-271347238331031300</id><published>2010-04-23T10:15:00.000-07:00</published><updated>2010-04-23T10:39:12.715-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ethiopia'/><category scheme='http://www.blogger.com/atom/ns#' term='Hama Tuma'/><title type='text'>"He could be as a ugly as a monkey’s behind"</title><content type='html'>The case of the Criminal Walk and Other stories by Hama Tuma, Outskirts Press, 2006.&lt;br /&gt;&lt;br /&gt;It  was published in 2006 but I do not know when the stories were written.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;“As people say, misery is a brother and happiness just a passerby.”&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Readers, please excuse but I am going to be rambling on for the next three paragraphs which you are more than welcome to skip, don't miss Hama Tuma's quotes though, am sure you'll love his style.&lt;br /&gt;&lt;br /&gt;I never wanted to study History, I always used to dodge lessons or snore in the front row so that I would get thrown out of class.  There isn’t much I find remotely mentally titillating in the records that human beings - or should I say ‘man’ beings ;-) - keep.  The earliest examples of writing, as archaeological findings indicate thus far, does not recount romances, love, not even hate nor war, but economy, pure and simple mathematical calculation (actually not that simple!).  &lt;br /&gt;&lt;br /&gt;History's body is literature, through it, with it, it thrives, invites, seduces - literature does mean to know one’s letters, entire cultures can know their letters without ever having written them.  The History of all people travels on lips, pulses heart beats, generation-in generation-out.  This telling, this imprinting of the memory of past events, is to me History with a big H.  The History that my liver (the seat of all emotions in Ancient Mesopotamian belief and in pre-islamic Arabic poetry) was longing for I found in language classes where one is exposed to the texts in the form they were found, in their original tongue, expression and handwriting, and what an invitation is the writing of the hand and its flowing, transient movement.&lt;br /&gt;&lt;br /&gt;In Hama Tuma’s writing I found not only the blossom of words and the many magical shades of meaning they provide, but also the History of a people and its past, well no, its future because story telling is a tribute to Time itself, so that with this offering it is Time who will remember and stand witness.  &lt;br /&gt;&lt;br /&gt;Ok sorry, enough … This book opens with a dedication:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;“The arrogance of power is still there, injustice abounds but the martyrs and silent and discreet heroes are remembered and their banner still flies high under the Ethiopian sky.”&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;It is both his skills at similes I love in his writing and his portrait painting-writing.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Talking of lies:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;- I have heard they ask a lot of questions to trap you in a lie?&lt;br /&gt;- As if a lie is not white and it is not the ferenji who invented every lie on earth!&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Talking of marriage:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;“You are sold off by your parents long before you reach puberty” went on the woman “handed over to a man you had never seen.  He could be as a ugly as a monkey’s behind aside from being a brute like most men.  He could stink like an outhouse; he could have some undeclared skin disease, no matter. Arranged marriage, the deal is made before you stop suckling at your mother’s breast.  Is this fair, I ask you?  They cut off your nails so that you cannot scratch at your husband on the wedding night.  They expect you to fight though since no fight means you are an easy woman.  Come wedding night, your half drunk husband throws himself at you with as much sensitivity as a rushing flood.  He enjoys your scream, the whole family enjoys your cry of pain and the blood smeared cloth or bed-sheet is shown to all and accepted with ululation.  Welcome to the world. What a welcome. By thirteen you feel torn, soiled, abused, and old.  Is it a surprise if I hate him?”&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;This is my favourite portrait, I rolled with laughter in the bus as I read it (literally, I bumped my head on the board crouching from cracking up).  Of course, this character is fictitious…&lt;br /&gt;&lt;br /&gt;&lt;em&gt;“He was Prime Minister of the impoverished country, a coward perceived as the strongest man in the nation of seventy plus million people, the man all men feared and, he hoped, all women desired.  He had passed years in the jungle as a leading member of a guerrilla organization and though he had cleverly kept away from the frontlines and taken part in a battle only once (he fled and was almost executed for cowardice), he paraded as a tested and veteran guerrilla.  