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Showing posts from December, 2019

Algerian novels and The International Prize for Arabic Fiction - a little history

The longlist for the 2020 International Prize for Arabic Fiction (IPAF) has just been announced, revealing that out of 16 longlisted novels no less than 4 are by Algerian writers this year. They are The Spartan Court by Abdelouahab Aissaoui , The stairs of Tolar by Samir Kacimi , The mingling of seasons by Bachir Mefti, and Firewood of Sarajevo by Said Khatibi . This longlist also includes novels by authors from other North African countries: Al-Mutanabbi’s Rabat by Hassan Aourid (Morocco),  The Golden Hamam by Mohammed Eissa al-Mu’adab (Tunisia), The War of the Gazelle by Aisha Ibrahim (Libya), and two novels from Egypt, The Last Days of the Pasha by Rasha Adly and Fardeqan – the Detention of the Great SheikhYoussef Ziedan. The other authors are from the Middle East with Iraq, Lebanon, Syria, and Saudi Arabia ( see full list here ). IPAF was launched in 2007 and describes itself as " the most prestigious and important literary prize in the Arab world &quo

Algerian Publishing Houses - Who's Who

Finding out what fiction gets published and by whom in Algeria is a tough task, from afar especially, but more and more publishing houses have opened facebook pages and keep them (more or less) updated with their latest publications, and with the events to which their writers go. I have to say that there is no one doing a better job of promoting a novel than their author - writers are still badly let down on that front. Even if these publishing houses are on FB, they can be a pain to track down, and so I wanted to share the list of those I regularly check. I believe this list represents a small number of the Algerian publishing houses out there, especially for Arabic and Tamazight. Some publishers are tiny, self-financed by writers, and these tend to be less vocal or visible, and appear and disappear. But those shared here are some of the most active (at the time of writing this post!). Some of them have websites but they are useless, even the heavy weight Barzakh neglects its