The story is set in February, we are not told the year but we are in the second half of the 90s when war raged in Algeria between factions, armed groups, police and army cells, using civilians as ammunitions. Events unfold in Algiers and Tamanrasset.
Djoudet, or Djo, is a retired Chief Superintendent, widowed, with a son who lives abroad and with whom he rarely speaks. He had gone to live in Tamanrasset but had returned to Algiers for a few weeks, which turned into months. One morning, he receives a phonecall from Zedma, the Kalashnikov-ed leader of an Islamic group. Zedma asks Djo to repay an old debt. He had once saved Djo’s life during an ambush. The government had always tolerated Zedma and those like him. But now, mysteriously re-emerging after a six-year absence, Zedma reappears on the scene protected by the government.
Zedma, still head of an armed Islamic group, asks Djo to
find a young boy, Amine, who has disappeared. The young receveur, a bus
driver assistant who sells tickets during the journey, had decided to spend the
night at the station after the bus’s last run because of the curfew. He was
never seen again.
Djo accepts but of course knows Zedma is not giving him the
full story. He calls on his brother Aybak, a high ranking Colonel, and asks him
to discretely hunt for information on other events that may have occurred that
night. Djo also asks a couple of trusted friends, journalist RAS aka Rostmi-Abdelghafour
Sofiane, and his former colleague Zine, to hunt
for information.
He quickly discovers that the Algerian Security
Services are keeping an explosive secret: the only daughter of the all-powerful
DRS* chief was murdered on the same night that Amine disappeared, and in the
same area.
To keep their own investigation secret, the DRS is killing
all those who may have heard of the events and Djo has walked right into their mine
field.
Meanwhile, and in parallel, we are told the story of Structure,
the mysterious chief of the DRS, from his early days as assassin during the
revolution, to his calculated and ruthless climb in the highest spheres of the
military, and eventually of the Intelligence section.
Algerian current affairs’ readers will already be familiar
with a similar figure, always spoken about in dreaded terms and referred to as
the God
of Algeria.
Has Structure been dealt a powerful blow by his
enemies? Has his daughter been murdered as a result of a lover’s tiff? Structure
will find whoever has committed the crime, but will he catch up with the
murderer before he is himself murdered?
Adlene Meddi’s language follows the polar style, full
of dark humour, fast and ironic retorts, with a narration built on word play (too many for me towards the end, but that’s subjective). Tragic fates and inescapable ends tie
these parallel stories, and in the style of a legend or myth, Meddi reminds his
characters and readers that even the lives of gods have an end.
While La prière du Maure belongs to the crime
fiction genre, it also crosses borders into a larger narrative that
blends in elements of political fiction.
This novel, while written in 2008, would make for an interesting
debate today, especially given recent events and developments on the Algerian
‘political’ scene as running parallel to the
investigation of this retired Superintendent, the ascent of the mysterious
Secret Services’ all-powerful
leader is told, a ascent that ends with his assassination.
La prière du Maure is a great addition to the Algerian detective fiction genre.
La prière
du Maure (The Moor's Prayer) is Algerian novelist Adlene Meddi's
second detective novel (ed. Barazakh). It was published in 2008. His first
detective novel Le casse-tête turc (that I'd translate as The Turkish
Chinese-Puzzle) was published in 2002 with Barzakh editions also.
* Algeria’s Department of Intelligence and Security
Comments
Khadra is in another league altogether, I really enjoyed Qu'attendent les singes too, and a crime story with (finally) a woman Inspector.