A verbose man, he actually came across as a vulgar street-smart political con man that liked to parade as a seasoned political strategist or war commander.  He had a whore of an ego but he was realistic enough to know that his colleagues and the people at large laughed at his posturing.&lt;br /&gt;&lt;br /&gt;It was a Wednesday morning in the month of April when he woke up […].  The bathroom was full of mirrors and the moment he entered he was confronted by the image of the former dictator Mengistu Haile Mariam.  Ordinarily a coward, he fainted outright. […]  What had happened [to his face] overnight?&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Then in his fury and utter dread this dictator banished all mirrors.  The story ends with my absolute favourite line:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;“If you meet Ethiopians who look unwashed or are passing clandestine hours in front of a mirror, please remember that they have been denied the right to look at a mirror and see themselves.”&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Fab writer wouldn’t you say?&lt;br /&gt;&lt;br /&gt;Hama Tuma is to be found here http://www.hamatuma.com/&lt;br /&gt;&lt;br /&gt;_________________________&lt;br /&gt;Notes with fingers jumping to ooohhh yessss, &lt;a href="http://www.addistunes.com/X_Plastaz/"&gt;Masai Hip Hop&lt;/a&gt;!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-271347238331031300?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/271347238331031300/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=271347238331031300' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/271347238331031300'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/271347238331031300'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/04/case-of-criminal-walk-and-other-stories.html' title='&quot;He could be as a ugly as a monkey’s behind&quot;'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-8712869831395234506</id><published>2010-04-19T10:36:00.000-07:00</published><updated>2010-04-19T11:33:00.774-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='praise-poems'/><category scheme='http://www.blogger.com/atom/ns#' term='Gurage'/><title type='text'>Bwaža and Damwamwit</title><content type='html'>These are two Gurage gods (well one god and one goddess) whose praise poems I am lifting from "Gods and Heroes" (by William A Shack and Habte-Mariam Marcos, 1972).  It is a collection of Gurage praise-chants.  Bwaža is this permanently irate god who has an itchy thunderous palm.  Damwamwit is the goddess of creation and death.  She reminded me much of Ishtar (the goddess of procreation and war) in Ancient Mesopotamia, at least a less whimsical version.&lt;br /&gt;&lt;br /&gt;The Gurage worship three deities and the gods inhabiting these poems are: &lt;br /&gt;- Wak, the god of War, also known as the 'Sky god',&lt;br /&gt;- Damwamwit (also Maryam who is either one and the same or a separate entity goddess) and exclusively belongs to the realm of women, &lt;br /&gt;- The mighty Bwaža, the Thunder-god, who sits in the Gurage's conceptual hierarchy next to Yegzar, "their otiose supreme beings, associated with nature an inanimate objects".  &lt;br /&gt;&lt;br /&gt;The prayer-chants are called waywat.  The Heroes chants (secular praise) are called wayag.  These poems honour chiefs, warriors, tribesmen and chant the heroic deeds of clans and lineages of tribes who have made it into the world of Gurage legends.&lt;br /&gt;&lt;br /&gt;The poems for the Heroes section are those of the Čaha, Enor, Gyata and Aža tribes.  Together with the Mwaher Gurage, the Gurage formed the traditional political confederacy Yamest Bet Gweragwe (Gurage of th Five Houses (tribes) ).  In 1889, date of the rule of Pax Aethiopica, the Walane-Weriro and Aklil Gurage came under government administration of the Western district and since then the confederacy is seven (Yasabat Bet Gweragwe).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Chant to Bwaža&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;"Oh Brave one!&lt;br /&gt;When you desire, you visit the makya (1)&lt;br /&gt;Zara, at the place of Baša (2);&lt;br /&gt;Šanka at Ţuraše, and at Darsamwa's place;&lt;br /&gt;Ambad at Adana's.&lt;br /&gt;Ašam (3), oh brave one!&lt;br /&gt;Good day, oh brave one!&lt;br /&gt;Your creation is with Gweragwe.&lt;br /&gt;You kindle harar (4) and gwaya (5).&lt;br /&gt;Oh my Lord!&lt;br /&gt;Thought possessing garara (6) You needed garara;&lt;br /&gt;though possessing gwaya You covet gwaya.&lt;br /&gt;In the gwaya someone erects,&lt;br /&gt;You descend and sit down (7). &lt;br /&gt;What did You see there?&lt;br /&gt;What did You see here?&lt;br /&gt;You were discovered (8)by entreaty;&lt;br /&gt;You were brought (9) by entreaty;&lt;br /&gt;At the ğafwara of Madar (10)&lt;br /&gt;what did He find for play? (11)&lt;br /&gt;Negwes (12) Wedewa with his gwandar. (13)&lt;br /&gt;For talking faher, (14)&lt;br /&gt;You had him rest his head on the dat (15)&lt;br /&gt;at his gwatana (16).  