In the Algerian-authors-who-write-detective-novels league, Yasmina Khadra has to be top man. It pains me to say this I must confess, not because interviews have put the spotlight only on his egocentric traits making him a rather indigestible character, but because of the sheer Russian- roulette-style of his work. I’ve often wondered, how can a man write so outstandingly well (see his work’s crown-jewel L'Olympe des infortunes, 2010), and in parallel write so shockingly badly (see the abysmal L’Attentat translated in EN by John Cullen as The Attack ). These manic up-and-down literary turns leave me baffled, but admittedly, keep me interested. This aside, he never fails in the detective fiction genre. His very enjoyable and well-netted Inspector Llob series can't be put down. The central theme of Khadra’s detective stories is corruption within the police force and politics, and he explores how these corrupted worlds both merge, clash, and merge again, thereb
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