Machaho Tellem Chaho

While looking for the earliest crime fiction novel I could possibly find published by an Algerian novelist and/or in Algeria, I came across the name of Ahmed Chenouf-Boudi. Chenouf-Boudi, a journalist from Batna, is known to have published a number of crime/spy short stories in the newspaper An-Nasr in 1967, and from 1968 in the newspaper Algérie Actualités. Unfornutately no national archive holds these weeklies, and none of his stories was published in book format. Perhaps that one day, I'll find a copy of either papers and will be able to read and publish the stories, but in the meantime here is what we know. Chenouf-Boudi published a short story recounting an investigation. The title is ' Le fellah, l'ex-tirailleur et le commissaire politique ' (The Fellah, the ex-skirmisher, and the political commander), published in An-Nasr, on 20 septembre 1967 et 7 octobre 1967. When this newspaper first appeared, it was produced in French, it moved to Arabic a few ye

Today marks the centenary of Mohammed Dib who was born on 21 July 1920 in Tlemcen. Dib is one of the most successful and recognisable voices of Algerian literature, and one of its most prolific . Dib's first novels and short stories changed the fiction spectrum with their depiction of the everyday life of Algerians and the oppressive conditions of French colonisation - daring themes at the time. Dib's first novel, La Grande Maison (The Great House) published in 1952 by Le Seuil editions (France) was received with acclaim by readers and the literary community for the beauty of Dib's writing as much as for the novel's theme. Conversely and unsurprisingly, it was received with much anguish by the French authorities given the content. This first novel was to be part of a trilogy, the second volume of which, L'Incendie (The Fire), appeared in 1954 as the war of independence was declared. The third and final volume Le Métier à tisser (The Loom) was released in 1

Le grand zoiseau by Baya 1985 The painter and sculptor Baya Mehieddine, born Fatima Haddad on 12 December 1931 (Bordj el Kiffan), is best remembered as a self-taught artist, and a surrealist, who marked her time (and ours still) with her bold depictions of animals and women in gouache. But little do we know her as a writer (see below). Baya's first exhibition was held when she was very young, sixteen years of age, in November 1947 at the Galerie Maeght in Paris. To publicise and celebrate the event, a leaflet in eight-sheets was produced, and it so happened that I found a hard copy (!). It is available here as a PDF . The leaflet is a true gem: it contains six lithographies by Baya, and rarer still, there is a short story by her called 'Le Grand Zoiseau' (difficult to translate, it means 'the big bird' but it is written phonetically in the way children pronounce 'bird' in French and mistake the singular for the plural). The title is known but a

( portrait of the artist made by M'hammed Issiakhem in Bouchene's 1987 edition of the poems ) Ismael Ait Djafer is an Algerian poet and caricaturist known for two gut-wrenching long compositions ' Complainte des mendiants arabes de la Casbah et de la petite Yasmina tuée par son père ' (published in 1950) and ' Cri ' (possibly composed in 1964, and published in 1987, and 1998). 'Cri' is pratically impossible to find nowadays, so to honour the poet's memory, and to try to keep his work in circulation his poem 'Cri', in the edition published by Novelte Massalia in 1998, is made available here as a pdf ( DOWNLOAD ). The whole book (with both poems) is downloadable here . The edition features a profile of the poet by Nadia Idjouadienne, a preface by Yacine Kateb, and two drawings by Ait Djafer.    Ismael Ait Djafer was born on 1 March 1929 in the Casbah, Algiers, where he was raised. A timid, gent