Oh girls!&lt;br /&gt;At the village of Bwaža;&lt;br /&gt;at the village of Damwamwit (17);&lt;br /&gt;beat your ander! (18)&lt;br /&gt;Clap your hands!&lt;br /&gt;Is there a place You did not visit? (19)&lt;br /&gt;You went to Wagapača, Agyat's place (20).&lt;br /&gt;What did Agyat do?&lt;br /&gt;For raising dust (21) at Your gwatana&lt;br /&gt;You went to Yabiţara, Damwamwit's place.&lt;br /&gt;Be like the bygone days;&lt;br /&gt;at the dawn (22) when life was wahameya, (23)&lt;br /&gt;when red and black cows were tethered in the gader, (24)&lt;br /&gt;when You set them afire to roast."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"(1)  a term used to designate men of high status and reputation.  Hence as the line  suggests even men of high reputation are not immune from Bwaža's 'visit', a euphemism for  'punishment'&lt;br /&gt;(2)  in lines 3-5 neither the men not the places can be identified.&lt;br /&gt;(3)The common expression of greeting, lit. 'welcome'&lt;br /&gt;(4)The house on a large homestead usually reserved for entertaining guests.&lt;br /&gt;(5)The main house and sleeping quarters.&lt;br /&gt;(6)Meaning the sacred forest where deities are believed to dwell; here the line suggests that  because of his omnipresence, many such forests are needed by Bwaža&lt;br /&gt;(7)i.e. Descend from the sky to strike with lighting a house&lt;br /&gt;(8)meaning that the omnipotence of Bwaža was 'discovered', ie 'recognised'&lt;br /&gt;(9)An allusion to the myth which relates of the coming of Bwaža whose first presence  coincides with the development of state organization of Gweragwe.&lt;br /&gt;(10)In everyday speech, yenangara, the place-name for the sacred forest and shrine of Bwaža is  a taboo word, the term Madar being used when referring to the sacred area.&lt;br /&gt;(11)The striking with lightning a person or property is conceived of as an act of Bwaža's capriciousness, a way of 'playing', or 'entertainment'.&lt;br /&gt;(12)'king'&lt;br /&gt;(13)the silver armband worn by the negwes, a symbol of the office of kingship.&lt;br /&gt;(14)Ie talking boastfully; also meaning behaviour that is openly insulting, immodest, offensive.&lt;br /&gt;(15)The allusion is to a man who rests his head ona head-rest (gyema) while sleeping. Here  Bwaža is said to have made Negwes Wedewa rest his head against the trunk of a dat-tree  (Juniperus procera) while seeking shelter from the rain, and the Thunder-God struck him  dead.  Lines 21-24 emphasize the moral point that kings and their subjects alike were  punished equally by Bwaža&lt;br /&gt;(16)Sacred forests are also referred to as gwatana&lt;br /&gt;(17)name given to the 'female' deity of Gurage women whose shrine is located in the village of  Yabitara&lt;br /&gt;(18)small hand-drum usually beaten by young girls while singing.  Drumming is performed only  by unmarried girls.  Hence the exclamation 'oh girls'&lt;br /&gt;(19)see nbr1&lt;br /&gt;(20)the shrine of Agyat, or Wak, War-God of Čaha, is located at the place known as Wagapača.&lt;br /&gt;(21)An allusion to the dust raised by mounted warriors being led into battle by Wak.&lt;br /&gt;(22)i.e. In former times.&lt;br /&gt;(23)The name given to the second and most important of the five days of feasting during the  celebration of Maskal.  The first, yeft; the third, esat or 'fire day'; the fourth, nek bar or 'great  day'; the last ers bar or 'small day'.  Wahameya symbolises success, abundance, rejoicing.&lt;br /&gt;(24)Cattle stall in the main house."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Damwamwit&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;"Maryam : the place of Maryam in the Gurage belief system seems sometimes to be confused with that occupied by Damwamwit.  Maryam, creator-goddess is credited with furnishing the natural world, which Yegzar, the Gurage High god, is believed to have created, with human and animal beings."&lt;br /&gt;&lt;br /&gt;"Oh Maryam, abo! (1)&lt;br /&gt;Maryam, in Sanan;&lt;br /&gt;Maryam, in Ašwawenna; (2)&lt;br /&gt;Maryam in Addis Ababa;(3)&lt;br /&gt;Maryam, in Workite; (4)&lt;br /&gt;Maryam, is for all!&lt;br /&gt;Maryam; is for Čaha;&lt;br /&gt;Maryam is for Kings;&lt;br /&gt;She is for Negwes Amarga (5)&lt;br /&gt;Oh Maryam, Oh Maryam, abo!&lt;br /&gt;Oh Maryam, You create him.&lt;br /&gt;When cattle are created,&lt;br /&gt;You create them.&lt;br /&gt;Oh Maryam, the creator!&lt;br /&gt;Oh Maryam, the destroyer!&lt;br /&gt;Oh Maryam, of all that You created,&lt;br /&gt;why did You create death?"&lt;br /&gt;&lt;br /&gt;"(1)the word abo, which also appears in praise-chant to Bwaža is of uncertain origin, probably an Adeya loan-word.  Its use is reserved exclusively for ceremonial songs addressed to tribal dignitaries, chiefs, and 'kings', for example, and religious personages, the word being repeated as a refrain following a stanza of praise.  Abo roughly translated means 'Long live...'; hence in this line 'Long live Maryam'&lt;br /&gt;(2)presumably place-names which cannot be identified&lt;br /&gt;(3)the modern capital of Ethiopia&lt;br /&gt;(4)perhaps the place mentioned here is meant to be the market town of Walkitte&lt;br /&gt;(5)Reference to the late Negwes Amarga (d.1958) of the Čaha tribe of Gurage.&lt;br /&gt;(6)Lit. 'infant' of 'child', is also used as an informal title of respect for a young man who has gained prominence and success in warfare, but has not yet had bestowed upon him a military title.  Very often he was of the rank and file of soldiery who excelled in bravery during his first encounter on the battlefield.  Here the term is used, it seems, to refer to war heroes.&lt;br /&gt;(7)This line alludes to the dualistic nature of Gurage thoughts about creation of the world and living beings in it.  The High God of Supreme Being, Yegzar, is credited with creation of the 'natural world'; Maryam created the world of human and animal species".&lt;br /&gt;&lt;br /&gt;__________________&lt;br /&gt;Note: this HTML, the tabs and the fonts are absolutely doing my head in, so I am leaving it until I feel guilty enough about cosmetics to try to re-arrange the text size and font match.  Apologies to the readers. &lt;br /&gt;&lt;br /&gt;Notes typed with fingers bopping to &lt;a href="http://www.soulculture.co.uk/"&gt;a big wallop of this&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-8712869831395234506?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/8712869831395234506/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=8712869831395234506' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/8712869831395234506'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/8712869831395234506'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/04/bwaza-and-damwamwit.html' title='Bwaža and Damwamwit'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-8468049841426185610</id><published>2010-04-16T12:49:00.002-07:00</published><updated>2010-04-18T02:38:21.214-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ethiopia'/><category scheme='http://www.blogger.com/atom/ns#' term='Africa'/><category scheme='http://www.blogger.com/atom/ns#' term='Human Rights'/><category scheme='http://www.blogger.com/atom/ns#' term='Eritrea'/><category scheme='http://www.blogger.com/atom/ns#' term='Africa Confidential'/><title type='text'>Africa Confidential.... Confi what?</title><content type='html'>I came across "&lt;a href="http://www.africa-confidential.com/news"&gt;Africa Confidential&lt;/a&gt;" ("&lt;span style="font-style: italic;"&gt;50 years of reporting in Africa"&lt;/span&gt;, "&lt;span style="font-style: italic;"&gt;one of the longest-established specialist publications on Africa"&lt;/span&gt;) several weeks ago, that is in name only.   My curiosity was intensely teased when I could get no access to it:  none from media outlets, be they online or in print, none from archives, none in dissected parts in other magazines, none from universities' online digital resources (Africa Confidential is only available to read when logged on ON campus) and most certainly for me no access from the magazine itself - the price of an annual subscription being in direct competition with my food budget (the prices range from £665/US$1,128 to £737/US$1,290 for an annual subscription.... oh plus VAT).&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;"To preserve our readers’ information advantage, Africa Confidential is only available by subscription. You’ll not find it on high street news stands or other public outlets. Moreover, none of our commentary, news and analysis is syndicated to the international news services, or re-sold to any of the web-based information aggregators.&lt;/span&gt;"&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;"So when you subscribe to Africa Confidential, you can be sure of receiving timely reporting and insightful analysis that is not available from any other media source.&lt;/span&gt;"&lt;br /&gt;&lt;br /&gt;Fair enough.... but this did not appease my thirst: confidential yes, but as in protecting its information from whom?   Its online 'About Us' page reads:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;"Why confidential?&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;This continent-wide, on-the-ground coverage enables us to identify and monitor upcoming issues before they are picked up by the general media – and analyse their real significance for our readers.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;What’s more, all our contributors write for us on the basis of strict anonymity, a principle that was established from the outset in 1960 to ensure writers’ personal safety in the turbulent, early years of post-colonial African independence.  Hence the newsletter’s title.&lt;/span&gt;"&lt;br /&gt;&lt;br /&gt;Ok, wonderful, honourable, prudent, whatever, but then it further develops that its readership includes:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;"national governments, the diplomatic corps, defence &amp;amp; security analysts, academic institutions, humanitarian and relief aid organisations, and private and public corporations in a wide variety of commercial sectors, from mining, energy and telecommunications, to financial markets and automotive.&lt;/span&gt;"&lt;br /&gt;&lt;br /&gt;Being both innocent and naive I had anticipated that national governments and defence institutions may turn out to be the main source of troubles for their writers' safety but no no hu hu it says. If the personal safety of its contributors is not at risk from these saintly bodies then does it only leave one monster: the public?&lt;br /&gt;&lt;br /&gt;This is where I have ax to grind: the elitism of information providers or gatherers.   I wonder where their funding comes from other than subscriptions (tax money?).   Well, this made me salivate even more: a promise of information available to few could only be a certainty to hit gold...&lt;br /&gt;&lt;br /&gt;Anyways, I did reach base (I mean campus) eventually and all Africa Confidential's treasures shone through my screen, specifically its 8th January 2010 '&lt;span style="font-weight: bold;"&gt;Dry times for a quick election&lt;/span&gt;' feature, a report about Ethiopia's forthcoming election.   A report I found particularly dumbfounding in 1) its title "&lt;span style="font-weight: bold;"&gt;The government faces elections against a divided opposition: its biggest enemies are the weather and Eritrean President Issayas Afewerki&lt;/span&gt;" and 2)  its analysis of the Ethiopian people's concerns regarding the election thus surmised:&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-weight: bold; font-family: arial; font-style: italic;font-family:arial;font-size:100%;"  &gt;The people’s priorities&lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 153); font-family: arial; font-style: italic;font-family:arial;font-size:100%;"  &gt;Many voters want to see a serious plan to develop the economy, to push down the ruinous costs of education and healthcare. That takes priority over concerns about human rights or military operations in the Ogaden and Somalia. Excoriated by Western liberals (but admired by ‘realist’ diplomats), Meles neither excites nor appals many Ethiopians; nor is he seen as especially authoritarian compared to his predecessors, Derg leader Mengistu Haile Mariam and Emperor Haile Selassie.&lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 153); font-family: arial; font-style: italic;font-family:arial;font-size:100%;"  &gt;The EPRDF offers policies in droves. Almost every ministry is producing a new five-year Plan for Accelerated and Sustained Development to End Poverty, of the kind encouraged by the World Bank and Britain’s Department for International Development. Such plans highlight the opposition’s policy weaknesses – and the government can point to much faster economic growth over the last few years.Inflation has fallen in recent months, as has the budget deficit. The prices of export commodities seem to be on the up, with coffee earnings predicted to reach US$900 million this year, with sales of more than 300,000 tonnes. There are massive plans for further power development; Gilgel Gibe III, the largest project, will have a capacity of 1,870 megawatts. It is on schedule and Gilgel Gibe II, with a capacity of 420 MW, will start generating in mid-2010.After last year’s drought, food will be short in eastern areas of Tigray, Amhara and Oromo, parts of the Afar, Somali and Southern Nationalities regions. Most of Ethiopia is ‘generally food secure’, but the midseason assessment is that 4.7 mn. people will need food aid in the first half of 2010. The United Nations World Food Programme says its funding for Ethiopia has a $127 mn. shortfall. Government food reserves are at 200,000 tonnes. Production in the Belg (February-June) harvest and prospects for the Meher crops (the main season, which normally accounts for 90-95% of annual production) are poor after the lighter than usual Kiremt rains.&lt;/span&gt;&lt;span style="font-style: italic;font-size:100%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;And pray, what the heck is "southern nationalities" region?&lt;br /&gt;&lt;br /&gt;So that's what was so confidential.    Should I tell you about its 5th March article titled 'Target Eritrea'.... ?  It's first paragraph is quite erm... peculiar... to me.   Maybe in another post?&lt;br /&gt;&lt;br /&gt;Incidentally, you may want to read their &lt;a href="http://www.africa-confidential.com/whos-who-search/alpha/A"&gt;Who's Who&lt;/a&gt; list available online.&lt;br /&gt;&lt;br /&gt;_______________&lt;br /&gt;Notes taken by fingers blues-ing on &lt;a href="http://www.guardian.co.uk/music/musicblog/2010/feb/02/gil-scott-heron-new-here"&gt;Gil-Scott Heron's new Album 'I'm New here'&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-8468049841426185610?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/8468049841426185610/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=8468049841426185610' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/8468049841426185610'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/8468049841426185610'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/04/africa-confidential-confi-what.html' title='Africa Confidential.... Confi what?'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-2193233008816594938</id><published>2010-04-12T11:50:00.000-07:00</published><updated>2010-05-11T06:43:22.829-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mengesha Rikitu'/><category scheme='http://www.blogger.com/atom/ns#' term='alphabet'/><category scheme='http://www.blogger.com/atom/ns#' term='Ethiopia'/><category scheme='http://www.blogger.com/atom/ns#' term='Owl'/><category scheme='http://www.blogger.com/atom/ns#' term='Oromtitti'/><category scheme='http://www.blogger.com/atom/ns#' term='Donkey'/><category scheme='http://www.blogger.com/atom/ns#' term='Proverbs'/><category scheme='http://www.blogger.com/atom/ns#' term='Oromo'/><category scheme='http://www.blogger.com/atom/ns#' term='Oromifa'/><category scheme='http://www.blogger.com/atom/ns#' term='Belletech Deressa'/><category scheme='http://www.blogger.com/atom/ns#' term='Afroasiatic'/><title type='text'>"Kan darbe yaadatani, isa gara fuula dura itti yaaddu" (Oromo proverb)</title><content type='html'>&lt;em&gt;"By remembering the past, the future is remembered".&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;- Notes from "Oromo Folk Tales for a new generation" by Mengesha Rikitu (see also his "Oromo Proverbs" and "Oromo Grammar") -&lt;br /&gt;&lt;br /&gt;I found this collection of Oromo folk tales and proverbs and some of them are worth the detour, I love that kind of stuff:&lt;br /&gt;&lt;br /&gt;1) &lt;em&gt;Oromo Proverb – &lt;span style="FONT-WEIGHT: bold"&gt;Harreen yeroo alaaktu malee, yeroo dhuudhuuftu hin'beektu&lt;/span&gt;&lt;br /&gt;"The Donkey doesn't know that it is farting again and again when it is braying." (ie some people concentrating on their own verbosity are unaware of what is going on behind them)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;You can totally tell that dhuudhuuftu is the farting right, am betting on that word, I'll have to look it up.&lt;br /&gt;&lt;br /&gt;Oromifa is one of the five most widely spoken (Afroasiatic) languages in Africa. Its importance lays in the numbers of its speakers and in its geographical extent. The 'official' numbers point to 30 million Oromo speakers (but there has not been to this day a complete or reliable census). The majority of the Oromo people are in Ethiopia and a sizable chunk of this community also dwells in Kenya.&lt;br /&gt;&lt;br /&gt;2) Oromo Proverb : &lt;em&gt;&lt;strong&gt;Waagayoo hin'arifatu, wanta hundumaa yeroo saati hojjeta&lt;/strong&gt;&lt;br /&gt;"God is not in a hurry, He is working everything out at it's proper time."&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;3) Oromo Proverb : &lt;em&gt;&lt;span style="FONT-WEIGHT: bold"&gt;bari fallana, takka namaa fodogaa, takka nama fondoga&lt;br /&gt;&lt;/span&gt;"Time is like a spoon once it feeds, once it snatches."&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Very sadly, the Oromo people have been turned into an invisible majority in Ethiopia and have suffered (and still are suffering) violent, ruthless and unrequiting blows at the hands of policies designed to erase them as a people, to wipe out their culture and language. The Oromo diaspora, men and women, is trying to preserve its cultural heritage and this book is one such example at putting to pen an oral tradition at risk.&lt;br /&gt;&lt;br /&gt;4) Oromo Proverb : &lt;em&gt;&lt;span style="FONT-WEIGHT: bold"&gt;Gadhee fi badheen afaan ballatu&lt;/span&gt;&lt;br /&gt;"A gourd cup and a bad person are wide at the mouth" ( ie : those who do not know their limits talk too much).&lt;/em&gt; Reader, I hope you're not thinking right now this might apply to this blog post...&lt;br /&gt;&lt;br /&gt;5) Oromo Proverb : &lt;em&gt;&lt;span style="FONT-WEIGHT: bold"&gt;Harka abbaa tokkotin ibidda qabbaachuun nama hindhibu&lt;/span&gt;&lt;br /&gt;"It is not difficult to catch fire with someone else's hand" (ie it is not difficult to risk someone else's skin.)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;The Oromo alphabet consists of 30 letters (5 vowels, 24 'consonants' - 5 glottalised 'pair' letters - one letter not in the consonant group which is sub-gap and voiced). Keep it in mind while pacing this:&lt;br /&gt;&lt;br /&gt;6) An Oromo Folk Tale : &lt;em&gt;'A WISE KING AND A CLEVER OW&lt;/em&gt;L'&lt;br /&gt;&lt;br /&gt;&lt;em&gt;"Once upon a time in a far off country there was a well known king..." &lt;/em&gt;- yeah, you know the deal, I'll take it from here, if you'll allow, to shorten the post slightly, not to disrespect the story teller Mengesha Rikitu.&lt;br /&gt;&lt;br /&gt;This king spoke every language known to human beings and animals. He loved his wife very much and acquiesced to her every request (she was, you'll have guessed, very beautiful and equally very whimsical). After many unreasonable demands such as wanting a carpet made from corn silk, the lady demanded a carpet of feathers. Since the king spoke to all animals he called upon all birds to present themselves immediately that morning so that he could pluck their feathers. As soon as he called them [and knowing what he would do to them, woaw, animals are so devoted and are such fatalists!] they arrived. However the Owl was missing. The king, miffed, decided to wait for the Owl before starting the plucking. The Owl only came at sunset.&lt;br /&gt;&lt;em&gt;"The king asked 'why didn't you come this morning?'&lt;br /&gt;The Owl replied 'Oh my Lord, O my majesty, I was very busy with my work'.&lt;br /&gt;The king dumbfounded asked 'why were you so over-busy'&lt;br /&gt;The Owl replied 'I was counting days and nights, male and female'.&lt;br /&gt;The King growing more curious than angry, further inquired 'What did you find then, are there more males than females?'&lt;br /&gt;The Owl answered 'There are more women than men and more days than nights'&lt;br /&gt;The king asked 'why is it so?'&lt;br /&gt;The Owl answered 'I know that every day has night and every man has wife'&lt;br /&gt;The king asked 'what do you mean?'&lt;br /&gt;The Owl replied 'Oh your majesty, in the night when the moon shines it makes the night like the day. In the same way a man who obeys every command of his wife becomes like a wife himself'."&lt;/em&gt;&lt;br /&gt;This story opened a whole series or rather, ahem, ungratifying proverbs about women (ie ungratifying for women). I would have posted some of them but I do find that as we say in French the best jokes are the shortest.&lt;br /&gt;&lt;br /&gt;I do find these proverbs humorous from the height and distance of my passport which affords me rather luxurious human and woman's rights (luxurious in comparison with many other legal and cultural practices around this globe) and mostly I can afford a little scorn for all patriarchal systems, given my grand and beloved matriarchal inheritance. One book did set my not-yet-born smile back: Oromtitti: the forgotten women in Ethiopian History by Belletech Deressa. More on that in another post.&lt;br /&gt;&lt;br /&gt;A final wisdom note:&lt;br /&gt;&lt;br /&gt;7) Oromo Proverb : &lt;em&gt;&lt;span style="FONT-WEIGHT: bold"&gt;Ganamaan Ka'anif Waaqi dur hin'baan&lt;/span&gt;&lt;br /&gt;"To rise early will not help escape from God"&lt;/em&gt; … one I'll definitely ponder on tomorrow at dawn...&lt;br /&gt;_______________&lt;br /&gt;Notes taken fingers jamming to Mos Def '&lt;a href="http://www.youtube.com/watch?v=mcxLFXbECsY"&gt;Umi says&lt;/a&gt;' , '&lt;a href="http://www.youtube.com/watch?v=6v0hk4FGTDU"&gt;Mathematics&lt;/a&gt;' , Kenna '&lt;a href="http://www.youtube.com/watch?v=f4jOC7DUVnA&amp;amp;feature=PlayList&amp;amp;p=2D0866BBF5201FE6&amp;amp;playnext_from=PL&amp;amp;playnext=1&amp;amp;index=3"&gt;Out of control&lt;/a&gt;'&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-2193233008816594938?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/2193233008816594938/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=2193233008816594938' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/2193233008816594938'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/2193233008816594938'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/04/kan-darbe-yaadatani-isa-gara-fuula-dura.html' title='&quot;Kan darbe yaadatani, isa gara fuula dura itti yaaddu&quot; (Oromo proverb)'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8337601251829074745.post-2495177195613466901</id><published>2010-04-11T08:56:00.000-07:00</published><updated>2010-04-18T02:44:29.019-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='alphabet'/><category scheme='http://www.blogger.com/atom/ns#' term='Akkadian'/><category scheme='http://www.blogger.com/atom/ns#' term='Ugaritic'/><category scheme='http://www.blogger.com/atom/ns#' term='Abyssinia'/><category scheme='http://www.blogger.com/atom/ns#' term='logograms'/><category scheme='http://www.blogger.com/atom/ns#' term='K&apos;naan'/><category scheme='http://www.blogger.com/atom/ns#' term='Ayele Bekerie'/><category scheme='http://www.blogger.com/atom/ns#' term='hermeneutics'/><category scheme='http://www.blogger.com/atom/ns#' term='morphographemic'/><category scheme='http://www.blogger.com/atom/ns#' term='Ethiopia'/><category scheme='http://www.blogger.com/atom/ns#' term='Ethiopic'/><category scheme='http://www.blogger.com/atom/ns#' term='Sumerian'/><category scheme='http://www.blogger.com/atom/ns#' term='Asras Yanesaw'/><category scheme='http://www.blogger.com/atom/ns#' term='Ge&apos;ez'/><category scheme='http://www.blogger.com/atom/ns#' term='syllograph'/><title type='text'>Tickling Ge'ez, no no I don't mean tackling...</title><content type='html'>Notes based on "Ethiopic : An African Writing System  / Its History and Principle" by Ayele Bekerie, The Red Sea Press, 1997.&lt;br /&gt;&lt;br /&gt;In his chapter 'The History and Principles of the Ethiopic Writing System', Professor Bekerie introduces parts of the exegesis for Ge'ez.  I wish I could get my hands on Asras Yanesaw's Yakam Matasabia, preferably translated in English (I'll settle for French also mind you).  Anyways, briefly, this is what I wanted to share:&lt;br /&gt;&lt;br /&gt;Ge'ez is a writing system that organises itself around 7 orders (what Indo-European terminology would categorise as vowels within a syllabary) and 26 graphs.  I keep here the term graph used by Professor Bekerie and I really hope that his new term 'syllograph' for Ge'ez will be widely accepted and adopted from now on by Ethiopianists.  Indeed, Ge'ez is NOT an alphabet!  On a personal note, I do think that there would be much to be gained from observing Ge'ez's graphs as logograms or at the very least inquire as to the morphographemic dimension of its syllabary (maybe it has already been done, any suggestions anyone?).&lt;br /&gt;&lt;br /&gt;So 7 Orders times 26 Graphs equals 182.  This number represents half a year, that is, one equinox.  There are two equinoxes in a year, and so 182 times two is 364.  This corresponds to the total number of days in a year...  Well, not really, of course a year is 365 days, 6 hours, 9 minutes and 9.55 seconds.  That is why there is a thirteen month in the Ethiopian calendar, to make up for the 'discrepancy' - a calendar which is therefore equinoctial and based on a solar year.&lt;br /&gt;&lt;br /&gt;I am not going to dive into numerology, I find it quite difficult to count actually, no jokes.  I am just wondering though, why divide the 364 total by 12, I mean where does this 12 come from, why a basis of twelve months?  Or is it that number 30 (30 days, that is the number of days in each Ethiopian month) dictates 12 months?  30 has no relation to a prime number in a system organised around 7 or 26.... hmmm, curioser and curioser... well for someone as numeral-illiterate as I.  Perhaps a reader has the answer or perhaps the answer is to be found in a comparison elsewhere.  '12' reminds me of the Sumerian and Akkadian sexagesimal system (organised around 6 or 60) – which would account for 12 and 30.  The Sumerian calendar is based on synodic months, a lunar year of 12 months plus another added (or an intercalendary one added) in order to fall in sync with the solar year.  It also revolves around two seasons, as would suggest the Ge'ez calendar's two equinox base.  There is also a 'still-being-uncovered' study of the mnemonic aspects of graphs and astronomy for Sumerian and Akkadian, and the Ge'ez preserved system would be a fantastic source of information.&lt;br /&gt;&lt;br /&gt;I don't think I am seeing double, to me this is another lead into the similarities of two most ancient civilisations: Ethiopia and Ancient Mesopotamia.  Don't get me wrong, when I say comparison, I mean comparison.  The study of languages has become (or perphas always was) hijacked by politics and religion.  I am no hijacker.  Whenever I compare (languages, culture, whatever) I compare, strictly.  It does not mean that I am equating.&lt;br /&gt;&lt;br /&gt;I believe that Ge'ez is indigenous to Abyssinia.  I don't buy that it was imported.  I also believe that Ge'ez is far more ancient than the dates it has so far been allocated (due to the dearth of archeological data available until now and certainly also due to the dead end street that is endlessly seeking a source to Ge'ez in Yemen).&lt;br /&gt;&lt;br /&gt;What a wonderful world Abyssinia is, ain't it!&lt;br /&gt;&lt;br /&gt;There is a fascinating world of hermeneutics in Ge'ez, that is using numbers to decipher scriptures, again dear Asras comes up with taunting explanations of many terms like Abraham, Selam, Hewan.  I only have exerpts of what he wrote: hello, hello, if any one out there in cyberspace has a copy, please could you share one with me?  That would be grand!... well, one can hope can't one...&lt;br /&gt;&lt;br /&gt;________________&lt;br /&gt;Notes taken with fingers jigging to K'naan '&lt;a href="http://www.youtube.com/watch?v=PzQmdTt5dPQ"&gt;TIA&lt;/a&gt;', '&lt;a href="http://www.youtube.com/watch?v=qyKhC9Ahhrk"&gt;ABC&lt;/a&gt;', and '&lt;a href="http://www.addistunes.com/Urban_Africa_Club/music.php"&gt;Soobax&lt;/a&gt;'.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8337601251829074745-2495177195613466901?l=tellemchaho.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://tellemchaho.blogspot.com/feeds/2495177195613466901/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8337601251829074745&amp;postID=2495177195613466901' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/2495177195613466901'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8337601251829074745/posts/default/2495177195613466901'/><link rel='alternate' type='text/html' href='http://tellemchaho.blogspot.com/2010/04/tickling-some-exegesis-of-geez.html' title='Tickling Ge&apos;ez, no no I don&apos;t mean tackling...'/><author><name>Nadia Ghanem</name><uri>http://www.blogger.com/profile/09410495208207466049</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
